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In this Urban Corporis volume, ?The city and the skin?, we asked the authors to read, define and interpret the role of the skin as a facade, as a protection, as a compositional image of urban revelation. Without formal restrictions, without ethical preconceptions: the skin as part of the building designed to mediate the relationship. The architectural skin, understood as the technological system of delimitation between architectural space and unbuilt environment, can be analyzed as a boundary system between interior and exterior, the most evident expression of the identity of an artifact. In this dual role of border and interface, receptive as active, the skin of an architecture (seen also through art) is charged with a double value: an element of covering and protection and, at the same time, a tool of relationship and interface, in fact, towards the external world.
This pamphlet brings together the contributions of architects, researchers and artists from all over the world. The common ground of discussion is the city analyzed in its less explored "folds" becoming the ground for experimentation and research. These materials together do not want to give solutions but they want to ask new questions, being conscious that curisioty remains neces- sary for any kind of progress.
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Modern architecture articulated itself in specific centers of propulsion, revision and critique during the 20th century. The case of Milan is exemplary: Terragni and Razionalismo, the reconstruction (Ponti, Rogers, Moretti, Viganò, etc.), the Tendenza of Rossi, product design, up to the current research. MCM traces this history from several contributors' points of view.
Preservation is Overtaking Us brings together two lectures given by Rem Koolhaas at Columbia University's Graduate School of Architecture, Planning and Preservation, along with a response (framed as a supplement to the original lectures) by Jorge Otero-Pailos. In the first essay Koolhaas describes alternative strategies for preserving Beijing, China. The second talk marks the inaugural Paul Spencer Byard lecture, named in celebration of the longtime professor of Historic Preservation at GSAPP. These two lectures trace key moments of Koolhaas' thinking on preservation, including his practice's entry into China and the commission to redevelop the State Hermitage Museum in St. Petersburg, Russia. In a format well known to Koolhaas' readers, Otero-Pailos reworks the lectures into a working manifesto, using it to interrogate OMA's work from within the discipline of preservation.
The Visible Origin of Architecture: "I asked architects to send me important images that show the basis of their work. Images that are in their head when they think. Images that show the origin of their architecture. In this book we find 44 individual 'musees imaginaires'. The most unique architects living today each present up to 10 images to explain the autobiographical roots of their oeuvre. The images are explanations, metaphors, foundations, memories and intentions. They are poetic and philosophical avowals. They reveal a personal perspective on thoughts. They show the roots of architecture and expectations concerning projects. Conscious and unconscious. This book has the format of a re...
How can design processes assist in understanding the underlying and hybrid nature of water systems in our urban environments so that we can better prepare for the densification of cities and the impact of climate change? This book captures propositions and speculations around this question through design studies undertaken in three Australian cities: Melbourne's low-lying swampy areas, Brisbane's flooding river valley and Perth's deep groundwater network. Each of these cities has its own set of challenges around water, based on their particular natural environmental conditions and the radical modifications over 200 years that have fundamentally changed the way that water moves. The ambitious...
"O Peretu (The dwelling place of Peretu) is the ancient name of Takapuna Head, on which Fort Takapuna was built in 1886 to defend New Zealand from invasion by Russians. The site is identified as a regionally significant landscape, being part of a series of headlands and promontories that comprise the east coast of Auckland Region’s North Shore. It provides a natural “grand stand” to the Rangitoto Channel, a feature that led to the occupation of this area by pre-European Maori and later as a strategic New Zealand military defence. ‘Territory of memories’ for the tribal groupings of Ngati Whatua, Kawerau a Maki and Ngati Paoa, all having ancestral association with this site, as well as local community groups, its future looks uncertain. Can architecture contribute to make the site’s identities intelligible, transforming this ‘space’ into a ‘place’ for many? Manuel Aires Mateus, and 15 selected students of the Master of Architecture program, try give an answer."--Publisher
A highly original collection of essays that explore the relationship between food and architecture—the preparation of meals and the production of space. The contributors to this highly original collection of essays explore the relationship between food and architecture, asking what can be learned by examining the (often metaphorical) intersection of the preparation of meals and the production of space. In a culture that includes the Food Channel and the knife-juggling chefs of Benihana, food has become not only an obsession but an alternative art form. The nineteen essays and "Gallery of Recipes" in Eating Architecture seize this moment to investigate how art and architecture engage issues...