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Church and Theology in the Nineteenth Century
The last volume of Baur’s church history, based on lectures delivered during the 1850s, covers the nineteenth century. They were edited and published by Eduard Zeller after Baur’s death. Since the lectures devote equal attention to theological and ecclesiastical matters, the title in English is Church and Theology in the Nineteenth Century. Baur provides critical analyses of the philosophers and theologians of the nineteenth century (Herder, Schiller, Goethe, Kant, Fichte, Schelling, Jacobi, Schleiermacher, Marheineke, Neander, Möhler, Hegel, Strauss, Feuerbach, and many others), as well as details about European Catholic and Protestant church history from 1800 to 1860. What he produces is a “participant history,” written by a scholar very much engaged in the issues of his time. Ferdinand Christian Baur was a professor of theology at the University of Tübingen from 1826 to 1860. He is known for his path-breaking studies in New Testament literature and historical theology. Recent translations of his work by Brown and Hodgson include History of Christian Dogma and Lectures on New Testament Theology.
Painting the Sacred in the Age of Romanticism
After a century of Rationalist scepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious id...
Manuscript Albums and Their Cultural Contexts
Manuscript albums are oftentimes contradictory objects: ephemeral yet monumental, coherent yet inviting change. Collecting items made by others, owners form their albums as representations of their selves, their worlds, and their traditions. The volume's contributors - who come from musicology, European history, English literary studies, and Islamic art history - explore a set of these challenging manuscripts while addressing questions of manuscript studies through their respective disciplinary lenses. The albums under investigation range from Early Modern Stammbücher, or alba amicorum, to albums assembled jointly by nineteenth-century cultural elites, and from muraqqaʿs of the Persianate world to English and North American friendship albums, including some kept by women. This book is the first contribution to the comparative study of manuscript albums, focusing on their materiality and analysing the practices of all those involved in making and using them. Moreover, the collection introduces this hard-to-grasp type of written artefact to the field of cross-disciplinary manuscript studies and suggests albums as a touchstone for manuscriptological theories and terminologies.
The Public Face of Wilkie Collins Vol 3
The editors have transcribed 2,500 of Wilkie Collins's letters, around 700 of them previously unidentified, and have given them all a full scholarly annotation and context. The letters shed light on the personal life and business activities of this creative Victorian personality.
Empires of Faith in Late Antiquity
Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.
Catalogue of the Library of the Sacred Harmonic Society
Reprint of the original, first published in 1872.
