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Tangled Paths
An intimate biography of an eminent historian of art and culture, exploring his life both within and away from the academy. Tangled Paths tells the life story of Aby Warburg (1866–1929), one of the most influential historians of art and culture of the twentieth century. It also tells the story of a man who, throughout his life, struggled to assert his place in the world. Charting Warburg’s many projects and identities—groundbreaking historian, public intellectual, ethnographer, shrewd academic administrator, and founder of a library—the book explores not only the vagaries of an academic career but also the personal demons of a man who relentlessly sought to live up to his own expectations. In this biography—the first in English in over fifty years—Hans C. Hönes presents an evocative and richly detailed portrait of Warburg’s personality and career, and of his attempts to make sense of the tangled paths of his life.
The Power of the Sacred
""Disenchantment" is a key term in the self-understanding of modernity. But what exactly do we mean when we use this concept? What was its original meaning when Max Weber introduced it? And can the conventional meaning or Max Weber's view really be defended, given the present state of knowledge about the history of religion? This book is an attempt to divest this concept of its enduring enchantment. The first chapters of the book deal with the three empirical disciplines history, psychology and sociology of religion to develop an understanding of religion that then lays the groundwork for what is presented in chapter 4, namely the most thorough study of Weber's views on disenchantment that h...
Elasticized Ecclesiology
This study confronts the current crisis of churches. In critical and creative conversation with the German theologian Ernst Troeltsch (1865-1923), Ulrich Schmiedel argues that churches need to be “elasticized” in order to engage the “other.” Examining contested concepts of religiosity, community, and identity, Schmiedel explores how the closure of church against the sociological “other” corresponds to the closure of church against the theological “other.” Taking trust as a central category, he advocates for a turn in the interpretation of Christianity—from “propositional possession” to “performative project,” so that the identity of Christianity is “done” rather...
Dreamland of Humanists
Deemed by Heinrich Heine a city of merchants where poets go to die, Hamburg was an improbable setting for a major intellectual movement. Yet it was there, at the end of World War I, at a new university in this commercial center, that a trio of twentieth-century pioneers in the humanities emerged. Working side by side, Aby Warburg, Ernst Cassirer, and Erwin Panofsky developed new avenues in art history, cultural history, and philosophy, changing the course of cultural and intellectual history in Weimar Germany and throughout the world. In Dreamland of Humanists, Emily J. Levine considers not just these men, but the historical significance of the time and place where their ideas took form. Shedding light on the origins of their work on the Renaissance and the Enlightenment, Levine clarifies the social, political, and economic pressures faced by German-Jewish scholars on the periphery of Germany’s intellectual world. By examining the role that context plays in our analysis of ideas, Levine confirms that great ideas—like great intellectuals—must come from somewhere.
Professing Classics
Thirteen original essays study the mobility of Classicists sensu latiore, including philologists and archaeologists, between the Anglophone and Germanophone worlds between the mid-19th C. and 2020, concentrating on the North Atlantic Triangle. American classicists "rushed across the seas" for doctoral work in Germany (the great Hellenist Gildersleeve, the American circle around Wölfflin, the historian of classical scholarship Gudeman). The archaeologist Schliemann’s dubious profiteering in America is exposed. Two contemporary scholars describe how they moved to enrich their career horizons (Ludwig, Shanzer). More, however, sadly, were forced to seek asylum from 20th century Fascism and anti-Semitism (Bieler, Brendel, Fraenkel). One (Gudeman) emigrated from America to Germany in the early Nazi period and later died in a labor camp. The lasting prominence of one novelist (Wallace) and one critic with a dark past (Pöschl), whose influential works crossed the sea, are also evaluated. The volume includes work in academic sociology, archival and epistolographical detective-work, in life writing, transmission-reception, and the history of scholarship.
Stop Reading! Look!
Examines the connections between the emergence of Weimar photographic books and modern conceptions of photographic meaning
The Earthquake Observers
Earthquakes have taught us much about our planet's hidden structure and the forces that have shaped it. This book explains how observing networks transformed an instant of panic and confusion into a field for scientific research, turning earthquakes into natural experiments at the nexus of the physical and human sciences.
The So-Called Eighth Stromateus by Clement of Alexandria
The so-called eighth Stromateus (‘liber logicus’) by Clement of Alexandria (d. before 221 C.E.) is an understudied source for ancient philosophy, particularly the tradition of the Aristotelian methodology of science, scepticism, and the theories of causation. A series of capitula dealing with inquiry and demonstration, it bears but few traces of Christian interests. In this volume, Matyáš Havrda provides a new edition, translation, and lemmatic commentary of the text. The vexing question of the origin of this material and its place within Clement’s oeuvre is also addressed. Defending the view of ‘liber logicus’ as a collection of excerpts made or adopted by Clement for his own (apologetic and exegetical) use, Havrda argues that its source could be Galen’s lost treatise On Demonstration.
Perspectives on Contemporary Music Theory
Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. He has published widely and influentially in areas as diverse as Beethoven and Brahms studies, chromatic tonality, disciplinarity and metatheory, history of theory, musical meaning and hermeneutics, poststructuralism (deconstruction, intertextuality, etc.), and Schenkerian theory and analysis. Because of the scope and caliber of his published work, and also his legacy as a pedagogue, Korsyn has had a profound impact on the field of music theory, along with the related fields of historical musicology and aesthetics. This book, a festschrift for Korsyn, comprises essays that constellate around his numerous scholarly foci. Represented in the volume are not only familiar music-theoretical topics such as chromaticism, form, Schenker, and text-music relations, but also various interdisciplinary topics such as deconstruction, disability studies, German Idealism, posthumanism, and psychoanalysis. The book thus reflects the increasingly multifaceted intellectual landscape of contemporary music theory.
The Industry of Evangelism
This monograph examines the rise of the Wittenberg printing industry and analyses how it overtook the Empire’s leading print centres.
