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Mili Meets Spring
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Glasonoša
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Traditional Oral Epic
John Miles Foley offers an innovative and straightforward approach to the structural analysis of oral and oral-derived traditional texts. Professor Foley argues that to give the vast and complex body of oral "literature" its due, we must first come to terms with the endemic heterogeneity of traditional oral epics, with their individual histories, genres, and documents, as well as both the synchronic and diachronic aspects of their poetics. Until now, the emphasis in studies of oral traditional works has been placed on addressing the correspondences among traditions—shared structures of "formula," "theme," and "story-pattern." Traditional Oral Epic explores the incongruencies among traditions and focuses on the qualities specific to certain oral and oral-derived works. It is certain to inspire further research in this field.
Bazar et Cécité
Printemps deux mille seize. Un perroquet bavard perturbe la vie et l'enquête d'Augustin Triboulet. L'affaire se corse lorsqu'une Serbe acerbe décide de s'en mêler.
Visualizing the Unknown Balkans / Vizuakliacija Nepoznatog Balkana
The idea for this booklet is closely related to the research focus on Balkan archaeology of the OREA Institute of the Austrian Academy of Sciences and its various collaboration partners. Thanks to the financial support of the Innovation Fund of the Austrian Academy of Sciences, it has been possible to realize the Visualizing the Unknown Balkans project over the last two years. The present booklet aims to set out a physical paper-based summary accompanying a digital 3D movie produced within the framework of the Innovation Fund project. The fragmentation of modern-day archaeology on the Balkans, its high impact on the European past and its scientific attractiveness constitute our starting poin...
Haunted Serbia
Haunting is what happens when the past is disturbed and the victims of previous violence, who are thought to be buried and forgotten, are brought back to the present and made to live again. Serbian fiction writers of the 1980s exhume the ghosts of the past, re-remembering the cruelty of the twentieth century, reinterpreting the heroic role of the Partisans and the extraordinary measures taken to defend Yugoslavia’s recently won independence and socialist revolution. Their uncanny and ghostly imagery challenges the assumptions of the master discourse promoted by the country’s orthodox communist authorities and questions the historical roots of social and cultural identities. The instability of this period of transition is deepened during the wars of the 1990s, when authors turn from the memory of past violence to face the ferocious brutality of new conflicts. The haunting evocations in their work continue to articulate fresh uncertainties as the trappings of modern civilization are stripped away and replaced by the destructive logic of civil war. The past returns once more with renewed energy in the struggle to make sense of a vastly changed world.
Zora
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