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Social change and everyday life in Ireland, 1850–1922
Men and women who were born, grew up and died in Ireland between 1850 and 1922 made decisions - to train, to emigrate, to stay at home, to marry, to stay single, to stay at school - based on the knowledge and resources they had at the time. This, the first comprehensive social history of Ireland for the years 1850-1922 to appear since 1981, tries to understand that knowledge and to discuss those resources, for men and women at all social levels on the island as a whole. Original research, particularly on extreme poverty and public health, is supplemented by neglected published sources - local history journals, popular autobiography, newspapers. Folklore and Irish language sources are used ex...
Women's Voices in Ireland
Women's Voices in Ireland examines the letters and problems sent in by women to two Irish women's magazines in the 1950s and 60s, discussing them within their wider social and historical context. In doing so, it provides a unique insight into one of the few forums for female expression in Ireland during this period. Although in these decades more Irish women than ever before participated in paid work, trade unions and voluntary organizations, their representation in politics and public and their workforce participation remained low. Meanwhile, women who came of age from the late 1950s experienced a freedom which their mothers and aunts - married or single, in the workplace or the home - had never known. Diary and letters pages and problem pages in Irish-produced magazines in the 1950s and 60s enabled women from all walks of life to express their opinions and to seek guidance on the social changes they saw happening around them. This book, by examining these communications, gives a new insight into the history of Irish women, and also contributes to the ongoing debate about what women's magazines mean for women's history.
The Past in the Present
"A further specification regarding the role of tradition in a changing world was added and thus was identified the core topic of a conference held in Galway (2004), where a multidisciplinary team met to share concerns and outline research methods. This book has emerged from that occasion of interdisciplinary dialogue: philosophy, history, performing arts, literature, religion, education, linguistics, folklore and European ethnology, meet here to offer a wide range of scholarly interests and map some of the ways in which it is possible to engage with the frontier between past and present."--Back cover.
Women of the House
Ã?Â?Ã?«Clear has examined a wealth of primary and secondary materials and convincingly refutes a number of clichÃ?Â?Ã?Â's about the lives and status of Irish women. She also provides Ã?Â?Ã?Â?insights into the changing conditions of Irish women.Ã?Â?Ã?Â- Choice Ã?Â?Ã?«the author has broken new ground and encouraged a reassessment of previous histiography of womenÃ?Â?Ã?Â-s role in society.Ã?Â?Ã?Â- The History Review
The Cambridge Social History of Modern Ireland
This is the first textbook on the history of modern Ireland to adopt a social history perspective. Written by an international team of leading scholars, it draws on a wide range of disciplinary approaches and consistently sets Irish developments in a wider European and global context.
Catriona
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The Best Are Leaving
Clair Wills's The Best Are Leaving is a study of representations of Irish emigrant culture and of Irish immigrants in Britain.
Duck Duck Goose
When his friend becomes embroiled in a rape allegation, Chris Quinn offers his support. Only the rules keep changing, nothing is clear-cut, and Chris finds himself caught in a tussle between loyalty, love and doubt. Caitríona Daly's Duck Duck Goose is a viscerally charged play examining the nature of consent, trust and trial by social media. Full of moral ambiguity and psychological complexity, it was developed as part of Fishamble's A Play for Ireland initiative, and first performed by the company in the 2021 Dublin Theatre Festival.
