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We'll Understand It Better By and By
Worship traditions and contemporary music. The volume opens with an overview of gospel music in African American social history, including the migrations to and consolidation of various urban communities. Six following sections each focus on a pivotal figure in the history of gospel: Charles Albert Tindley, the first prominent gospel hymn composer; Lucie Eddie Campbell, who was influential in setting the standards for performance of religious music in the African.
No Mirrors in My Nana's House
A girl discovers the beauty in herself by looking into her Nana's eyes.
Home Girls
The pioneering anthology Home Girls features writings by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and writings. This edition features an updated list of contributor biographies and an all-new preface that provides a fresh assessment of how Black women's lives have changed-or not-since the book was first published. Contributors are Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Julie Carter, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willie M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita Weems.
Music in Black American Life, 1945-2020
This second volume of Music in Black American Life offers research and analysis that originally appeared in the journals American Music and Black Music Research Journal, and in two book series published by the University of Illinois Press: Music in American Life, and African American Music in Global Perspective. In this collection, a group of predominately Black scholars explores a variety of topics with works that pioneered new methodologies and modes of inquiry for hearing and studying Black music. These extracts and articles examine the World War II jazz scene; look at female artists like gospel star Shirley Caesar and jazz musician-arranger Melba Liston; illuminate the South Bronx milieu...
Feminism in Coalition
In Feminism in Coalition Liza Taylor examines how US women of color feminists’ coalitional politics provides an indispensable resource to contemporary political theory, feminist studies, and intersectional social justice activism. Taylor charts the theorization of coalition in the work of Bernice Johnson Reagon, Audre Lorde, Barbara Smith, the Combahee River Collective, Gloria Anzaldúa, Cherríe Moraga, and others. For these activist-scholars, coalition is a dangerous struggle that emerges from a shared political commitment to undermining oppression and an emphasis on self-transformation. Taylor shows how their coalitional understandings of group politics, identity, consciousness, and sch...
Journal of Radical Permission
Discover the unforgettable and transformational experience of journaling your way into your most authentic self. This journal will help you claim permission to live your purpose. Based on the bestselling philosophies of radical self-love, emergent strategy, and pleasure activism, this journal gives you permission to love yourself deeply as you are. Journaling to these prompts will help you surrender to your body’s needs instead of forcing yourself into cramped disciplines. It will encourage you to become awed by the natural beauty of your divine self instead of being rampantly self-critical. It will aid you in embracing your shadows and accepting responsibility for your impact all while liberating you to just be. This structured journal, from the cohost of the Emergent Strategy podcast and the New York Times–bestselling author of The Body is Not an Apology, provides six key practices, with prompts for each practice that center on curiosity, surrender, grace, and satisfaction.
The Trumpet of Conscience
In November and December 1967, Dr. Martin Luther King, Jr., delivered five lectures for the renowned Massey Lecture Series of the Canadian Broadcasting Corporation. The collection was immediately released as a book under the title Conscience for Change, but after King’s assassination in 1968, it was republished as The Trumpet of Conscience. The collection sums up his lasting creed and is his final testament on racism, poverty, and war. Each oration in this volume encompasses a distinct theme and speaks prophetically to today’s perils, addressing issues of equality, conscience and war, the mobilization of young people, and nonviolence. Collectively, they reveal some of King’s most introspective reflections and final impressions of the movement while illustrating how he never lost sight of our shared goals for justice. The book concludes with “A Christmas Sermon on Peace”—a powerful lecture that was broadcast live from Ebenezer Baptist Church on Christmas Eve in 1967. In it King articulates his long-term vision of nonviolence as a path to world peace.
Undaunted by the Fight
Undaunted by the Fight is a study of small but dedicated, group of Spelman College students and faculty who, between 1957 and 1967 risked their lives, compromised their grades, and jeopardized their careers to make Atlanta and the South a more just and open society. Lefever argues that the participation of Spelman's students and faculty in the Civil Rights Movement represented both a continuity and a break with the institution's earlier history. On the one hand their actions were consistent with Spelman's long history of liberal arts and community service; yet, on the other hand; as his research documents; their actions represented a break with Spelman's traditional non-political stance and ...
Drive All Night
“A piece of lesbian history from the ‘girl with a guitar’ who truly sang for her supper. Jamie brings the road to you in color and out loud.” —Suzanne Westenhoefer She’s opened for Holly Near, closed a church coffeehouse by saying “uterus” and danced with a tornado. From taking her shirt off for Amy Ray to housing with a pig, she’s always looking for the perfect gig. With a delightful mix of horror road stories, fan girl name dropping and commentary on the people and times, Anderson describes the joys and travails of the touring circuit as she creates the music and stories of our lives. “An extraordinary glimpse into the life of a touring musician.” —Nancy Manahan “Jamie’s as endlessly funny an entertainer on the page as on the stage.” —Lee Lynch “She leads with her sense of humor and heart…” —Lisa Koch
Caffe Lena
In 1960, burgeoning actress and defiant dreamer Lena Spencer opened a small, grassroots coffeehouse in the quaint upstate New York town of Saratoga Springs. Within her then-husband's plan to start the Caffè as a means for the couple to artistically flourish while "making enough money to retire in Europe" lay the seed of a more impactful cultural contribution that would change music history forever. It was a time in America when a coffeehouse could be something more-a focal point for a different sort of people, radical new ideas, and notably, emerging artists. Caffè Lena's humble stage regularly welcomed musicians such as a young Bob Dylan in 1961, the singer/activist Bernice Johnson Reagon...
