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(c)Roberto Carlos Díaz Díaz (c)Laura D Lamarck Nagles, (c)Juan Camilo Torres Garcés, (c)Daniela Suárez Hernández, (c)Edilberto Valderrama Figueroa, (c)Luis William Segura Palacios, (c)Mary Leidy Tangarife Tabares, (c)Angélica María Carolina Chaves Mosser, (c)José Arcadio López, (c)Jairo Rodríguez Valencia, (c)David Ricardo Montenegro Roa, (c)María Camila Rueda, (c)María Paula Useche Figueroa, (c)Yenis Fernanda Vides Zuluaga, (c)María Cristina Flores Olvera, (c)Alejandra Escobar Portela, (c)Yarley Olaya, (c)Diane Yael Armendariz Arriaga, (c)Ana Sofía Otero Echavarría, (c)Bony Medina, (c)Ana Sofía Hoyos Cadavid y (c)Andrés Esteban Torres Hernández. Pocos son los sentimientos ...
Por su contenido y características, este libro cubre la totalidad de los temas incluidos en los diversos planes y programas de la asignatura de Mecánica de Materiales de diferentes universidades e intitutos tecnológicos, lo que le permite al estudiante adquirir y desarrollar los prinipios básicos para fundamentar su aprendizaje, así como perfeccionar sus habilidades para desarrollar procesos de investigsación e integrar y aplicar los conocimientos adquiridos.
The collapse of the Argentine economy in 2001, involving the extraordinary default on $150 billion in debt, has been blamed variously on the failure of neoliberal policies or on the failure of the Argentine government to pursue those policies vigorously enough during the 1990s. But this is too myopic a view, Klaus Veigel contends, to provide a fully satisfactory explanation of how a country enjoying one of the highest standards of living at the end of the nineteenth century became a virtual economic basket case by the end of the twentieth. Veigel asks us to take the long view of Argentina&’s efforts to re-create the conditions for stability and consensus that had brought such great success...
"This collection of essays seeks to open up this complex interdisciplinary field of study by including essays on many aspects of visual writing in sixteenth- and seventeenth-century Spain."--Jacket.
A journal dealing with financial, economic and shipping affairs.
In this first comprehensive study of Latin America's literary vanguards of the 1920s and 1930s, Vicky Unruh explores the movement's provocative and polemic nature. Latin American vanguardism—a precursor to the widely acclaimed work of contemporary Latin American writers—was stimulated by the European avant-garde movements of the World War I era. But as Unruh's wide-ranging study attests, the vanguards of Latin America—emerging from the continent's own historical circumstances—developed a very distinct character and voice. Through manifestos, experimental texts, and ribald public performance, the vanguardists' work intertwined art, culture, and the politics of the day to produce a powerful brand of aesthetic activism, one that sparked an entire rethinking of the meaning of art and culture throughout Latin America.
A Cuban woman living in Miami creates a colorful cast of characters deposited from Cuba onto her imagined island of Cundeamor, united by a collective search for home and belonging. Aunt Ulalume narrates the inhabitant's stories that are in turns dark and sarcastic or lively and witty, and focus on such island staples as the desultory crab sculptures of Nicotiano, Betty Boop's mission to find a new life partner, and the band of militant guards surrounding Ula's Finnish husband.