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Painting Publics
  • Language: en

Painting Publics

  • Categories: Art

Public art is a form of communication that enables spaces for encounters across difference. These encounters may be routine, repeated, or rare, but all take place in urban spaces infused with emotion, creativity, and experimentation. In Painting Publics, Caitlin Bruce explores how various legal graffiti scenes across the United States, Mexico, and Europe provide diverse ways for artists to navigate their changing relationships with publics, institutions, and commercial entities. Painting Publics draws on a combination of interviews with more than 100 graffiti writers as well as participant observation, and uses critical and rhetorical theory to argue that graffiti should be seen as more than...

Democracy as Fetish
  • Language: en
  • Pages: 244

Democracy as Fetish

Democracy has long been fetishized. Consequently, how we speak about democracy and what we expect from democratic governance are at odds with practice. With unflinching resolve, this book probes the theory of democracy and how the left and right are fascinated by it. In this innovative multidisciplinary study, Ralph Cintron provides sustained analysis of our political discourse. He shows not only how the rhetoric of democracy produces strong desires for social order, global wealth, and justice but also how these desires cannot be satisfied. Throughout his discussion, Cintron includes ethnographic research from fieldwork conducted over the course of twenty years in the Latino neighborhoods of...

Democracy on the Wall
  • Language: en
  • Pages: 256

Democracy on the Wall

  • Categories: Art

Deconstructs the implications of street art to the social, political, and cultural movements of post-Pinochet dictatorship Chile.

Visible Ruins
  • Language: en
  • Pages: 398

Visible Ruins

An examination of the failures of the Mexican Revolution through the visual and material records. The Mexican Revolution (1910–1920) introduced a series of state-led initiatives promising modernity, progress, national grandeur, and stability; state surveyors assessed land for agrarian reform, engineers used nationalized oil for industrialization, archaeologists reconstructed pre-Hispanic monuments for tourism, and anthropologists studied and photographed Indigenous populations to achieve their acculturation. Far from accomplishing their stated goals, however, these initiatives concealed violence, and permitted land invasions, forced displacement, environmental damage, loss of democratic freedom, and mass killings. Mónica M. Salas Landa uses the history of northern Veracruz to demonstrate how these state-led efforts reshaped the region's social and material landscapes, affecting what was and is visible. Relying on archival sources and ethnography, she uncovers a visual order of ongoing significance that was established through postrevolutionary projects and that perpetuates inequality based on imperceptibility.

Making the Human
  • Language: en
  • Pages: 147

Making the Human

From the debate over affirmative action to the increasingly visible racism amidst the COVID-19 pandemic, Asian Americans have emerged as key figures in a number of contemporary social controversies. In Making the Human: Race, Allegory, and Asian Americans, Corinne Mitsuye Sugino offers the lens of racial allegory to consider how media, institutional, and cultural narratives mobilize difference to normalize a white, Western conception of the human. Rather than focusing on a singular arena of society, Sugino considers contemporary sources across media, law, and popular culture to understand how they interact as dynamic sites of meaning-making. Drawing on scholarship in Asian American studies, Black studies, cultural studies, communication, and gender and sexuality studies, Sugino argues that Asian American racialization and gendering plays a key role in shoring up abstract concepts such as “meritocracy,” “family,” “justice,” “diversity,” and “nation” in ways that naturalize hierarchy. In doing so, Making the Human grapples with anti-Asian racism’s entanglements with colonialism, antiblackness, capitalism, and gendered violence.

Moranthology
  • Language: en
  • Pages: 305

Moranthology

The follow up to her bestselling breakout hit How to Be a Woman, Moranthology is a hilarious, insightful collection of Moran’s London Times columns that confirms her status as “the UK’s answer to Tina Fey, Chelsea Handler, and Lena Dunham all rolled into one.” (Marie Claire) Possibly the only drawback about the bestselling How to Be a Woman was that its author, Caitlin Moran, was limited to pretty much one subject: being a woman. Moranthology is proof that Caitlin can actually be “quite chatty” about many other things, including cultural, social and political issues that are usually the province of learned professors, or hot-shot wonks—and not of a woman who once, as an experiment, put a wasp in a jar, and got it stoned. Here you’ll find Caitlin ruminating on—and sometimes interviewing—subjects as varied as caffeine, Keith Richards, Ghostbusters, Twitter, the welfare state, the royal wedding, Lady Gaga, and her own mortality, to name just a few. With her “brilliant, original voice” (Publishers Weekly), Caitlin brings insight and humor to everything she writes.

Accounting for Slavery
  • Language: en
  • Pages: 313

Accounting for Slavery

A Five Books Best Economics Book of the Year A Politico Great Weekend Read “Absolutely compelling.” —Diane Coyle “The evolution of modern management is usually associated with good old-fashioned intelligence and ingenuity...But capitalism is not just about the free market; it was also built on the backs of slaves.” —Forbes The story of modern management generally looks to the factories of England and New England for its genesis. But after scouring through old accounting books, Caitlin Rosenthal discovered that Southern planter-capitalists practiced an early form of scientific management. They took meticulous notes, carefully recording daily profits and productivity, and subjected...

You Let Me In
  • Language: en
  • Pages: 189

You Let Me In

  • Type: Book
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  • Published: 2020-03-05
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  • Publisher: Random House

'This might be the best book I've read all year' JOANNE HARRIS 'A glorious, pitch-black fairytale of a book' KIRSTY LOGAN 'A masterclass in storytelling' DAILY MAIL 'Deeply unsettling' CAITLIN STARLING 'Deliciously terrifying' GUARDIAN Everyone knew bestselling novelist Cassandra Tipp had twice got away with murder. Even her family were convinced of her guilt. So when she disappears, leaving only a long letter behind, they can but suspect that her conscience finally killed her. But the letter is not what anyone expected. It tells two chilling, darkly disturbing stories. One is a story of children lost to the woods, of husbands made from twigs and leaves and feathers and bones . . . The other is the story of a little girl who was cruelly treated and grew up crooked in the shadows . . . But which story is true? And where is Cassie now? ________________________ What readers are saying... ***** 'A haunting and beautifully written story of dark relationships' ***** 'This story lures you in and doesn't let you go . . . If you love a dark and twisted tale to lose yourself in, this is it.' ***** 'A unique and twisted dark faerie tale' ***** 'I loved this book, was blown away by it'

Culinary Palettes
  • Language: en
  • Pages: 275

Culinary Palettes

  • Categories: Art

How the visual culture of food, cookery, and consumption played a central role in the making of postrevolutionary Mexico. Postrevolutionary Mexico City was a site of anxious nation-building, as rampant modernization converged and clashed with the nation’s growing nostalgia for its pre-Columbian heritage. During this volatile period, food became a meaningful symbol for a Mexican citizenry seeking new modes of national participation. Culinary Palettes explores how the artistic invocation of food cultures became an arena in which to negotiate the political entanglements of postrevolutionary Mexico. Lesley Wolff casts a nuanced eye on the work of visual artists such as Tina Modotti, Carlos Gon...

Black Iconoclasm
  • Language: en
  • Pages: 245

Black Iconoclasm

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