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This book offers new, often unexpected, but always intriguing portraits of the writers of classic fairy tales. For years these authors, who wrote from the sixteenth to the nineteenth centuries, have been either little known or known through skewed, frequently sentimentalized biographical information. Jacob and Wilhelm Grimm were cast as exemplars of national virtues; Hans Christian Andersen's life became—with his participation—a fairy tale in itself. Jeanne-Marie Leprince de Beaumont, the prim governess who wrote moral tales for girls, had a more colorful past than her readers would have imagined, and few people knew that nineteen-year-old Marie-Catherine d'Aulnoy conspired to kill her much-older husband. Important figures about whom little is known, such as Giovan Francesco Straparola and Giambattista Basile, are rendered more completely than ever before. Uncovering what was obscured for years and with newly discovered evidence, contributors to this fascinating and much-needed volume provide a historical context for Europe's fairy tales.
Translates an important example of late seventeenth-century French hybrid experimental fiction that provided the primary literary backdrop for the first French fairy tales. Popular with the worldly aristocracy, late seventeenth-century experimental novels like the Countess de Murat’s Voyage de campagne (A Trip to the Country) were published in small format, widely circulated, and reprinted more frequently than any other type of fiction both in France and abroad. Murat’s hybrid work, built around a humorous frame narrative, details a trip to a pristine country estate taken by seven Parisian aristocrats and contains interpolated examples of the period’s most popular literary forms—incl...
Involuntary Confessions of the Flesh in Early Modern France was inspired by the observation that small slips of the flesh (involuntary confessions of the flesh) are omnipresent in early modern texts of many kinds. These slips (which bear similarities to what we would today call the Freudian slip) disrupt and destabilize readings of body, self, and text—three categories whose mutual boundaries this book seeks to soften—but also, in their very messiness, participate in defining them. Involuntary Confessions capitalizes on the uncertainty of such volatile moments, arguing that it is instability itself that provides the tools to navigate and understand the complexity of the early modern worl...
This edited collection explores what trauma—seen through an analytical lens—can reveal about the early modern period and, conversely, what conceptualizations of psychological trauma from the period can tell us about trauma theory itself.
This edited volume addresses memory practices among youth, families, cultural workers, activists, and engaged citizens in Lebanon and Morocco. In making a claim for ‘the social life of memory,’ the introduction discusses a particular research field of memory studies, elaborating an approach to memory in terms of social production and engagement. The Arab Spring is evoked to draw attention to new rifts within and between history and remembrance in the regions of North Africa and the Middle East. As authoritarian forms of governance are challenged, official panoramic narratives are confronted with a multiplicity of memories of violent pasts. The eight chapters trace personal and public inventories of violence, trauma, and testimony, addressing memory in cinema, in newspapers and periodicals, as an experience of public environments, through transnational and diasporic mediums, and amongst younger generations.
The first extensive study of the intersection between family and social hierarchy within early modern literary production.
Divorce is a conspicuous character trait of modernity, commonly portrayed in texts and on screen, with its moral and social rationalisation firmly rooted in Enlightenment and Romantic thought. The aim of this volume is to bring into focus this contemporary cultural fascination by assembling the variety of academic responses it has started to create. Bringing together the reflections of scholars from the UK and North America who have worked in this domain, this study offers for the first time a genuinely wide-ranging account of the depiction of divorce across the northern hemisphere in a number of media (fiction, journalism, film and television). It reaches historically from the intellectual and legal aftermath of the Enlightenment right up to the present day. As such, the collection shows both the roots of this apparently contemporary phenomenon in nineteenth-century literary practice and the very particular ways in which divorce characterises the different narrative media of modernity.
As the first book-length study of waterborne festivities in Renaissance and early modern Europe, this collection of essays draws on a rich array of sources, many previously un-researched, to explore aspects of scenography, choreography, music, fashion, painting, sculpture, architecture, stage-and personnel-management and urban planning as evinced in spectacles staged on water. Bodies of water in all their variety are explored here: seas, rivers, fountains, lakes and canals and flooded improvised locations within or adjacent to great buildings all provided stages for elaborate and costly performances, utilising the particular qualities of water to reflect light and distort sound. The volume e...
Focuses on women writers as translators who interpreted and mediated across cultural boundaries and between national contexts in the period 1700-1900. Rejecting from the outset the notion of translations as 'defective females', each essay engages with the author it discusses as an innovator.
The Huguenots are among the best known of early modern European religious minorities. Their suffering in 16th and 17th-century France is a familiar story. The flight of many Huguenots from the kingdom after 1685 conferred upon them a preeminent place in the accounts of forced religious migrations. Their history has become synonymous with repression and intolerance. At the same time, Huguenot accomplishments in France and the lands to which they fled have long been celebrated. They are distinguished by their theological formulations, political thought, and artistic achievements. This volume offers an encompassing portrait of the Huguenot past, investigates the principal lines of historical development, and suggests the interpretative frameworks that scholars have advanced for appreciating the Huguenot experience.