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Aesthetics of Equilibrium is the first book-length comparative analysis of the theoretical prose by two major Latin American vanguardist contemporaries, Mario de Andrade (Brazil, 1893-1945) and Vicente Huidobro (Chile, 1893-1948). Willis offers a comparative study of two allegorical texts, Huidobro's "Non serviam" and Mario's "Parabola d'A escrava que nao e Isaura."
In this compelling collection, Teresa Longo gathers a diverse group of critical and poetic voices to analyze the politics of packaging and marketing Neruda and Latin American poetry in general in the United States.
Through performance and the spoken word, Yucatec Maya storytellers have maintained the vitality of their literary traditions for more than five hundred years. Telling and Being Told presents the figure of the storyteller as a symbol of indigenous cultural control in contemporary Yucatec Maya literatures. Analyzing the storyteller as the embodiment of indigenous knowledge in written and oral texts, this book highlights how Yucatec Maya literatures play a vital role in imaginings of Maya culture and its relationships with Mexican and global cultures. Through performance, storytellers place the past in dynamic relationship with the present, each continually evolving as it is reevaluated and rei...
The essays in this collection explore the history of tourism and its promotion and development throughout Latin American and the Caribbean in the twentieth century.
How has political revolution figured into the development of avant-garde cultural production? Is the vanguard an antiquated concept or does its influence still resonate in the 21st century? Focusing closely on the convergence of aesthetics and politics that materialized in the early part of the twentieth century, this study offers a re-interpretation of the historical avant-garde from 1917 to 1962, a turbulent period in intellectual history which marked the apex, crisis, and decline of vanguardist authority. Moving from the impact of the Bolshevik Revolution to the anti-imperialist and decolonizing movements in the Third World, to the emergence of neo-vanguardism in the wake of postmodernity, this study opens the way for understanding the transformation of vanguardist cultural paradigms from a global perspective, the implications of which also reveal its relevance and application to the contemporary period.
The first literary geography of the Putumayo, exploring its history and enduring significance through literature of and on this Colombian region by Latin American, US and European writers.
This essay collection examines the changing cultural, political and physical landscape of Spain as represented in Spanish crime fiction of the last three decades. The first several essays focus on crime fiction set in Barcelona and look at, among other topics, the symbiotic relationship between the city and the detective in Francisco Gonzalez Ledesma's long-running Inspector Mendez series, Manuel Vazquez Montalban's treatments of the 1992 Summer Olympic Games, and place and identity in Alicia Gimenez-Bartlett's Petra Delicado series. Other essays examine regional and cultural illiteracy in Jorge Martinez Reverte's Galvez series and Spain's changing urban centers as represented in Andreu Martin's El blues de la semana mas negra.
This book offers a systematic and comparative history of the evolution of literature in the Americas, from the beginning to the present day. It begins with an introduction that assesses the development of the field and then proceeds to a chapter on the literature of Pre-Columbian and indigenous America. It then moves forward chronologically, from the arrival of the Europeans (beginning in 1492) to the year 2026. Including indigenous literature, the other American literatures represented in the book are those of Canada (both Francophone and Anglophone), the United States, the Caribbean (Francophone and Anglophone), Spanish America, and Brazil. Not every book ever written in the Americas is included, of course; only those that, in the author’s estimation, offer some valid point of comparison with other American literary cultures. These points of comparison include issues of theme, genre, literary periods, literature and other disciplines, such as history, art, music, or politics, cases of influence and reception, and translation. The book’s emphasis is on viewing American literature from a hemispheric and comparative lens.
Understories: Plants and Culture in the American Tropics establishes the central importance of plants to the histories and cultures of the extended tropical region stretching from the U.S. South to Argentina. Through close examination of a number of significant plants – cacao, mate, agave, the hevea brasilensis, kudzu, the breadfruit, soy, and the ceiba pentandra, among others – this volume shows that vegetal life has played a fundamental role in shaping societies and in formulating cultural and environmental imaginaries in and beyond the region. Drawing on a wide range of cultural traditions and forms across literature, popular music, art, and film, the essays included in this volume transcend regional and linguistic boundaries to bring together multiple plant-centred histories or ‘understories’ – narratives that until now have been marginalized or gone unnoticed. Attending not only to the significant influence of humans on plants, but also of plants on humans, this book offers new understandings of how colonization, globalization, and power were, and continue to be, imbricated with nature in the American tropics.