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Atopia
  • Language: de
  • Pages: 61

Atopia

  • Type: Book
  • -
  • Published: 2003
  • -
  • Publisher: Unknown

None

Atopia
  • Language: en
  • Pages: 61

Atopia

  • Type: Book
  • -
  • Published: 2003
  • -
  • Publisher: Unknown

None

Historical Dictionary of Berlin
  • Language: en
  • Pages: 437

Historical Dictionary of Berlin

After World War II Berlin became one of the playgrounds of the Cold War; the Berlin Wall made the division between East and West, between ‘capitalism’ and ‘communism’ in 1961 highly visible, though it did remove Berlin from front-line politics. East and West Berlin had turned into shop-windows of ideologies – West Berlin representing the lure of a market economy, East Berlin the promise of socialism. It is, then, fitting that the fall of the Wall in 1989 awarded Berlin such a prominent role. It was here that the development after Reunification of East and West became a closely observed event – and, well beyond Germany, Berlin appeared to represent fundamental developments through...

NICE A BERLIN/NIZZA IN BERLIN
  • Language: de
  • Pages: 76

NICE A BERLIN/NIZZA IN BERLIN

  • Type: Book
  • -
  • Published: 1980
  • -
  • Publisher: Unknown

None

Sarkis: Çaylak Sokak
  • Language: en
  • Pages: 112

Sarkis: Çaylak Sokak

  • Categories: Art

Arter Publications’ extended programme includes the launch of two new series which accompany the opening of the institution’s new building in Dolapdere: the first is entitled Arter Close-Up and offers a closer look into a selected work from its collection; which contains more than 1,300 works as of 2019. The Close-Up series starts its journey with Sarkis’s iconic work Çaylak Sokak - an artwork that is deemed to be one of the turning points in the history of contemporary art in Turkey. The artwork, which was first exhibited at the Maçka Art Gallery in 1986, and then took part in the Wizards of the Earth exhibition at the Centre Pompidou in Paris in 1989, bears the same name as the str...

Theories and Documents of Contemporary Art
  • Language: en
  • Pages: 1262

Theories and Documents of Contemporary Art

  • Categories: Art

Enth. u. a.: S. 74: Concrete art (1936-49) / Max Bill. - S. 74-77: The mathematical approach in contemporary art (1949) / Max Bill. - S. 301-304: Dieter Roth.

Renée Green
  • Language: en
  • Pages: 256

Renée Green

  • Categories: Art

Über zwei Jahrzehnte hinweg hat sich Renée Green in ihrer außergewöhnlichen multimedialen Kunstpraxis fortlaufend mit der Beziehung zwischen Ästhetik und Macht auseinandergesetzt. Ihre Filme, Skulpturen, Schriften, Fotografien, Druckgrafiken und Soundarbeiten untersuchen und beleuchten unterrepräsentierte Geschichten von Migration, Vertreibung, Ethnografie und kultureller Repräsentation. Dieser außergewöhnliche Künstlerkatalog zeigt Greens Werk in seinen vielen Facetten und kombiniert frühe und undokumentierte Kunstwerke mit neueren Arbeiten, begleitet von einer Vielzahl von Texten neuer Autoren, die ihr Kunstwerk für ein zeitgenössisches Publikum rekontextualisieren. Das Buch erlaubt die einzigartige Einsicht in einen Prozess, in dem Sehen und Wissen in neue Konstellationen gebracht werden.

Capturing Sound
  • Language: en
  • Pages: 336

Capturing Sound

Fully revised and updated, this text adds coverage of mashups and auto-tune, explores recent developments in file sharing, and includes an expanded conclusion and bibliography.

Music Is Rapid Transportation
  • Language: en
  • Pages: 280

Music Is Rapid Transportation

A truly alternative look at music lists, not one that merely includes the obvious but shows the connections of popular music to the avant garde, the obscure, the experimental, the quirky, and the adventurous, this edition leads the curious reader towards new musical experiences hitherto unknown to them.

Stereophonica
  • Language: en
  • Pages: 249

Stereophonica

  • Type: Book
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  • Published: 2021-02-16
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  • Publisher: MIT Press

Episodes in the transformation of our understanding of sound and space, from binaural listening in the nineteenth century to contemporary sound art. The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial? In Stereophonica, Gascia Ouzounian examines a series of historical episodes that transformed ideas of sound and space, from the advent of stereo technologies in the nineteenth century ...