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A Heart at Fire's Center
No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, François Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film (Citizen Kane) to his last (Taxi Driver), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental...
Bernard Herrmann's The Ghost and Mrs. Muir
"In this guide, Cooper considers Herrmann's musical technique and theorizes some of the ways in which music can be meaningful in film. He also explores nonmusical contexts of the film, including the screenplay's relationship to the popular novel from which it was adapted, as well as the contribution of director Joseph L. Mankiewicz, the performances of Gene Tierney and Rex Harrison, and the editing of Dorothy Spencer. Cooper also provides a quantitative, evidence-based study of the score. A rundown of all the cues in Herrmann's manuscript is followed by an examination of the score as a musical artifact. In his evaluation of the overall approach to the soundtrack, the author considers the musical detail of the score's structure, its themes, and their orchestration.
Bernard Herrmann
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Partners in suspense
This volume of spellbinding essays explores the tense relationship between Alfred Hitchcock and Bernard Herrmann, providing new perspectives on their collaboration. Featuring chapters by leading scholars of Hitchcock's work, including Richard Allen, Charles Barr, Murray Pomerance, Sidney Gottlieb and Jack Sullivan, the collection examines the working relationship between the pair and the contribution that Herrmann's work brings to Hitchcock's idiom. Examining key works, including The Man Who Knew Too Much, Psycho, Marnie and Vertigo, the essays explore approaches to sound, music, collaborative authorship and the distinctive contribution that Herrmann's work with Hitchcock brought to this body of films, examining the significance, meanings, histories and enduring legacies of one of film history's most important partnerships. By engaging with the collaborative work of Hitchcock and Herrmann, the book explores the ways in which film directors and composers collaborate, how this collaboration is experienced in the film text, and the ways in which such partnerships inspire later work.
Vertigo
Herrmann's collaboration with Hitchcock spanned eleven years and nine films, and his film score for Veritgo is widely recognized as being one of his finest. This in-depth musicological and critical study examines how Bernard Herrmann's score for Alfred Hitchcock's Vertigo plays a crucial role in the articulation and development of the film's narrative and how it affects readings of the film. It considers the development of Herrmann's career up to 1958 and provides a detailed discussion of his musical style. It also examines the context of the film's production; its reception and critical readings are examined.
Bernard Herrmann
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Bernard Herrmann
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