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The Orphan in Fiction and Comics since the 19th Century
The orphan has turned out to be an extraordinarily versatile literary figure. By juxtaposing diverse fictional representations of orphans, this volume sheds light on the development of cultural concepts such as childhood, family, the status of parental legacy, individualism, identity and charity. The first chapter argues that the figure of the orphan was suitable for negotiating a remarkable range of cultural anxieties and discourses in novels from the Victorian period. This is followed by a discussion of both the (rare) examples of novels from the first half of the 20th century in which main characters are orphaned at a young age and Anglophone narratives written from the 1980s onward, when...
Failure: the Humble Narrative of Unsuccessfulness in Late Modernist Fiction
Failure as a pervasive occurrence in life has rarely been investigated by sociology, even though the collapse of plans, unattainability of goals and breakdown of vital relationships are ordinary experiences. The study of early-21st-century fiction reveals that imaginative literature at present explores the lacunae of failure, disillusionment and collapse as central narrative themes. About fifty years after Samuel Beckett, in whose works the failing of expression became a major concern, postmillennial narratives expose disruption or defeat as subject matter and literary trope. Unheroic failure as a motif makes its variegated appearance in diverse areas of human life such as love, religion, art, and social community. The narratives explore it as the individual's participation in common humanity.
Science Fiction and Postmodern Fiction
In the years after 1950 a new generation of authors began to expand the thematic scope of Science Fiction, while also extending its narrative conventions by introducing ideas from modern psychology and surrealism. Science Fiction shares the new themes - the quest of identity, the relativity of time and consciousness, the overlapping of illusion and reality - with works of modern and especially postmodern fiction. On the other hand, the innovative postmodern fiction of Pynchon, Borges, Vonnegut, and William Burroughs incorporates Science Fiction motifs, thereby blending the two genres. This book, in a series of juxtapositions and contrastive literary analyses, clarifies and questions existing genre borderlines and breaks new ground in the literary theory of postmodern fiction and of Science Fiction.
Portraits of the Artist as a Young Thing in British, Irish and Canadian Fiction After 1945
The author is dead; long live the author. In a time when discourses, words and structures determine the discussion about literary texts, paradoxically, the figure of the artist looms large in novels, short stories, movies and plays. In a "post-Barthesian age" (Scherzinger) the figure of the artist is ascribed more and more significance. While the portraits of the artist as a young man are well-researched and documented, female artist figures in literature(s) in English are still more or less neglected. This volume of anglistik & englischunterricht attempts to fill the gap. The focus of the essays lies, firstly, on the (de-)constructions of gender, secondly, the complex self-reflexive functions of the artist figures and, thirdly, on the negotiations of cultural faultlines.
Facing the East in the West
Over the last decade, migration flows from Central and Eastern Europe have become an issue in political debates about human rights, social integration, multiculturalism and citizenship in Great Britain. The increasing number of Eastern Europeans living in Britain has provoked ambivalent and diverse responses, including representations in film and literature that range from travel writing, humorous fiction, mockumentaries, musicals, drama and children's literature to the thriller. The present volume discusses a wide range of representations of Eastern and Central Europe and its people as reflected in British literature, film and culture. The book offers new readings of authors who have influe...
Narrating Loss
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Exploited, Empowered, Ephemeral
Childhood in neo-Victorian fiction for both child and adult readers is an extremely multifaceted and fascinating field. This book argues that neo-Victorian fiction projects multiple, competing visions of childhood and suggests that they can be analysed by means of a typology, the 'childhood scale', which provides different categories along the lines of power relations, and literary possible-worlds theory. The usefulness of both is exemplified by detailed discussions of Philippa Pearce's "Tom's Midnight Garden" (1958), Eva Ibbotson's "Journey to the River Sea" (2001), Sarah Waters' "Fingersmith" (2002) and Dianne Setterfield's "The Thirteenth Tale" (2006).
Images of Shakespeare
A wide range of approaches is presented in this collection, among them artists' images of Shakespeare. Victorian Hamlets, changing images of the protagonists in Romeo and Juliet, degrees of metaphor in King Lear, and Shakespeare's plays in performance.
Who's Afraid Of... ?
Fear in its many facets appears to constitute an intriguing and compelling subject matter for writers and screenwriters alike. The contributions address fictional representations and explorations of fear in different genres and different periods of literary and cultural history. The topics include representations of political violence and political fear in English Renaissance culture and literature; dramatic representations of fear and anxiety in English Romanticism; the dramatic monologue as an expression of fears in Victorian society; cultural constructions of fear and empathy in George Eliot's Daniel Deronda (1876) and Jonathan Nasaw's Fear Itself (2003); facets of children's fears in twentieth- and twenty-first-century stream-of-consciousness fiction; the representation of fear in war movies; the cultural function of horror film remakes; the expulsion of fear in Kazuo Ishiguro's novel Never Let Me Go and fear and nostalgia in Mohsin Hamid's post-9/11 novel The Reluctant Fundamentalist.
