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FROM THE BOOKER PRIZE-WINNING AUTHOR OF GIRL, WOMAN, OTHER LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2009 WINNER OF THE ORANGE YOUTH PANEL AWARD 2009 FINALIST FOR THE HURSTON WRIGHT LEGACY AWARD 2010 'A phenomenal book. It is so ingenious and so novel. Think The Handmaid's Tale meets Noughts and Crosses with a bit of Jonathan Swift and Lewis Carroll thrown in. This should be thought of as a feminist classic.' Women's Prize for Fiction Podcast Welcome to a world turned upside down. One minute, Doris, from England, is playing hide-and-seek with her sisters in the fields behind their cottage. The next, someone puts a bag over her head and she ends up in the hold of a slave-ship sailing to th...
'This honest, engaging memoir shares such gems . . . the perfect read for anyone who dreams big' The Times and Sunday Times, Books of the Year The powerful, urgent memoir and manifesto on never giving up from Booker prize-winning trailblazer, Bernardine Evaristo In 2019, Bernardine Evaristo became the first black woman to win the Booker Prize since its inception fifty years earlier - a revolutionary landmark for Britain. Her journey was a long one, but she made it, and she made history. Manifesto is her intimate and fearless account of how she did it. From a childhood steeped in racism from neighbours, priests and even some white members of her own family, to discovering the arts through her...
"Lara traces the two ancestral strands of a girl called Lara who grows up in London in the sixties and seventies. Her father, Taiwo, is Nigerian and her mother, Ellen, is English and it goes into both sides of her family history. On Taiwo's side it follows his grandfather's journey from slavery in Brazil in the eighteenth century, to freedom in the Brazilian Quarter of Lagos, Nigeria. It follows Taiwo's childhood in Lagos when Nigeria was a British colony, his journey to Britain to study in 1949 and his eventual meeting and marriage, to a white Englishwoman called Ellen. The book also traces Ellen's childhood in London during the war years, and her mother Edith's poor working class childhood in London at the turn of the century. Finally, all strands come together in Lara who begins her own odyssey as she grows up a mixed-race child in an exclusively white area of London." -- Provided by publisher.
THE SUNDAY TIMES 1# BESTSELLER & BOOKER PRIZE WINNER *One of Goodreads Most Popular Books of the Past Decade* This is Britain as you've never read it. This is Britain as it has never been told. From Newcastle to Cornwall, from the birth of the twentieth century to the teens of the twenty-first, Girl, Woman, Other follows a cast of twelve characters on their personal journeys through this country and the last hundred years. They're each looking for something - a shared past, an unexpected future, a place to call home, somewhere to fit in, a lover, a missed mother, a lost father, even just a touch of hope . . . 'The most absorbing book I read all year' Roxane Gay '[Bernardine Evaristo] is one of the very best that we have' Nikesh Shukla 'Beautifully interwoven stories of identity, race, womanhood, and the realities of modern Britain. The characters are so vivid, the writing is beautiful and it brims with humanity' Nicola Sturgeon 'A choral love song to black womanhood in modern Great Britain' Elle 'Bernardine Evaristo can take any story from any time and turn it into something vibrating with life' Ali Smith 'Exceptional. You have to order it right now' Stylist
From the Booker Prize-winning author of Girl, Woman, Other, which has sold over 250,000 copies in Grove's editions, a groundbreaking, hilarious novel set in London following two older gay Caribbean men reckoning with being closeted in a rapidly changing world "Bernardine Evaristo can take any story from any time and turn it into something vibrating with life."--Ali Smith One of Booker Prize winner Bernardine Evaristo's most highly celebrated novels, Mr. Loverman follows a man named Barrington Jedidiah Walker, who is seventy-four and leads a double life. Born and bred in Antigua, he has lived in Hackney, London, for years. Flamboyant and wise-cracking, with dapper taste in retro suits and a f...
This groundbreaking anthology of ten new poets truly reflects the multicultural make-up of contemporary Britain. At a time when less than 1% of all poetry books published in the UK are by black or Asian poets, the work of these writers testifies to the quality and versatility of vital writing that should not be overlooked. These new voices draw on cultural influences and multiple heritages that can only enrich and broaden the scope of contemporary British poetry. This anthology is the culmination of a much needed initiative by literature development agency Spread the Word to support talented new Black and Asian poets. The poets' histories are to be found in Trinidad and Tobago, Grenada, Guya...
Outside a chip shop, around the corner from his school, a teenage boy is stabbed to death. What led up to this terrible event? And what did the witnesses see?
Stanley Williams, angst-ridden banker and boffin, wonders whether there's more to life than his daily nine-to-five grind. One night he's dragged to a disco at Piccadilly Circus and there he meets Jessie: artiste, motormouth, ducker and diver. She swoops Stanley out of his soulless life and off on a rollercoaster road trip across Europe, bringing him face to face with a host of forgotten luminaries from the rich mix of black European history and literature.
'Dazzling', 'brilliant', 'streetwise', 'sassy', 'audacious': THE EMPEROR'S BABE has been hailed as one of the most original novels of 2001. Meet Zuleika: sassy girl about town, hellraiser, bored ex-child-bride in Londinium, AD 211. In the place (and time) to be ... Through the bustling, hustling city, we follow Zuleika, feisty and precocious daughter of Sudanese immigrants. Married off to a rich, fat, absent Roman, she is stranded in luxurious neglect, until, one day the Emperor himself, comes to town, bringing with him not just love - but danger ... Funky and funny, sexy and moving, this novel in verse is a triumph of imaginative writing - and of sheer lyrical and emotional vitality.
When I was invited to write this book, my first time writing about art, I immediately knew that I would turn my attention on women and womxn (to include non-binary people) of colour in British art because, similar to the story throughout the arts, either as creator or curator, we haven't been very visible. This book is personal - about the art I've seen, and the art I've loved - and my interpretation of the art in the national collection and beyond, from an intersectional feminist perspective.' - Bernardine Evaristo.