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Documenting America, 1935-1943
Photographs by a team of photographers who traveled across the United States documenting America's experience of the Great Depression and World War II.
Re-viewing Documentary
Re-viewing Documentary is the first study to assess Louise Rosskam's contributions to the Rosskam team in the context of the larger field of social reform photography. It addresses the boundaries she traversed in negotiating her role in a profession in which women were making dynamic strides.
A Kentucky Album
Sulky races at the Mercer County Fair, church suppers, sorghum making, shooting marbles in the school yard, housing tobacco, loafing at the courthouse -- here are 129 beautifully reproduced images of who we were as Kentuckians not so long ago -- during the Depression and the early years of World War II. This collection is part of the remarkable series of photos shot for the Farm Security Administration -- more than 125,000 photographs taken over a period of nine years by some of the best American photographers of the time, including Ben Shahn, Marion Post Wolcott, Russell Lee, John Vachon, and Arthur Rothstein. To reintroduce us to that important slice of our history, Beverly Brannan and Dav...
FSA
For this remarkable volume, Mora and Brannan immersed themselves in the vast archive at the Library of Congress and emerged with unknown treasures. Theirs is a new view of the achievement of the FSA photographers--the most comprehensive in print--that gives them their due as the creators of a new American photographic vision.
History of Photography
The fourth volume in a history of photography, this is a bibliography of books on the subject.
Mourning Modernity
In Mourning Modernity, Seth Moglen argues that American literary modernism is, at its heart, an effort to mourn for the injuries inflicted by modern capitalism. He demonstrates that the most celebrated literary movement of the 20th century is structured by a deep conflict between political hope and despair—between the fear that alienation and exploitation were irresistible facts of life and the yearning for a more just and liberated society. He traces this conflict in the works of a dozen novelists and poets – ranging from Eliot, Hemingway, and Faulkner to Hurston, Hughes, and Tillie Olsen. Taking John Dos Passos' neglected U.S.A. trilogy as a central case study, he demonstrates how the struggle between reparative social mourning and melancholic despair shaped the literary strategies of a major modernist writer and the political fate of the American Left. Mourning Modernity offers a bold new map of the modernist tradition, as well as an important contribution to the cultural history of American radicalism and to contemporary theoretical debates about mourning and trauma.
Trespassing Through Shadows
Art historian Andrea Liss examines the inherent difficulties and productive possibilities of using photographs to bear witness, initiating a critical dialogue about the ways the post-Auschwitz generation has employed these documents to represent Holocaust memory and history. 12 color photos. 28 bandw photos.
American Jewish Women's History
“It gives me a secret pleasure to observe the fair character our family has in the place by Jews & Christians,“Abigail Levy Franks wrote to her son from New York City in 1733. Abigail was part of a tiny community of Jews living in the new world. In the centuries that followed, as that community swelled to several millions, women came to occupy diverse and changing roles. American Jewish Women’s History, an anthology covering colonial times to the present, illuminates that historical diversity. It shows women shaping Judaism and their American Jewish communities as they engaged in volunteer activities and political crusades, battled stereotypes, and constructed relationships with their ...
Extracting Appalachia
As a function of its corporate duties, the Consolidation Coal Company had photographers take hundreds of pictures of nearly every facet of its operations. Here, geographer Geoffrey L. Buckley examines the company's photograph collection housed at the Smithsonian Institution's National Museum of American History.
John Vachon’s America
From 1936 to 1943, John Vachon traveled across America as part of the Farm Security Administration photography project, documenting the desperate world of the Great Depression and also the efforts at resistance—from strikes to stoic determination. This collection, the first to feature Vachon's work, offers a stirring and elegant record of this extraordinary photographer's vision and of America's land and people as the country moved from the depths of the Depression to the dramatic mobilization for World War II. Vachon's portraits of white and black Americans are among the most affecting that FSA photographers produced; and his portrayals of the American landscape, from rural scenes to smal...
