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Regarded as China's preeminent intellectual, Liu Binyan provides a compelling portrait of his native country, in an eloquent testimony to his belief that the need for democratic reform has taken root among the Chinese people and that they will ultimately transform themselves and their nation.
Introduction -- Indictment -- Monsters -- Testimony -- Emotions -- Verdict -- Vanity -- Conclusion -- Index of Chinese terms
The most distinguished Chinese journalist of the past fifty years, Liu Binyan has earned the sobriquet "China's conscience." Between 1956 and 1987, there were nine years during which the Communist Party of China allowed Liu to write the truth as he saw it. Expelled from the Party in 1957, later re-admitted and expelled again, he has lived in exile since 1988. He has continued indefatigably to read, think, and write about his beloved China: the saga of its modern history, the moral wasteland of its present condition, and its place in the global order. In Two Kinds of Truth Liu reflects on these issues and turns his incisive intellect to such topics as the unseen consequences of the Cold War, the roots of global terrorism, and whether "socialism with a human face" is possible. This volume reprints the 1983 collection People or Monsters? and offers four new essays and a lengthy interview with Perry Link.
Within a tightly controlled environment, literature has become the major screen onto which the political class of the People’s Republic of China projects some of its battles. This work explores the potential of literary analysis for illuminating the PRC’s social, intellectual, and political history, illustrating swings in the Party line with stories, articles, and cartoons from the popular press. This book presents materials hitherto scarcely topped and should offer new insights to those interested in Chinese literature, Russian and East European literature, and modern social and political history.
This volume gathers personal reflections on life and literature by 44 of China's leading authors. It aims to illustrate how Chinese society and its creative writing have supported, competed and fought with each other for the past 40 years and more. Much of what is revealed here is mundane, but the pressure of bringing art to social and political causes, indeed the universal pressure to survive, forges this collection into a very human document. The strengths and weaknesses of these essays offer a window on those of modern Chinese literature itself. Realism was the favoured literary doctrine of the day, and, reflecting this, most of these essays speak for themselves - about war, revolution, betrayal and commitment.
The Chinese Journalist provides an intriguing introduction to Chinese journalists and their roles within society for both students of Media and Asian Studies. The book initially offers a background history of journalists and the media in Communist China before examining the origins and development of Chinese journalism in the nineteenth century.
Chinese literature has been the slave of politics at least since 1948 and especially during the Cultural Revolution. So repressed and convoluted is most Chinese literature that the West cannot read it as literature at all but rather as sociological and political texts. Professor Duke believes this has changed enough since 1977 to permit genuine literary analysis. This book surveys and analyzes the most important literary events in the PRC from 1977 to 1982. Chapter I covers the significant changes in the Chinese Party line on literature and art during this period and thus provides the backdrop for literary and artistic endeavor. Subsequent chapters deal with the critique of Chinese literature by China's own writers, the neo-realistic fiction of 1979-80, the nonfiction works of a courageous investigative reporter for the People's Daily, and the theme of humanism and its treatment in the works of Bai Hua and Dai Houying. The final chapter discusses the post-Mao generation of young writers, who are trying to create works that go beyond narrowly ideological boundaries of the past and reach toward a true modern Chinese literature.
In its comprehensive analysis of a wide range of primary and secondary sources in both Chinese and Western languages, this authoritative work stands as the definitive study of the theory, implementation and legacy of the Chinese Communist Party's thought-remolding campaign. This decades-long campaign involved the extraction of confessions from millions of Chinese citizens suspected of heterodoxy or disobedience to party dictates, along with their subjection to various forms of "re-education" and indoctrination. Hu Ping's carefully structured overview provides a valuable insider's perspective, and supersedes the previous landmark study on this vastly interesting topic.
Bizarre encounters between Chinese and American writers
Presents a representative cross-section of entries on all aspects of the history and culture of China. Alphabetically organized, the entries include* major cities and provinces* historical eras and figures* government and politics* economics* religion* language and the writing system* food and customs* sports and martial arts* crafts and architecture* important Chinese figures outside of mainland China* important Westerners in China.