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This autobiographical novel on the life of the brilliant Belgian inventor Marcel Demeulenare and his wife Simonetta narrates the fabled story, set between the end of the 13th century and the beginning of the 14th, of the couple during their years in Spain, turned into happy misfits who travel as jugglers and animal tamers giving entertainment shows in cities throughout the peninsula. Through their delicious dialogues, the reader will be able to learn about and delve into the advanced philosophy of this great woman of the 20th century and the great ideas of the great Flemish engineer, inventor of important technical systems. The real life that Simonetta and Marcel led during their unexpected ...
Digital art challenges archiving, collecting and preserving methods within and outside of gallery, library, archive and museum (GLAM) institutions. By its media, art in the digital sphere is processual, contextual, modular and ephemeral, and its creative process is collaborative. From artists, scholars, technicians and conservators—to preserve this contemporary art is a transdisciplinary task. This book brings together leading international experts from digital art theory and preservation, digital humanities, collection management, conservation and media art histories. In a transdisciplinary approach, theoretic and practice-based research from these stakeholders in art, research, education and exhibition are presented to create an overview of present preservation methods and discuss demands and opportunities for the future. Finally, the need for a new appropriate museum and archive infrastructure is shown to preserve the art of our time.
Las Colecciones y Archivos de Arte Contemporáneo (CAAC) de la Facultad de Bellas de Cuenca surgen a finales del año 2012 con la pretensión de reunir bajo dicha marca al conjunto de centros, museos, colecciones y archivos que distintos profesores-investigadores pertenecientes a este centro han ido construyendo desde su creación, en 1986, hasta lograr compilar después de todos estos años unos recursos patrimoniales que tienen como marco común las prácticas artísticas desarrolladas por las vanguardias alternativas surgidas a lo largo de la segunda mitad del siglo XX y comienzos del XXI. En las CAAC de Cuenca se agrupan en la actualidad el Museo Internacional de Electrografía (MIDE), e...
Este libro es el resultado del Proyecto de Innovación ID2021/041 “El Reto de la inclusión de los Objetivos de Desarrollo Sostenible en la Formación Inicial de Profesores de Secundaria: Creación del MOOC sobre Educación y ODS, inclusión en asignaturas y en Trabajos Fin de Máster” que también ha dado lugar al curso 2022/FEDU01 Formación docente específica para profesores del Máster en Profesor de Educación Secundaria, Bachillerato, Formación Profesional y Enseñanza de Idiomas - MUPES - curso 2021-22, desarrollado dentro del Plan de Formación Docente del Profesorado de la Universidad de Salamanca, a iniciativa del Vicerrectorado de Docencia e Innovación Educativa. Este curso...
Los trabajos presentados en el congreso «INCLUYE», organizado por el Grupo de Investigación Reconocido (GIR) en Multiculturalidad, Innovación y Tecnologías Aplicadas (MITA) de la Universidad de Salamanca, reúne a la comunidad investigadores para discutir y reflexionar sobre tres ejes temáticos relevantes y urgentes para nuestra educación actual, en las diversas latitudes del mundo: equidad e igualdad en educación escolar y superior; educación intercultural; métodos, metodologías y evaluación inclusivas. En el primero se presentan reflexiones y praxis educativas, que intentan alcanzar la equidad e igualdad, dejando atrás las etiquetas que lejos de unir, marcan las diferencias en...
This book discusses strategies and methodologies for the storage and preservation of digital art and processes of collections digitization, also including studies on the new forms of organization and availability of information in data visualization systems. Furthermore, Possible Futures presents case studies and reflections on the rise of database aesthetics and the emerging field of information curatorship. The book was published in a copublishing agreement with Edusp.
The digital revolution fundamentally changed how cultural heritage is created, documented, analyzed, and preserved. The book focuses on this transformation’s impact. How must museums and archives meet the challenges of digitally generated cultures and how does the digital revolution influence traditional object collection, research, and education? How do digital technologies and digital art and culture affect our interaction with images? Leading international experts from various disciplines break new ground. Pioneering interdisciplinary research results collected in this book are relevant to education, curators and archivists in the arts and culture sector and in the digital humanities.
Postmodern Currents: Art and Artists in the Age of Electronic Media explores in detail the growing impact of video and computer technologies, and of the Internet, on aesthetic experience and examines the emerging role of the artist as social communicator. It recounts the involvement of such artists as Jenny Holzer, Nam June Paik, Bill Viola, Gary Hill, and Laurie Anderson, among others, with electronic media and discusses the important economic, social, and aesthetic issues these new technologies imply.
The first catalogue to survey the Morgan?s collection of Italian Renaissance drawings, this monumental study also constitutes an introduction to Italian Renaissance draftsmanship for students and enthusiasts. It includes introductory essays on drawing in Renaissance Italy and on the formation of the Morgan?s collection. More than 120 detailed catalogue entries offer highly focused explorations of individual sheets, but these are grouped into chapters with introductory essays that provide context on key moments in the evolution of Renaissance drawing and on the distinct characteristics of different regional schools.00The related exhibition 'Invention and Design: Early Italian Drawings at the Morgan', organized by John Marciari, is on view February 15 through May 19, 2019. While the newly published catalogue covers drawings from around 1350?1600, the exhibition focuses on the earlier material, illuminating the origins and evolution of Italian drawing by artists born before 1500.00Exhibition: Pierpont Morgan Library, New York, USA (15.02.-193.05.2019).
An exhibition of art produced through xerography and other copying processes.