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Research is suggesting that rather than our senses being independent, perception is fundamentally a multisensory experience. This handbook reviews the evidence and explores the theory of broad underlying principles that govern sensory interactions, regardless of the specific senses involved.
Bringing together neural, perceptual, and behavioral studies, The Merging of the Senses provides the first detailed review of how the brain assembles information from different sensory systems in order to produce a coherent view of the external world. Stein and Meredith marshall evidence from a broad array of species to show that interactions among senses are the most ancient scheme of sensory organization, an integrative system reflecting a general plan that supersedes structure and species. Most importantly, they explore what is known about the neural processes by which interactions among the senses take place at the level of the single cell.The authors draw on their own experiments to illustrate how sensory inputs converge (from visual, auditory, and somatosensory modalities, for instance) on individual neurons in different areas of the brain, how these neurons integrate their inputs, the principles by which this integration occurs, and what this may mean for perception and behavior. Neurons in the superior colliculus and cortex are emphasized as models of multiple sensory integrators.
The major reference work for a rapidly advancing field synthesizes central themes, reports on current findings, and offers a blueprint for future research. Scientists' attempts to understand the physiology underlying our apprehension of the physical world was long dominated by a focus on the individual senses. The 1980s saw the beginning of systematic efforts to examine interactions among different sensory modalities at the level of the single neuron. And by the end of the 1990s, a recognizable and multidisciplinary field of "multisensory processes" had emerged. More recently, studies involving both human and nonhuman subjects have focused on relationships among multisensory neuronal ensembl...
This book introduces prime numbers and explains the famous unsolved Riemann hypothesis.
Provocative, challenging, and fun, The Ideal Problem Solver offers a sound, methodical approach for resolving problems based on the IDEAL (Identify, Define, Explore, Act, Look) model. The authors suggest new strategies for enhancing creativity, improving memory, criticizing ideas and generating alternatives, and communicating more effectively with a wider range of people. Using the results of laboratory research previously available only in a piece-meal fashion or in scientific journals, Bransford and Stein discuss such issues as Teaming new information, overcoming blocks to creativity, and viewing problems from a variety of perspectives.
How does the brain go about the business of being conscious? Though we cannot yet provide a complete answer, this book explains what is now known about the neural basis of human consciousness.The last decade has witnessed the dawn of an exciting new era of cognitive neuroscience. For example, combination of new imaging technologies and experimental study of attention has linked brain activity to specific psychological functions. The authors are leaders in psychology and neuroscience who have conducted original research on consciousness. They wish to communicate the highlights of this research to both specialists and interested others, and hope that this volume will be read by students concerned with the neuroscientific underpinnings of subjective experience. As a whole, the book progresses from an overview of conscious awareness, through careful explanation of identified neurocognitive systems, and extends to theories which tackle global aspects of consciousness. (Series B)
Synaesthesia is a confusion of the senses, whereby stimulation of one sense triggers stimulation in a completely different sensory modality. A synaesthete might claim to be able to hear colours, taste shapes, describe the colour, shape, and flavour of someone's voice, or music, the sound of which looks like 'shards of glass'. Throughout history, many notable artists and writers have claimed to suffer from synaesthesia, including, Arthur Rimbaud, Wassily Kandinsky, Vladimir Nabakov, and David Hockney. The condition remains as controversial now as when first brought to the public eye many years ago - one notable scientist dismissing it as mere 'romantic neurology.' In Synaesthesia: the strange...