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Manifesto
'This honest, engaging memoir shares such gems . . . the perfect read for anyone who dreams big' The Times and Sunday Times, Books of the Year The powerful, urgent memoir and manifesto on never giving up from Booker prize-winning trailblazer, Bernardine Evaristo In 2019, Bernardine Evaristo became the first black woman to win the Booker Prize since its inception fifty years earlier - a revolutionary landmark for Britain. Her journey was a long one, but she made it, and she made history. Manifesto is her intimate and fearless account of how she did it. From a childhood steeped in racism from neighbours, priests and even some white members of her own family, to discovering the arts through her...
Blonde Roots
FROM THE BOOKER PRIZE-WINNING AUTHOR OF GIRL, WOMAN, OTHER LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2009 WINNER OF THE ORANGE YOUTH PANEL AWARD 2009 FINALIST FOR THE HURSTON WRIGHT LEGACY AWARD 2010 'A phenomenal book. It is so ingenious and so novel. Think The Handmaid's Tale meets Noughts and Crosses with a bit of Jonathan Swift and Lewis Carroll thrown in. This should be thought of as a feminist classic.' Women's Prize for Fiction Podcast Welcome to a world turned upside down. One minute, Doris, from England, is playing hide-and-seek with her sisters in the fields behind their cottage. The next, someone puts a bag over her head and she ends up in the hold of a slave-ship sailing to th...
Lara
"Lara traces the two ancestral strands of a girl called Lara who grows up in London in the sixties and seventies. Her father, Taiwo, is Nigerian and her mother, Ellen, is English and it goes into both sides of her family history. On Taiwo's side it follows his grandfather's journey from slavery in Brazil in the eighteenth century, to freedom in the Brazilian Quarter of Lagos, Nigeria. It follows Taiwo's childhood in Lagos when Nigeria was a British colony, his journey to Britain to study in 1949 and his eventual meeting and marriage, to a white Englishwoman called Ellen. The book also traces Ellen's childhood in London during the war years, and her mother Edith's poor working class childhood in London at the turn of the century. Finally, all strands come together in Lara who begins her own odyssey as she grows up a mixed-race child in an exclusively white area of London." -- Provided by publisher.
Girl, Woman, Other
THE SUNDAY TIMES 1# BESTSELLER & BOOKER PRIZE WINNER BRITISH BOOK AWARDS AUTHOR & FICTION BOOK OF THE YEAR 2020 'The most absorbing book I read all year.' Roxane Gay ____________________________ This is Britain as you've never read it. This is Britain as it has never been told. From Newcastle to Cornwall, from the birth of the twentieth century to the teens of the twenty-first, Girl, Woman, Other follows a cast of twelve characters on their personal journeys through this country and the last hundred years. They're each looking for something - a shared past, an unexpected future, a place to call home, somewhere to fit in, a lover, a missed mother, a lost father, even just a touch of hope . . ...
Mr. Loverman
“[Evaristo’s] chef d’oeuvre; a masterful dissection of the life of a 74 year-old, British-Caribbean gay man.” —The Huffington Post * Winner of the Ferro-Grumley Award for LGBT Fiction * A Top Ten Favorite of the American Library Association’s Gay, Lesbian, Bisexual, and Transgender Round Table’s 2015 Over the Rainbow List Barrington Jedidiah Walker is seventy-four and leads a double life. Born and bred in Antigua, he’s lived in Hackney, London, for years. A flamboyant, wisecracking character with a dapper taste in retro suits, and a fondness for Shakespeare, Barrington is a husband, father, grandfather—and also secretly gay lovers with his childhood friend, Morris. His deep...
Hello Mum
Outside a chip shop, around the corner from his school, a teenage boy is stabbed to death. What led up to this terrible event? And what did the witnesses see?
Fiction Unbound
This book covers all Bernardine Evaristo’s major works: Lara (1997) and Lara (2009), The Emperor’s Babe, Soul Tourists, Blonde Roots and Hello Mum. Each chapter focuses on a particular novel, combining a close analysis of the author’s technique with a penetrating understanding of the basic themes which underlie all of Evaristo’s work. This monograph exposes that Evaristo is not simply interested in “multicultural” issues; to label them as such is to overlook her achievement as a novelist. It shows instead how Evaristo combines apparently disparate elements—for example, historical research with late-twentieth century allusions in a narrative such as The Emperor’s Babe—to sho...
The Emperor's Babe
'Dazzling', 'brilliant', 'streetwise', 'sassy', 'audacious': THE EMPEROR'S BABE has been hailed as one of the most original novels of 2001. Meet Zuleika: sassy girl about town, hellraiser, bored ex-child-bride in Londinium, AD 211. In the place (and time) to be ... Through the bustling, hustling city, we follow Zuleika, feisty and precocious daughter of Sudanese immigrants. Married off to a rich, fat, absent Roman, she is stranded in luxurious neglect, until, one day the Emperor himself, comes to town, bringing with him not just love - but danger ... Funky and funny, sexy and moving, this novel in verse is a triumph of imaginative writing - and of sheer lyrical and emotional vitality.
Soul Tourists
Stanley Williams, angst-ridden banker and boffin, wonders whether there's more to life than his daily nine-to-five grind. One night he's dragged to a disco at Piccadilly Circus and there he meets Jessie: artiste, motormouth, ducker and diver. She swoops Stanley out of his soulless life and off on a rollercoaster road trip across Europe, bringing him face to face with a host of forgotten luminaries from the rich mix of black European history and literature.
Feminism
When I was invited to write this book, my first time writing about art, I immediately knew that I would turn my attention on women and womxn (to include non-binary people) of colour in British art because, similar to the story throughout the arts, either as creator or curator, we haven't been very visible. This book is personal - about the art I've seen, and the art I've loved - and my interpretation of the art in the national collection and beyond, from an intersectional feminist perspective.' - Bernardine Evaristo.
