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Montreal Museum of Fine Arts, Collection of Mediterranean Antiquities, Vol. 3, The Metal Objects and the Gems
This is the third out of eight projected volumes making available to the public the contents in the collection of Greek and Roman Antiquities in one of Canada’s most prestigious museums. Here are presented a variety of metal objects (mostly bronze figurines, medical instruments, brooches, weaponry and a lead sarcophagus), the small collection of jewelry and the ancient gems and seal stones (mainly Roman) some still set in rings. Ce volume est le troisième de la série de huit volumes projetés qui vise à publier la collection des antiquités grecques et romaines d’un des grands musées canadiens. Nous présentons ici des objets métalliques très variés (surtout des statuettes de bronze, des instruments médicaux, des épingles, des armes et un sarcophage de plomb), un petit nombre de bijoux et de gemmes anciennes (surtout romaines) certaines encore serties dans une bague.
Montreal Museum of Fine Arts, Collection of Mediterranean Antiquities, Vol. 1, The Ancient Glass
This catalogue raisonné describes a little-known but very interesting collection originally assembled by one of the important Canadian collectors of the early 20th century. After an account of the collection's history and a brief discussion of the techniques of ancient glass-making, the catalogue proper presents 191 pieces comprising a very wide range of typical forms, each of them fully illustrated. Publishing this extensive collection renders it available to a wide readership: students, curators, archaeologists, art historians, collectors and everybody with serious interest in the material culture of the ancient world. It is the first of a series intended to make public the different parts of the museum's collection of Mediterranean antiquities.
Montreal Museum of Fine Arts, Collection of Mediterranean Antiquities, Vol. 2, The Terracotta Collection
This catalogue raisonné describes the lamps and statuettes in terracotta of the Montreal Museum of Fine Arts, to which are added two lamps made of bronze. The collection, small but eclectic, has mostly been assembled in recent years and represents a wide variety of types in these two categories. After an introduction discussing the techniques involved in the production of these objects, the catalogue proper presents 44 lamps, 21 figurines and a single arula with full illustration. This catalogue makes the collection available to a wide readership: students, curators, archaeologists, art historians, collectors and everybody with serious interest in the material culture of the ancient world. ...
New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts
The essays in New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts address art historical, historical, cultural and museological issues raised by one of two surviving intact statues of the Roman emperor Caligula (r. 37-41 C.E.). Contributions focus on the creation of a 3D-digital model of the statue and the search for traces of its original polychromy; the history of the statue from its creation to the present, including its rediscovery at a Julio-Claudian sanctuary at Bovillae; aspects of Caligula’s literary and visual portrayal in antiquity and modern historiography (including questions concerning the destruction of his portraits and the implications of Jewish sources for the study of Caligula); and the emperor’s image in popular culture.
Polybius and Roman Imperialism
Polybius and Roman Imperialism explores in depth the complexity of the Greek historian Polybius' views on the expansion of Roman power. Although he considered imperialism intrinsically noble, and both admired and supported Roman domination, Polybius also evinced detachment from the ruling power. This detachment came in different forms: personal, cultural, patriotic and cultural. In general, he believed that the Romans cited morally acceptable pretexts for declaring war, observed justice in other aspects of foreign policy, and practised beneficence and moderation in their dealings with subject nations. Even with less than half of the original text surviving, the author reveals Polybius' personality and political philosophy.
Mouldmade Bowls of the Black Sea Region and Beyond
This book opens up a new window into the Hellenistic world through a close study of mouldmade bowls, their places of production (both in the Black Sea and the Mediterranean), iconographies and distribution. The author’s unique access to material in the Black Sea Region provides the backbone to a rare comparative approach to an important type of vessel that traditionally has been studied in local isolation.
New Approaches to Ancient Material Culture in the Greek & Roman World
This book highlights the diversity of current methodologies in Classical Archaeology. It includes papers about archaeology and art history, museum objects and fieldwork data, texts and material culture, archaeological theory and historiography, and technical and literary analysis, across Classical Antiquity.
Montreal Museum of Fine Arts, Collection of Mediterranean Antiquities, Vol. 4: The Coptic Textiles
This catalogue of the Coptic Textiles in the Collection of Mediterranean Antiquities at the Montreal Museum of Fine Arts provides a detailed analysis of 64 textiles from both historical and weaving practice points of view. This approach provides a fuller understanding of the cultural situation in which such textiles were produced and circulated. Dr. Landry’s experience of over 40 years of weaving and scholarship highlights the elements of knowledge and skill held and applied by weavers in Antiquity. This perspective complements and expands on the focus on imagery usually provided by art historians regarding textiles of this period. This catalogue shows how much more cultural information can be accessed when the technical, economic, and practical character of both production and use are adequately integrated into the study of material artefacts.
The Levant: Crossroads of Late Antiquity / Le Levant: Carrefour de l'Antiquité tardive
The Levant: Crossroads of Late Antiquity. History, Religion, and Archaeology / Le Levant: Carrefour de l'Antiquité tardive explores the monumental, religious, and social developments that took place in the Roman province of Syria during the 3rd through 6th centuries CE. Ellen Bradshaw Aitken and John M. Fossey bring together the work of twenty scholars of archaeology, art history, religious studies, and ancient history to examine this dynamic period of change in social, cultural, and religious life. Close attention to texts and material culture, including palaeo-Christian mosaics and churches, highlights the encounters of peoples and religions, as well as the rich exchange of ideas, practices, and traditions in the Levant. The essays bring fresh perspectives on “East” and “West” in antiquity and the diversity of ancient religious movements.
Colors and Textures of Roman North Africa
This book serves two purposes: first, it celebrates the career of the late Maureen Tilley; second, it provides a "state of the field" look at some of the latest scholarship on Christian North Africa in late antiquity. The chapters, written by both senior scholars and the next generation of North African researchers, fills gaps in some of our understandings of the colorful people, places, and disputes that arose in the unique environment of Christian North Africa. The book centers around Augustine, Donatist studies, and North African biblical interpretation, representing Tilley's major areas of interest, while also ensuring coverage of Tertullian (a major figure in the North African church an...
