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Fallen Bodies
Medieval clerics believed that original sin had rendered their "fallen bodies" vulnerable to corrupting impulses—particularly those of a sexual nature. They feared that their corporeal frailty left them susceptible to demonic forces bent on penetrating and polluting their bodies and souls. Drawing on a variety of canonical and other sources, Fallen Bodies examines a wide-ranging set of issues generated by fears of pollution, sexuality, and demonology. To maintain their purity, celibate clerics combated the stain of nocturnal emissions; married clerics expelled their wives onto the streets and out of the historical record; an exemplum depicting a married couple having sex in church was told...
Conversations with Angels
Based on refractions of earlier beliefs, modern angels - at once terrible and comforting, frighteningly other and reassuringly beneficent - have acquired a powerful symbolic value. This interdisciplinary study looks at how humans conversed with angels in medieval and early modern Europe, and how they explained and represented these conversations.
The Letter Collection of Peter Abelard and Heloise
The letters of Abelard and Heloise contain a vivid account of one of the most celebrated love affairs in the western world that raised questions about love, marriage, and religious life in the Middle Ages. This much needed new edition of the Latin text contains English translation, a full introduction, extensive annotation, and detailed indexes.
Objects of Culture in the Literature of Imperial Spain
Collecting and displaying finely crafted objects was a mark of character among the royals and aristocrats in Early Modern Spain: it ranked with extravagant hospitality as a sign of nobility and with virtue as a token of princely power. Objects of Culture in the Literature of Imperial Spain explores how the writers of the period shared the same impulse to collect, arrange, and display objects, though in imagined settings, as literary artefacts. These essays examine a variety of cultural objects described or alluded to in books from the Golden Age of Spanish literature, including clothing, paintings, tapestries, playing cards, monuments, materials of war, and even enchanted bronze heads. The contributors emphasize how literature preserved and transformed objects to endow them with new meaning for aesthetic, social, religious, and political purposes – whether to perpetuate certain habits of thought and belief, or to challenge accepted social and moral norms.
Assembling the Lyric Self
As she moves from an overview to a consideration of particular authors (including Guittone d'Arezzo and Nicolo de' Rossi) and manuscripts, she both demonstrates the narrative and structural subtlety of many of the works and reveals unsuspected phases in a gradual historical shift."--BOOK JACKET.
Medieval Scholarship
Surveying the development of medieval scholarship through biography, this volume contains 23 original essays on scholars whose work shaped medieval historiography for the past 300 years. Their subject was Europe between 500 and 1500, and they labored to define that protean and multinational culture. Each of them pioneered or revolutionized traditional views on fields such as diplomatics (Mabillon); economic, social, and constitutional history (Power, Pirenne, Bloch, Stubbs, Waitz, Whitelock, Maitland); manuscript and archival studies (Delisle, Muratori); Jewish history and the history of Islam and Byzantium (von Grunebaum, Ostrogorsky); symbology and intellectual history (Kantorowicz, Schramm, Smalley); general and cultural history (Gibbon, Adams, Haskins, S nchez-Albornoz); and ecclesiastical history (Bolland, Lea) and the history of magic and science (Thorndike). Some of the scholars pioneered comparative and interdisciplinary studies; all published work that is still essential to our understanding of the past and, more important, the present.
Women and Writing in Medieval Europe: A Sourcebook
Carolyne Larrington has gathered together a uniquely comprehensive collection of writing by, for and about medieval women, spanning one thousand years and Europe from Iceland to Byzantiu. The extracts are arranged thematically, dealing with the central areas of medieval women's lives and their relation to social and cultural institutions. Each section is contextualised with a brief historical introduction, and the materials span literary, historical, theological and other narrative and imaginative writing. The writings here uncover and confound the stereotype of the medieval woman as lady or virgin by demonstrating the different roles and meanings that the sign of woman occupied in the imaginative space of the medieval period. Larrington's clear and accessible editorial material and the modern English translations of all the extracts mean this work is ideally suited for students. Women and Writing in Early Europe: A Sourcebook also contains an extensive and fully up-to-date bibliography, making it not only essential reading for undergraduates and post graduates but also a valuable tool for scholars.
British Outlaws of Literature and History
The medieval outlaws of Britain maintain a hold on the present-day imagination, judging by their presence in literature and on film. Exploring the nature of both historical and fictional outlaws, these twelve critical essays survey the literary, historical, and cultural environments that produced them, namely the medieval and early modern periods. Divided into three parts, the text examines the historical records of real outlawed men and women and the representation of Jews in medieval Britain as possible outlaws, outlaws associated specifically with Wales, and the popular figure of Robin Hood and the context of the late medieval poems and plays that feature him as a prominent figure.
Forbidden Rites
Preserved in the Bavarian State Library in Munich is a manuscript that few scholars have noticed and that no one in modern times has treated with the seriousness it deserves. Forbidden Rites consists of an edition of this medieval Latin text with a full commentary, including detailed analysis of the text and its contents, discussion of the historical context, translation of representative sections of the text, and comparison with other necromantic texts of the late Middle Ages. The result is the most vivid and readable introduction to medieval magic now available. Like many medieval texts for the use of magicians, this handbook is a miscellany rather than a systematic treatise. It is excepti...
Manuscript Culture and Medieval Devotional Traditions
Essays exploring the great religious and devotional works of the Middle Ages in their manuscript and other contexts.
