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The story of Mick Griffith's history of a neglect, punishment, feeling of being unloved and the failure of parenthood. Read Mick's struggle to make it through life to becoming the leader of the biggest family in history. Learn about his closest friends turning to brothers as they battle the unknown to complete the need to be on top. Mike, Dave, Sam, Bill and Phil will tell you the story of Mick through their eyes as you learn about the Manister Crew and T.H.U.N.D.E.R. Each day has a meaning, the family only have to understand how to solve it. With many characters such as Dara, Ruby, Rebecca and much more, See the characters handwritings as they show examples of what they found. Look for the clues with how everything is connected as the never ending torment continues for the family. Welcome to Mick's Family... the diary of his past, present and future...Book one of a series.
At Stormy Hill, Ann Collins and her best friend, Ted, look forward to the birth of Lightning and Velvet’s foal. When a difficult delivery leaves the filly with a twisted hock, Ted blames himself. Though the vets assure him that is not the case, Ted takes on the training of Gamelan as his special project. But an accident puts the mare’s life in danger. Will Ted ever get a horse of his own to race? Meanwhile, Ann finds herself drawn in a different direction, one that threatens her bond with Ted. For the first time she and Ted are at odds with each other. Will the Stormy Hill tradition be broken? And where do their friends Jock and Vicki fit in this ongoing saga?
Edward Bond has been, since his controversial arrival on the theatrical scene in 1965, one of Britain's most distinctive and important theatre writers. This study examines his work, from The Pope's Wedding (1962) to Coffee (1995). It gives an overview of the development of his distinctive dramatic language and style, and looks at his experiments with various theatrical forms and genres. It examines, too, the ways in which Bond's insistence upon the necessity of the drama as an agent of social evolution have determined his development as a dramatist. There are sections which situate Bond's work within its wider theatrical and political contexts, and which explore his concerns with issues such as violence, technology and social evolution, as they are expressed in plays such as Saved (1965), and Lear (1971). The study also deals with Bond's continual dialogue with our cultural history - with the ways in which he rewrites classic plays and plunders familiar theatrical genres in order to demythologize the past.
FROM POPULAR AUTHOR OF LGBTQI ROMANCE, MEGAN SLAYER Book twelve in the Cedarwood Pride series Two men, one crush and a circumstance they can't ignore. Evan Conley left Cedarwood with dreams of fame and fortune. Twenty-five years and one hit song later, he's now Evan James. He sings songs and electrifies crowds, but he's got to come home. His grandmother is dying. To make matters worse, the man handling his grandmother's estate is none other than his high school crush, Mick Ryan. Mick Ryan wasn't thrilled to see Evan James return to Cedarwood. He never got over his crush on Evan and isn't sure being thrown together will do them any good. But Evan isn't the man he seems and Mick's desire hasn't extinguished with time. Can these two men, seemingly opposites, find their mutual attraction is more than enough to make their love grow?
This is the story of Lawrie Watts and his amazing technical artworks, illustrations, and cutaway drawings of motorcycles, motorcars, aircraft, and farm machinery. He was drawing amazingly complex machinery with meticulous attention to detail way before the development of CAD. Lawrie is not just an artist; he's a designer too. An example of his designs was the Enfield-powered Dreamliner.
When Zambia became Independent in 1964, the white colonial population did not suddenly evaporate. Some had supported Independence, others had virulently opposed it, but all had to reappraise their nationality, residence and careers. A few became Zambian citizens and many more chose to stay while without committing themselves. But most of the colonial population eventually trickled out of the country to start again elsewhere. Pamela Charmer-Smith has traced survivors of this population to discover how new lives where constructed and new perspectives generated. Her account draws on the power of postcolonial memory to understand the many ways that copper miners, district officers, school-children and housewives became the empires relics. Her work is not that of a dispassionate outsider but of one who grew up in Northern Rhodesia, knew its colonial population and has considerable affection for Zambia.
"'Clothed with the Sun' is about a boy who has this gift, among others. It is about how destinies overlap and intertwine. And about how sometimes nothing is as it appears."--Preface.
This book explores modern literature's responses to the tragic. It examines writers from the latter half of the nineteenth century through to the later twentieth century who respond to ideas about tragedy. Although Ibsen has been accused of being responsible for the 'death of tragedy', Ken Newton argues that Ibsen instead generates an anti-tragic perspective that had a major influence on dramatists such as Shaw and Brecht. By contrast, writers such as Hardy and Conrad, influenced by Schopenhauerean pessimism and Darwinism, attempt to modernise the concept of the tragic. Nietzsche's revisionist interpretation of the tragic influenced writers who either take pessimism or the 'Dionysian' commitment to life to an extreme, as in Strindberg and D. H. Lawrence. Different views emerge in the period following the second world war with the 'Theatre of the Absurd' and postmodern anti-foundationalism.