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Sonia Delaunay made enormous contributions to the development of abstraction in the early 1900s. Sonia Delaunay: Art Is Life introduces young audiences to her art as Sonia and her six-year-old Charles embark on a magical road trip in their car, modelled after Sonia's 1925 design for a Citroën convertible. Together they glide into a landscape made up of colours and shapes drawn from Sonia's early abstract compositions - almost as if they've entered one of her paintings. Along the road, they make pit stops at 'sites' that inspired some of Sonia's key paintings of this period (such as the dance hall depicted in her 1913 work Bal Bulier and the open air Portuguese market that was the subject of her 1915 painting Marché au Minho). Sonia and Charles also explore her gorgeous and colourful designs for fabrics and clothing. Through these encounters, Sonia helps her son understand her artistic process of abstracting from reality by asking Charles what shapes and colours he discerns within these subjects. Their journey ends back in the real world, and Charles realizes that his mother's thinking about art permeates every aspect of their life.
From the civil rights movement to Black Lives Matter, issues of race, representation, and violence inform this interrogation of art and its necessity in times of crisis.
Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.
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How do you keep the cracks in Starry Night from spreading? How do you prevent artworks made of hugs or candies from disappearing? How do you render a fading photograph eternal—or should you attempt it at all? These are some of the questions that conservators, curators, registrars, and exhibition designers dealing with contemporary art face on a daily basis. In Still Life, Fernando Domínguez Rubio delves into one of the most important museums of the world, the Museum of Modern Art (MoMA) in New York, to explore the day-to-day dilemmas that museum workers face when the immortal artworks that we see in the exhibition room reveal themselves to be slowly unfolding disasters. Still Life offers ...
Challenging historic assumptions about human relationships with nature, Jan G. Laitos examines how environmental laws have addressed environmental problems in the past, and the reasons for the laws' inability to successfully prevent environmental contamination and alterations of critical environmental systems. This forward-thinking book offers a creative and organic alternative to traditional but ultimately unsuccessful environmental rules. It explains the need for a new generation of environmental laws grounded in the universal laws of nature which might succeed where past and current approaches have largely failed.
Cleburne County and Its Peopleis a historical account of Cleburne County and the men and women who made it what it is today. These men and women were as diverse as the Ozark Mountain's rock-laden landscapes. The pioneers who settled Cleburne County were as strong as the land, of hardy pioneer stock, and bold in thought and action. They were shrewd, strong-willed individuals who brought staunch beliefs and strong disciplines with them and settled in an untamed wilderness which became Cleburne County. Cleburne County and Its Peoplehas drawn from the past and the present--chronicling the lives of settlers facing hardships and tragedies, discovering profound beauty, mastering vast natural resour...
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
Presents works from six key years in the history of modern art: 1913, 1929, 1950, 1961, and 1988. These include paintings, sculptures, drawings, multiples, photographs, graphic design, film and video.