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The Gold Thread
Both children's literature and fantasy literature have become established as genre for critical study in recent years, especially in the United States. As one of the outstanding children's authors of the nineteenth century and a pioneer of fantasy writing, MacDonald has become the focus of increased attention. As an acknowledged influence on many authors who came after him--authors such as E. Nesbit, G. K. Chesterton, C. S. Lewis, W. H. Auden, and T. S. Eliot--MacDonald is one of the rare writers whose work is a starting point for evaluating the achievements of others. New forms of critical theory--Jungian, psychoanalytic, and feminist--turning towards the exploration of sexuality and the fantastic have also found fitting subjects in MacDonald's texts. This volume studies these developments and also the growing acknowledgment that MacDonald was a Scottish writer and a Victorian. His enduring works have been his children's books At the Back of the North Wind, The Princess and the Goblin, The Princess and Curdie, and the fairy tales of The Golden Key. His two adult fantasy novels, Phantasties and Lilith, are now recognized as classics of their kind.
George MacDonald
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Iran and Christianity
In this enlightening study Mark Bradley looks at the growing underground church in Iran. Given the hostility of the regime, it is often assumed that Christianity is withering in Iran, but in fact more Iranian Muslims have become Christians in the last 25 years than since the seventh century, when Islam first came to Iran. Beginning with an in-depth look at the historical identity of Iran, religiously, culturally and politically, Bradley shows how this identity makes Iranians inclined towards Christianity. He goes on to look at the impact of the 1979 revolution, an event which has brought war, economic chaos and totalitarianism to Iran, and its implications for Iranian faith. The study concludes with an analysis of church growth since 1979 and an examination of the emerging underground church. This is a fascinating work, guaranteed to improve any reader's knowledge of not only Iranian faith and church growth, but of Iranian culture and history as a whole thanks to the thorough treatment given to the country's background.
A Brief Guide to Ideas
A popular introduction to the history of Western religion and philosophy, this volume contains information on all familiar names in the fields as well as more obscure contributors to the broad scope of intellectual pursuit.
A Complete Identity
This book offers an examination of the hero figure in the work of G. A. Henty (1832-1902) and George MacDonald (1824-1905) and a reassessment of oppositional critiques of their writing. It demonstrates the complementary characteristics of the hero figure which construct a complete identity commensurate with the Victorian ideal hero. The relationship between the expansion of the British Empire and youthful heroism is established through investigation of the Victorian political, social, and religious milieu, the construct of the child, and the construct of the hero. A connection between the exotic geographical space of empire and the unknown psychological space is drawn through examination of ...
The Phoenix Picturehouse: 100 Years of Oxford Cinema Memories
The Phoenix is one of only a handful of British cinemas to have remained active for the past 100 years. This is the story of Oxford’s oldest continuously operating cinema, as told by its staff and customers. Featuring first-hand reminiscences dating back to the days of silent movies, and illustrated with a fabulous collection of over 100 images, many of which have never appeared in print until now, 'The Phoenix Picturehouse' presents a wide-ranging account of a popular local institution whose changing fortunes exemplify a century of British cinema and cinemagoing history.
Warrior of Light
When Ralph and Maddy go to stay with Uncle Alistair, strange things begin to happen - figures in a painting shift. Beneath a mound on a hill, Aelfric the black warrior has lain sleeping through the ages - now he is being called back. William Raeper is the author of A Witch in Time
Folklore and the Fantastic in Nineteenth-Century British Fiction
Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.
Fantasy, Art and Life
In part a sequel to his earlier Death and Fantasy, William Gray’s Fantasy, Art and Life: Essays on George MacDonald, Robert Louis Stevenson and Other Fantasy Writers examines the ways in which “Life” in its various senses is affirmed, explored and enhanced through the work of the creative imagination, especially in fantasy literature. The discussion includes a range of fantasy writers, but focuses chiefly on two writers of the Victorian period, George MacDonald and Robert Louis Stevenson, whose Scottish (and particularly Calvinist) backgrounds deeply affected their engagement with what MacDonald called “The Fantastic Imagination.”
Death and Fantasy
Drawing on philosophy, theology and psychoanalysis as well as on literary criticism, this collection of essays explores a range of fantasy texts with particular attention to the various ways in which they seek to deal with the reality of death. The essays uncover some fascinating links, and indeed tensions, between the writers discussed.
