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Mark
The distinguished Dutch New Testament scholar Bas van Iersel offers us an incisive and comprehensive episode-by-episode commentary on the Gospel of Mark. His special focus is on the contribution of each episode to the overall meaning of the gospel, at both the level of the story and the level of the discourse. As a reader-response commentator, his concern is everywhere with the effect of Mark's story on its readers, engaging both with the situation of the original audience of Mark-Christians of Gentile origin in Rome shortly after the Neronian persecutions-and with that of the present-day reader. Even the introductions are reader-related: on the role of the reader, the original audience and the reader of today, the overall concentric structure of Mark, and the relation of Mark to the Old Testament.
Mark
An incisive and comprehensive episode-by-episode commentary on the Gospel of Mark. There is a special focus on the contribution of each episode to the overall meaning of the Gospel, at both the level of the story and the level of the discourse. As a reader-response commentator, the author's concern is constantly with the effect of Mark's story on its readers, engaging both the situation of the original audience of Mark - Christians of Gentile origin in Rome shortly after the Neronian persecutions - and with that of the present-day reader.
The Turning Point in the Gospel of Mark
Based on linguistic and thematic links in the narrative, 'The Turning Point in the Gospel of Mark' argues that the twin pericopae of Peter's confession (8:27-38) and the Transfiguration (9:2-13) together function as the turning point of the Gospel and serve in a Janus- like manner enabling the reader to see the author's main focus: the identity of Jesus and the significance of that reality for his disciples. Peter's confession of Jesus as Messiah faces backward toward the Prologue (1:1-13) and functions as a mid-course conclusion. The declaration by God on the mountain faces forward and foreshadows the end-course conclusion (14:61-62; 15:39; Son of God). Jesus, in response, teaches that the Son of Man must suffer and die before being raised from the dead(8:31). Christologically, the images of Messiah, Son of Man, and Son of God converge and present Jesus, the crucified, as king, ushering in the kingdom of God in power (9:1 acting as the key swivel between the twin pericopae). When one is confronted withthis Jesus, though there remains something elusive about him and the kingdom of God in the narrative, the only wise decision (after calculating the costs, 8:34-38) is to follow.
From the Gospel to the Gospels
The monograph is devoted to a crucial point of Christian theology: its development from the short formulae of the ‘gospel’ (euangelion) – as the first reflected expressions of Christian faith – to the theology of literary Gospels as texts that evoked the idea of Christian canon as a counterpart of the “Law and Prophets”. In the formulae of the oral gospel the apocalyptic expectations are adapted into a “doubled” or “split” eschatology: The Messiah has appeared, but the messianic reign is still the object of expectation. The experience with Jesus’ post Easter impact has been named as “resurrection” of which God was the subject. Since the apocalyptic “resurrection” applied for many or all people, the resurrection of Jesus became a guarantee of hope. The last chapters analyze the role of the oral gospel in shaping the earliest literary Gospel (Mark). This book analyses Gospels as texts that (re-)introduced Jesus traditions into the Christian liturgy and literature. Concluding paragraphs are devoted to the titles of the individual Gospels and to the origins of the idea of Christian canon.
A Preface to Mark
A Preface to Mark is a literary study which, from the standpoint of the newer critical methodologies, explores two questions. First, Bryan attempts to determine what kind of text Mark would have been seen to be, both by its author and by others who encountered it near the time of its writing. He examines whether Mark should be seen as an example of any particular literary type, and if so which. He concludes that a comparison of Mark with other texts of the period leads inevitably to the conclusion that Mark's contemporaries would broadly have characterized his work as a "life." Second, Bryan looks at the evidence that exists to indicate whether Mark, like so much else of its period, was writ...
Transfigured
Uses Derrida to read the Gospels of Mark.
SCM Core Text The Bible and Literature
The first textbook to engage with the crossover between the Bible and literature, covering all the key methods of literary criticism and presenting a truly inter-disciplinary approach.
Matthew's Judaization of Mark
Creative imitation (Gk., mimesis; Lt., imitatio) was the primary literary convention of the ancient world of the first century CE. In the first part of the book it is demonstrated that it was the principal means by which classical authors, for example, Virgil, Seneca, Plutarch, and Livy, composed their works. An examination of the use of sources in both Jewish and Christian Sacred Scriptures in the light of this convention provides a new and fruitful approach to scripture scholarship. The Book of Tobit and Paul's First Letter to the Corinthians (1 Cor 8-10) are examined to demonstrate this thesis. This sets the context for an examination of Matthew's use of Mark as a literary source in the l...
Performing Early Christian Literature
Scholars of early Christian literature acknowledge that oral traditions lie behind the New Testament gospels. While the concept of orality is widely accepted, it has not resulted in a corresponding effort to understand the reception of the gospels within their oral milieu. In this book, Kelly Iverson reconsiders the experiential context in which early Christian literature was received and interpreted. He argues that reading and performance are distinguishable media events, and, significantly, that they produce distinctive interpretive experiences for readers and audiences alike. Iverson marshals an array of methodological perspectives demonstrating how performance generates a unique experiential context that shapes and informs the interpretive process. Iverson's study explores the dynamic oral environment in which ancient audiences experienced the gospel stories. He shows why an understanding of oral performance has important implications for the study of the NT, as well as for several issues that are largely unquestioned by biblical scholars.
The New Cambridge Companion to Biblical Interpretation
This volume provides an up-to-date introduction to the diverse ways the Bible is being interpreted by scholars in the field.
