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The Pastoral Mode
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A Pleasant Conceited Historie, Called The Taming of a Shrew
This book is part of a controversial new series that raises fundamental questions about the authenticity of Shakespeare's texts as we know them today. In a radical departure from existing series, it presents the earliest known editions of Shakespeare's playsówhich differ substantially from the present versionsóand argues that these are the most authentic we have. The editors present the text in a form as close as possible to its first publication. It includes an introduction, notes and an appendix containing sample facsimile pages from the original printed texts. Throughout, the emphasis of the critical apparatus is on the theoretical and historical significance of the text and its context...
The Prince of Denmark
This fictional re-writing of the Hamlet story is set in a time somewhere between the Scandinavian Dark Ages (out of which the tale of Hamlet came), and the Renaissance society of Shakespeare's play. The novel searches past and future, in T.S. Eliot phrase, looking before and after. Beginning at the end of Shakespeare's play, where the Norweigian prince Fortinbras takes over the empty throne of Denmark, its then backtracks to the year of Hamlet's birth, and the great duel fought between his father King Amled and Fortinbras' father Prince Fortenbrasse. in the light of this history, as a new ruler takes over Denmark after Hamlet's death, the conflicts and alliances between ancient Viking chivalry, Renaissance realpolitik and Christian forgiveness are dramatically explored.
ÔJaniform NovelsÕ and other Literary Essays
'Janiform Novels' and Other Literary Essays gathers 25 essays by Cedric Watts, MA, Ph.D., Emeritus Professor of English at Sussex University. Previously published in a diversity of magazines and books, these conveniently-gathered literary discussions deal with such authors as Sophocles, Chaucer, Shakespeare, Donne, Marvell, Milton, Defoe, Richardson, Jane Austen, Emily Brontë, Conrad, Hemingway, Graham Greene, William Golding, Samuel Beckett and Chinua Achebe. Topics include covert plotting, the conceit of the conceit, the fallacies of structuralist and post-structuralist literary theory, delayed decoding, Shakespeare's scepticism, Conrad's opposition to racism and imperialism, Hemingway's profoundly ambiguous style, and Lévi-Strauss's ludicrous naivety. Cedric Watts's critical writings have been described as 'fearless', 'perceptive', 'provocative', 'incisive' and 'entertaining' (Neil Sinyard, Graham Greene Newsletter).
Textual Shakespeare
'Textual Shakespeare' reassesses the Bard as a writer in the light of the late-20th century revolution in bibliography and textual studies. Reviewing debates in textual theory and practice, Holderness concludes that 'Shakespeare' is not a writer but a collection of documents.
Philip Larkin
Philip Larkin (1992-1985) Is Today Acclaimed As A British National Cultural Icon. Historically A Movementeer, Larkin Followed The Pleasure Principle To Democratize Poetry By Forging A Distinctive Philistine Aesthetic, By Employing A Defiantly Demotic Diction, And By Building His Poems Around A Structure Of Rational Discourse.Philip Larkin : Poetry That Builds Bridges Is A Well-Researched And Immensely Readable Book. It Is Perhaps The Only Work Available Today That Offers A Comprehensive Critical Account Of The Full Range Of Larkin S Poetry. A Significant Contribution To Larkin Studies, This Book Provides A Between-The-Lines Analysis Of Almost All The Poems Embodied In The Four Major Collecti...
Chaucer's Pardoner's Prologue and Tale
The Chaucer Bibliography series aims to provide annotated bibliographies for all of Chaucer's work. This book summarizes 20th-century commentaries on Chaucer's "Pardoner's Prologue" and "Tale."
Taming of the Shrew
First Published in 1992. This series puts into circulation single annotated editions of early modern play-texts whose literary and theatrical histories have been overshadowed by editorial practices dominant since the eighteenth century. The text contained in this volume is not what we know as Shakespeare's The Taming of the Shrew, modern editions of which play are all derived from the text printed in the 1623 First Folio edition of Shakespeare's works. The present text is an edition of the play published in 1594 under the title The Taming of a Shrew, which has always been denied the authorising signature of 'Shakespeare', and regarded as an earlier version by another dramatist or as a pirated and corrupt 'memorial reconstruction' of Shakespeare's The Taming of the Shrew.
Brian Patten
In 1967 Penguin Books published the work of Brian Patten, along with co-poets Roger McGough and Adrian Henri, in the collection The Mersey Sound, frequently credited as the single most significant anthology of this century in bringing poetry to new audiences. Some half a million copies have been sold, and thousands of poetry fans have flocked to theatres, arts centres and schools to watch Patten in performance. This is the first full-length critical evaluation of Patten's work - as a poet, as a performer and as a hugely popular children's writer. It seeks to explore his position in relation to his fellow Liverpool Poets and to contemporary poetry more widely. Consideration of Armada, Patten's most recent poetry collection for adults, is central to this study. The author explores the ways in which themes and pre-occupations from earlier works have now sharpened and developed, and argues that Armada signals the maturation of his talent.
