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This is the definitive work on Roy Rogers, the "King of the Cowboys." The lives and careers of Rogers and his wife, Dale Evans, are thoroughly covered, particularly their work on radio and television. The merchandising history of Roy Rogers reveals that his marketing of character-related products was second only to that of Walt Disney; Roy Rogers memorabilia are still among the most popular items. Includes a comprehensive discography, filmography and comicography. Heavily illustrated.
"This is, I think," explained the author to an interviewer in 1947, "a departure from the usual method." That departure was to write a novel in which an American town would be the chief character, with the human beings as the background. That novel was American Years by Bloomington writer Harold Sinclair, published in 1938. The book is the first of a trilogy that recounts in fiction the first century of Bloomington, which is disguised in no way but the name he gave it, "Everton."
We Fought At Gettysburg follows the 17th Connecticut Regiment through the Gettysburg Campaign and beyond in June and July of 1863. William H. Warren dedicated his life to compiling the accounts of his comrades in the 17th Connecticut. Many are published here for the first time. These are the words of those who lived through the trauma of combat and survived to write about it. Many of these men were wounded, taken prisoner, lost friends, and suffered themselves on this great battlefield of the war. These men tell what they experienced at Gettysburg in their own words. They describe what they saw, thought, and felt on the battlefield. Their story is told here through fascinating firsthand accounts, numerous photographs, including a photographic index of the regiment, and maps by Phil Laino.
Conway is a peaceful southern town. Or is it? Across the river from this quiet burg is a row of saloons, and Maude, a feisty octogenarian, believes something doesnt feel right. Along with a young physician named Adam, Maude is beginning to think the so-called saloons are actually havens for unsavory and illegal activities. This collection of saloons is a blight on the town of Conway, and someone should do something about it. Why shouldnt it be old Maude and Adam? Together, they organize a crusade to get the saloons shut down. Its a moral battle more than anything else, or so they believe. When one of the saloon owners disappears, however, the moral battle becomes a battle to stay alive, despite opposing forces and the predatory Tony Caruso, who holds all the cards. The Splendor of Light follows Maude and Adam as they continue down the dark path of their crusade. Lives are in danger of being lost; a town is on the verge of collapse. Will Maude and Adam remain steadfast in their cause, despite a predatory and ruthless adversary? Will they accept the consequences of their answers, or will they fall into moral darkness themselves and lose everything they value?
Modeled after the Mack V. Wright 1920 film version, the 1949 western television series The Lone Ranger made Clayton Moore's masked character one of the most recognized in American popular culture. Other westerns followed and by 1959 there were 32 being shown daily on prime time television. Many of the stars of the nearly 75 westerns went on to become American icons and symbols of the Hollywood West. This encyclopedia includes every actor and actress who had a regular role in a television western from 1949 through 1959. The entries cite biographical and family details, accounts of how the player first broke into show business, and details of roles played, as well as opinions from the actors and their contemporaries. A full accounting of film, serial, and television credits is also included. The appendix lists 84 television westerns, with dates, show times, themes, and stars.
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