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Gulliver's Conversion Into a Reasonable Horse and His Upcoming Hate Towards Mankind
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,7, University of Hamburg, language: English, abstract: The following essay deals with the misanthropy of the protagonist Lemuel Gulliver from Jonathan Swift's Gulliver's Travels. The question, whether the protagonist's hate towards mankind can be equated with a possible misanthropy of the author shall not be discussed here. Likewise, the topic of the author's conception of man will not be examined. The author's intentions are deliberately excluded to keep the focus on the narrative's interpretation and relevant secondary literature. Therefore, Swift's satirical intentions regarding ...
The Manufacturers of Literature
"The book combines an examination of the network of material conditions of authorship and publishing during the century with literary readings in order to explore the mutually constitutive nature of literature, the material forces that influence its production, and the social world of readers."--BOOK JACKET.
Man Versus Society in Eighteenth-Century Britain
This collection of papers from six leading experts explore different aspects of the ordinary individual in eighteenth-century Britain.
Irish Studies
Highlighting the work of both established and emerging scholars in Irish studies, this collection brings together fifteen essays working at the intersection of two important and developing fields of Irish studies: gender studies and cultural geography. Developed from papers first presented at a regional meeting of the American Conference for Irish Studies in South Carolina in 2006, not only does this work suggest the importance of linking gender and geography, but it also suggests, in the range of literary and historical topics, the rich interdisciplinary nature of Irish studies at present. Central to all of the essays is an attention to intersections of gender and sexual identity formation ...
"The Stage's Glory"
John Rich (1692-1761) was a profoundly influential figure of the eighteenth-century London stage. As producer, manager, and performer, he transformed the urban entertainment market, creating genres and promotional methods still with us today. This volume gives the first comprehensive overview of Rich’s multifaceted career, appreciation of which has suffered from his performing identity as Lun, London’s most celebrated Harlequin. Far from the lightweight buffoon that this stereotype has suggested, Rich—the first producer of The Beggar’s Opera, the founder of Covent Garden, the dauntless backer of Handel, and the promoter of the principal dancers from the Parisian opera—is revealed as an agent of changes much more enduring than those of his younger contemporary, David Garrick. Contributions by leading scholars from a range of disciplines—theatre, dance, music, art, and cultural history—provide detailed analyses of Rich’s productions and representations. These findings complement Robert D. Hume’s lead article, a study that radically alters our perception of Rich. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
The Way We Read James Dickey
Original inroads to understanding the life and works of the celebrated novelist and poet In The Way We Read James Dickey editors William B. Thesing and Theda Wrede have assembled an outstanding collection of current critical responses to the works of the acclaimed novelist, poet, and teacher, including essays by Dickey's former colleagues at the University of South Carolina and a piece by his most famous student, novelist Pat Conroy. The volume breaks new ground in the application of innovative critical approaches and restores Dickey to his rightful place in the literary canon as a remarkable writer who crafted some of the best poetry and fiction of the twentieth century. A decade after Dick...
The Beggar's Opera and Polly
In this work, John Gay turned the conventions of Italian opera riotously upside-down, instead using traditional popular ballads and street tunes, while also indulging in political satire at the expense of the then Prime Minister, Sir Robert Walpole.
Ballads and Broadsides in Britain, 1500-1800
Bringing together diverse scholars to represent the full historical breadth of the early modern period, and a wide range of disciplines (literature, women's studies, folklore, ethnomusicology, art history, media studies, the history of science, and history), Ballads and Broadsides in Britain, 1500-1800 offers an unprecedented perspective on the development and cultural practice of popular print in early modern Britain.
Perspectives on English Revolutionary Republicanism
Perspectives on English Revolutionary Republicanism takes stock of developments in the scholarship of seventeenth-century English republicanism by looking at the movements and schools of thought that have shaped the field over the decades: the linguistic turn, the cultural turn and the religious turn. While scholars of seventeenth-century republicanism share their enthusiasm for their field, they have approached their subject in diverse ways. The contributors to the present volume have taken the opportunity to bring these approaches together in a number of case studies covering republican language, republican literary and political culture, and republican religion, to paint a lively picture ...
