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Idolized
The television programme American Idol provides a stage where the politics of national, regional, ethnic, and religious identity are performed for millions of viewers. Meizel demonstrates that commercial music and the music industry are not simply forces to be criticised or resisted, but critical sites for redefining American culture.
Troubled Legacies
Last wills and testaments create tensions between those who inherit and those who imagine that they should inherit. As Victorian, modern, and contemporary novels amply demonstrate, seldom is more energy expended than at the reading of a will. Whether inheritances bring disappointment or jubilation, they create a pattern for the telling of stories, stories that involve the transmission of legacies - cultural, political, and monetary - from one generation to the next. Troubled Legacies examines these narratives of inheritance in British and Irish fiction from 1800 to the present. The essays in this collection set out to juxtapose legal and novelistic discourse. This reading of literature again...
Documentary's Awkward Turn
Despite the prominence of "awkwardness" as cultural buzzword and descriptor of a sub-genre of contemporary film and television comedy, it has yet to be adequately theorized in academic film and media studies. Documentary’s Awkward Turn contributes a new critical paradigm to the field by presenting an analysis of awkward moments in documentary film and other reality-based media formats. It examines difficult and disrupted encounters between social actors on the screen, between filmmaker and subject, and between film and spectator. These encounters are, of course, often inter-connected. Awkward moments occur when an established mode of representation or reception is unexpectedly challenged, stalled, or altered: when an interviewee suddenly confronts the interviewer, when a subject who had been comfortable on camera begins to feel trapped in the frame, when a film perceived as a documentary turns out to be a parodic mockumentary. This book makes visible the ways in which awkwardness connects and subtends a range of transformative textual strategies, political and ethical problematics, and modalities of spectatorship in documentary film and media from the 1970s to the present.
The Year's Work in Lebowski Studies
A massive underground sensation, The Big Lebowski has been hailed as the first cult film of the internet age. In this book, 21 fans and scholars address the film's influences—westerns, noir, grail legends, the 1960s, and Fluxus—and its historical connections to the first Iraq war, boomers, slackerdom, surrealism, college culture, and of course bowling. The Year's Work in Lebowski Studies contains neither arid analyses nor lectures for the late-night crowd, but new ways of thinking and writing about film culture.
Strategies of Ambiguity
There has been a growing awareness that ambiguity is not just a necessary evil of the language system resulting, for instance, from its need for economy or, by contrast, a blessing that allows writers to involve readers in endless games of assigning meaning to a literary text. The present volume contributes to overcoming this alternative by focusing on strategies of ambiguity (and the strategic avoidance of ambiguity) both at the production and the reception end of communication. The authors examine ways in which speakers and hearers may use ambiguous words, structures, references, and situations to pursue communicative ends. For example, the question is asked what it actually means when a l...
Double-Takes
The widest-ranging exploration to date of the interaction between English Canadian literature and film.
Queer Kinship in Sarah Schulman’s AIDS Novels
Queer Kinship in Sarah Schulman’s AIDS Novels is the first book to extensively discuss the works of Sarah Schulman, a journalist, activist and globally recognized novelist. This research monograph juxtaposes the works about the AIDS epidemic which were well-received by the mainstream America with Schulman’s own output as a “bard of AIDS burnout,” in the words of Edmund White. In contrast with the prevailing representations of the epidemic, her works emphasize the importance of queer kinship, chosen families and AIDS activist groups that fall outside of the heteronorm. Bearing witness to these voluntary collectivities means also surviving the traumatizing experience of ongoing, repeated death and refusing the idea of an easy solution to the crisis. The monograph tracks the tension between the dominant narratives about the epidemic and those articulated from the excluded positions, arguing that Schulman reformulates queer kinship as the locus of social change.
Understanding Reality Television
Tracing the history of reality TV from Candid Camera to The Osbournes, Understanding Reality Television examines a range of programmes which claim to depict 'real life'.
The Literary Role of History in the Fiction of J. R. R. Tolkien
This volume analyzes the literary role played by history in the works of J. R. R. Tolkien. It argues that the events of The Lord of the Rings are placed against the background of an already-existing history, both in reality and in the fictional worlds of the books. History is unfolded in various ways, both in explicitly archival annals and in stories told by characters on the road or on the fly, and in which different visions of history emerge. In addition, the history within the work can resemble, or be patterned on, histories in our world. These histories range from the deep past of prehistoric and ancient worlds to the early medieval era of the barbarian invasions and Byzantium, to the mo...
Literature for a Society of Equals
Literature for a Society of Equals defends modern equality and seeks its best literature. It accuses equality’s supposed friends on the left of attenuating this world-redefining relationship into a collection of rights and goods to distribute, secularizing it even as the right keeps sacralizing hierarchies, and optimistically handing it over to time to make it happen. In contrast, loyal to equality as modernity’s revolutionary invention, the writers examined here—from Mary Shelley to Gwendolyn Brooks to Ta-Nehisi Coates—envision "relational equality" as lately recovered by philosophers like Elizabeth Anderson and historians like Pierre Rosanvallon. Literary scholars need to reread these "pessimist egalitarians," too, though, for the discipline has failed them in the same three ways: i.e., attenuating and secularizing these writers’ portraits of equality but most of all insisting the sympathy generated by reading these texts will, with enough time, "expand the circle" of humanity. For students and teachers of literature at the university level, this volume is a guide to those writings that champion equality as relational, sacred, and ours—not time's—to realize.
