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During the 1884 inauguration of the Royal Hungarian Opera House in Budapest, political elites staged a gala concert in the auditorium while the angry crowd, excluded from this ceremony, demonstrated on the street. In 1917, the crowds queuing to a Béla Bartók premiere needed to be forcibly held back. The book follows the history of the contested institution through a series of scandals, public protests, repertoire controversies and their representation in the urban press of the time. Such conflicts often led to larger issues that concerned the Opera House as a music institution, the birth of the modern public sphere and the modern audience. Thereby, the book calls for a critical rethinking of the cultural history of Budapest and Hungary in the late Habsburg Monarchy.
This volume not only offers an overview of the theatrical history of the region, it is also a cross-disciplinary attempt to analyse the inner workings and dynamics of theater through a discussion of the interplay between society, the audience, and performing artists."--Book jacket.
This book, first published in 2001, presents a portrait of Jean Sibelius as composer and man, a figure of national and international significance, patriot, husband and father. Three introductory articles explore Sibelius's reception in Finland, performance practice and recording history, and Sibelius's aesthetic position with regard to modernity. The second group of essays examines issues of ideology, sexuality and mythology, and their relationship to musical structure and compositional genesis. Studies of the Second, Fourth, Sixth, and Seventh Symphonies are presented in the concluding section. Collectively, these articles address historical, theoretical and analytical issues in Sibelius's most important works. The analyses are supported by investigations of Sibelius's compositional process as documented by the manuscripts and sketches primarily in the Sibelius Collection of the Helsinki University Library. Exploring Sibelius's innovative approach to tonality, form and texture, the book delineates his unique brand of modernism, which has proven highly influential in the late twentieth century.
Rethinking Hanslick: Music, Formalism, and Expression is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important On the Musicall...
This authoritative guide gives the non-musician the fundamentals of orchestral music. It begins with a general introduction to the symphony and various musical styles and then describes, chronologically, over seven hundred pieces--from Vivaldi to twentieth-century composers. Mordden also includes a glossary of musical terms and other useful aids for the music lover.
Reproduction of the original: A Complete History of Music by W.J Baltzell