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Global Auteurs
Global Auteurs employs auteur theory to examine the work of three contemporary and innovative directors: Pedro Almodóvar, Lars von Trier, and Michael Winterbottom. With extensive background information on the global film industry, and on auteur theory and its implications for ideological critique, this book's insightful case studies examine both ideologies the filmmakers re-circulate and ideologies that they confront in textual form. The discussion of Pedro Almodóvar devotes particular attention to mass mediation, the family, and gender in the corpus of his films, while Lars von Trier's corpus is interpreted as driven by a motif that characterizes all of his films: the «failed idealist». Michael Winterbottom's body of work presents a genre-diverse, post-MTV style concerned with «outsiders» and taboo, representation and truth, and human rights. Global Auteurs' sophisticated approach to decoding film is suitable for graduate and undergraduate courses on film, global mass media, and contemporary Europe.
Conspiracy Panics
Examines contemporary anxiety over the phenomenon of conspiracy theories.
Seeing Is Believing
In this study in IVP Academic's STA series, theologian Richard Goodwin considers how the images that constitute film might be a conduit of God's revelation. By considering works by Stanley Kubrik, Martin Scorsese, Terrence Malick, and more, Goodwin argues that by inviting emotional responses, film images can be a medium of divine revelation.
Identity and identification
The present volume includes the Proceedings of The 14 th International ‘Culture and Power’ Conference, organized by the University of Castilla-La Mancha and held in Ciudad Real, Spain, between 22 and 24 March, 2010 under the auspices of The Iberian Association for Cultural Studies (IBACS). The collection incorporates a selection of the papers presented. The conference revolved around the topic of ‘identity’ and ‘identification’, which, in the contributions, is explored in various cultural products across a wide range of social and national contexts. Identity and identification processes are examined as interrelated with other social and cultural dimensions. Readings echo a multiplicity of theoretical approaches, the number of issues contemplated being representative of the relevance of identity and identification processes as crucial analytical perspectives for cultural studies today.
Rebooting the Herman & Chomsky Propaganda Model in the Twenty-first Century
Introduction: News media is not a sofa or a plate of paella -- Pt. 1. Contexts -- Owning the news discourse -- News in a neoliberal milieu -- Ventriloquism and other routines -- Pt. 2. Texts -- Weed whackers and the phantom menace -- Feral peril: broadsheets and the British street -- To "tell the truth!" in flak style -- "Eye rolling" and rolling over: self-reflexive criticisms of journalism in new and old media -- Afterword: reboot, retool.
The Propaganda Model Today
While the individual elements of the propaganda system (or filters) identified by the Propaganda Model (PM) – ownership, advertising, sources, flak and anti-communism – have previously been the focus of much scholarly attention, their systematisation in a model, empirical corroboration and historicisation have made the PM a useful tool for media analysis across cultural and geographical boundaries. Despite the wealth of scholarly research Herman and Chomsky’s work has set into motion over the past decades, the PM has been subjected to marginalisation, poorly informed critiques and misrepresentations. Interestingly, while the PM enables researchers to form discerning predictions as regards corporate media performance, Herman and Chomsky had further predicted that the PM itself would meet with such marginalisation and contempt. In current theoretical and empirical studies of mass media performance, uses of the PM continue, nonetheless, to yield important insights into the workings of political and economic power in society, due in large measure to the model’s considerable explanatory power.
Fake Identity?
In North America, imposture narratives of all kinds from ethnic impersonation to confidence games abound because the socio-cultural history and national mythologies of the US and Canada are an especially fertile ground for the invention of identities, whether fake or "real." When discovered, imposture incites fascination and scandal--yet it also showcases how identities are made. Fake identities thus are a negative lens through which the performance of selves become obvious. The essays in this book examine both real and fictional imposture with a special interest in identity performance and in the cultural value attributed to authenticity in Western culture. The North American impostor narrative helps contextualise and historicize how selves are made, from the narrator of colonial travelogues to postmodernist author/narrator voices, from the urban con game to trickster shamanism."
Framed!
Christopher R. Martin argues that the mainstream news media (and the large corporations behind them) put the labor movement in a bad light even while avoiding the appearance of bias. Martin has found that the news media construct "common ground" narratives between labor and management positions by reporting on labor relations from a consumer perspective. Martin identifies five central storytelling frames using this consumer orientation that repeatedly emerged in the news media coverage of major labor stories in the 1990s: the 1991–94 shutdown of the General Motors Willow Run Assembly Plant in Ypsilanti, Michigan; the 1993 American Airlines flight attendant strike; the 1994–95 Major Leagu...
Identity
Identity: Beyond Tradition and McWorld Neoliberalism refashions the frameworks of discussion of “who we are”. In the “Introduction”, co-editors Brian Michael Goss and Christopher Chávez’s grand tour re-works previous concepts of identity in prelude to the volume’s global reach. The first section examines the intersection of identity and mass media; to wit, non-ascriptive ideological interpolation in a right-wing British broadsheet, the rise of beur cinema as an organically European movement, and linguistic construction of foreigners in a Thai novel. The second section examines the nation and trans-nation. The discussion traverses the “Global Latino” in advertising discourse,...
Selling War, Selling Hope
Details how presidents utilize mass media to justify foreign policy objectives in the aftermath of 9/11. Modern presidents have considerable power in selling U.S. foreign policy objectives to the public. In Selling War, Selling Hope, Anthony R. DiMaggio documents how presidents often make use of the media to create a positive informational environment that, at least in the short term, successfully builds public support for policy proposals. Using timely case studies with a focus on the Arab Spring and the U.S. War on Terror in the Middle East and surrounding regions, DiMaggio explains how official spin is employed to construct narratives that are sympathetic to U.S. officialdom. The mass...
