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Law's Indigenous Ethics
Law's Indigenous Ethics examines the revitalization of Indigenous peoples' relationship to their own laws and, in so doing, attempts to enrich Canadian constitutional law more generally. Organized around the seven Anishinaabe grandmother and grandfather teachings of love, truth, bravery, humility, wisdom, honesty, and respect, this book explores ethics in relation to Aboriginal issues including title, treaties, legal education, and residential schools. With characteristic depth and sensitivity, John Borrows brings insights drawn from philosophy, law, and political science to bear on some of the most pressing issues that arise in contemplating the interaction between Canadian state law and Indigenous legal traditions. In the course of a wide-ranging but accessible inquiry, he discusses such topics as Indigenous agency, self-determination, legal pluralism, and power. In its use of Anishinaabe stories and methodologies drawn from the emerging field of Indigenous studies, Law's Indigenous Ethics makes a significant contribution to scholarly debate and is an essential resource for readers seeking a deeper understanding of Indigenous rights, societies, and cultures.
Two Houses Half-buried in Sand
A vital collection of writings about First Nations people and culture as it existed in the Depression-era Pacific Northwest.
We are Coast Salish
Through immersive ethnographic research, We are Coast Salish: Indigeneity, Settler Colonialism, and Border Securitization explores the lives of the Coast Salish First Nations of the Pacific Northwest and the various ways they respond to the challenges of navigating the Canada/US border following the events of 9/11. Decades of securitization policies have led to cultural and political changes which entail the creation of a transnational political identity that is used to resist the negative effects of the Canada/US border on their lives. Through cultural revitalization projects, environmental activism, and transnational political maneuvering, this book argues the Coast Salish resist the artif...
Legal Codes and Talking Trees
CHAPTER 7. Louisa Enick, "Hemmed In on All Sides": Washington, 1855-1935 -- CHAPTER 8. "The Acts of Forgetfulness": Indigenous Women's Legal History in Archives and Tribal Offices Throughout the North American West -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z
I'm Not Myself at All
Notions of identity have long structured women’s art. Dynamics of race, class, and gender have shaped the production of artworks and oriented their subsequent reassessments. Arguably, this is especially true of art by women, and of the socially engaged criticism that addresses it. If identity has been a problem in women’s art, however, is more identity the solution? In this study of nineteenth- and early twentieth-century art in Canada, Kristina Huneault offers a meditation on the strictures of identity and an exploration of forces that unsettle and realign the self. Looking closely at individual artists and works, Huneault combines formal analysis with archival research and philosophica...
Waterlogged
On the Northwest Coast in antiquity, an estimated 85 percent of objects were made entirely from materials that normally do not survive the ravages of time. Fortunately, the region’s wetlands, silt-laden rivers, high groundwater levels, and abundant rainfall provide ideal conditions for long-term preservation of waterlogged wood. Few archaeologists intentionally search for them, yet every Northwest Coast archaeologist may encounter waterlogged cultural remains--even inland, away from the coast. Those who investigate can uncover artifacts, structures, and environmental remains missing from the usual reconstructions of past lifeways. Currently, wet-site archaeology is not widely taught at Nor...
Shore to Shore
Stanley Park, Vancouver, September 2014. A fourteen-foot bronze-cast cedar sculpture is being erected. Dignitaries from all levels of government are present, including leaders of the Coast Salish First Nations and representatives from Portugal’s Azores Islands. Luke Marston, carver/artist, supervises as his three-year project is revealed to the world. The sculpture—titled Shore to Shore—depicts Luke’s great-great-grandparents, Portuguese Joe Silvey, one of BC’s most colourful pioneers, and Kwatleematt (Lucy), a Sechelt First Nation matriarch and Silvey’s second wife. Silvey and Kwatleematt are flanked by Khaltinaht, Silvey’s first wife, a noblewoman from the Musqueam and Squami...
The Haunting of Vancouver Island
A compelling investigation into supernatural events and local lore on Vancouver Island. Vancouver Island is known worldwide for its arresting natural beauty, but those who live here know that it is also imbued with a palpable supernatural energy. Researcher Shanon Sinn found his curiosity piqued by stories of mysterious sightings on the island—ghosts, sasquatches, sea serpents—but he was disappointed in the sensational and sometimes disrespectful way they were being retold or revised. Acting on his desire to transform these stories from unsubstantiated gossip to thoroughly researched accounts, Sinn uncovered fascinating details, identified historical inconsistencies, and now retells thes...
Canadian Who's Who 2008
Now in its ninety-eighth year of publication, this standard Canadian reference source contains the most comprehensive and authoritative biographical information on notable living Canadians. Those listed are carefully selected because of the positions they hold in Canadian society, or because of the contribution they have made to life in Canada. The volume is updated annually to ensure accuracy, and 600 new entries are added each year to keep current with developing trends and issues in Canadian society. Included are outstanding Canadians from all walks of life: politics, media, academia, business, sports and the arts, from every area of human activity. Each entry details birth date and place...
