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Black Mountain Days
In Black Mountain Days, Michael Rumaker has written a touching, poetic memoir of Black Mountain College from 1952 to 1956. What were for the college its final four years were for Rumaker a sequence of journeys of creative and personal discovery that
The Beats, Black Mountain, and New Modes in American Poetry
The Beats, Black Mountain, and New Modes of American Poetry explores correspondences amongst the Black Mountain and Beat Generation writers, two of most well-known and influential groups of poets in the 1950s. The division of writers as Beat or Black Mountain has hindered our understanding of the ways that these poets developed from mutual influences, benefitted from direct relations, and overlapped their boundaries. This collection of academic essays refines and adds context to Beat Studies and Black Mountain Studies by investigating the groups’ intersections and undercurrents. One goal of the book is to deconstruct the Beat and Black Mountain labels in order to reveal the shifting and fluid relationships among the individual poets who developed a revolutionary poetics in the 1950s and beyond. Taken together, these essays clarify the radical experimentation with poetics undertaken by these poets.
The Family Bible ...
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Uncivilisation
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The Experimenters
Practically every major artistic figure of the mid-twentieth century spent some time at Black Mountain College: Harry Callahan, Merce Cunningham, Walter Gropius, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Aaron Siskind, Cy Twombly - the list goes on and on. Yet scholars have tended to view these artists' time at the college as little more than prologue, a step on their way to greatness. With The Experimenters, Eva Diaz reveals the influence of Black Mountain College - and especially of three key instructors, Josef Albers, John Cage, and R. Buckminster Fuller - to be much greater than that. Diaz's focus is on experimentation. Albers, Cage, and Fuller, she shows, taught new models of art making that favored testing procedures rather than personal expression. The resulting projects not only reconfigured the relationships among chance, order, and design - they helped redefine what artistic practice was, and could be, for future generations. Offering a bold, compelling new angle on some of the most widely studied creative minds of the twentieth century, The Experimenters does nothing less than rewrite the story of art in the mid-twentieth century.
Leap Before You Look
La exposición refleja la historia del Black Mountain College (BMC), fundado en 1933 en Carolina del Norte y concebido como universidad experimental que situaba al arte en el centro de una educación liberal que pretendía educar mejor a los ciudadanos para participar en la sociedad democrática. La educación era interdisciplinaria y concedía gran importancia al debate, la investigación y la experimentación, dedicando la misma atención a las artes visuales –pintura, escultura, dibujo- que a las llamadas artes aplicadas –tejidos, cerámica, orfebrería, así como a la arquitectura, la poesía, la música y la danza.
Realm of the Black Mountain
Comparatively little is well known about Europe's newest and one of its smallest independent states: the small mountain fastness Montenegro. In a book written for specialists and general readers alike, Elizabeth Roberts traces its history from pre-Slavic times, including its part in the 1389 battle of Kosovo and its prominent role in resisting the Ottomans. She recounts Montenegro's development under its Prince-Bishops toward the independence achieved at the Congress of Berlin and lost after the Versailles Conference when the Podgorica Assembly voted to join the new Kingdom of Yugoslavia. When Slobodan Milosevic spoke of Montenegro and Serbia as "two eyes in the same head," he encapsulated a...
Black Mountain College
A veritable archive of material on the visual, performing, and literary artists who made Black Mountain College the most successful experiment in the history of American art education.
Black Mountain
In this collection, one of Ireland's best-known political figures brings us new and selected stories of politics, of family, of love and of friendship. These are portraits of Ireland, and especially Belfast, old and new, in times of struggle and in times of peace, showing how our past is always part of our present. Sometimes sad, sometimes funny, always moving, these are stories of ordinary people captured with wit, with heart and with understanding. Introduction by Timothy O'Grady.
