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This critical work concentrates on the science fiction writings of Paul Linebarger, who wrote under the pseudonym Cordwainer Smith, as well as other pseudonyms he created to reflect his different writing styles. His writings give voice to concerns about humanity and personal struggle; his ideas about love, loss, alienation, and psychic pain continue to resonate today. This work begins with a brief biographical sketch of Cordwainer Smith, linking elements of his past to his writing and focusing on his contributions to science fiction as well as his concern with humanity. Also discussed are Smith's published and unpublished novel-length non-science fiction, his revision process, the true man-underpeople dichotomy in his published and unpublished short fiction, and his only published novel-length science fiction work Norstrilia.
»Die Welt darf nicht überbevölkert werden. Deshalb wurde ein Gesetz eingeführt, das den Vampiren ihre Menschenrechte aberkennt.« Nachdem er auf ein grausames Verbrechen stößt, nimmt der Werwolf Raphael einen Vampir bei sich auf, welcher durch schwere Misshandlungen sein Gedächtnis verloren hat. Weil die Täterin ein Mensch ist, kommt sie ungestraft davon, denn sie ist laut Gesetz den Vampiren übergeordnet. Raphael beschließt, seinem Schützling die verlorenen Erinnerungen zurückzubringen und ihn von seinem Trauma zu heilen. Dabei ist seine eigene Vergangenheit noch lange nicht verarbeitet...
Explodes the conventional wisdom that there was a taboo on the topic of flight and expulsion in East Germany.
Footloose and broke, the unnamed narrator of Gone Tomorrow hops on a plane without asking questions when his director friend offers him a role in an art film set in Colombia. But from the moment he arrives at the airport in Bogotá, only to witness a policeman beat a beggar half to death, it becomes clear that this will not be the story of gritty bohemians triumphing against the odds. The director, Paul Grosvenor, seems more interested in manipulating his cast than in shooting film. The cult star, Irma Irma, is a vamp too bored and boring to draw blood. And the beautiful, nymph-like Michael Simard doesn’t seem to be putting out. Meanwhile, the film’s shady financier is sleeping with his ...
This volume collects three of Cordwainer Smith's finest tales: "Scanners Live in Vain," "The Game of Rat and Dragon," and "Mark Elf." Cordwainer Smith was the pseudonym used by Paul Myron Anthony Linebarger (1913-1966) for his science fiction works. Linebarger was a noted East Asia scholar and expert in psychological warfare. Linebarger also employed the literary pseudonyms "Carmichael Smith" (for his political thriller Atomsk), "Anthony Bearden" (for his poetry) and "Felix C. Forrest" (for the novels Ria and Carola). "Scanners Live in Vain" was Linebarger's first published SF story as an adult (his short story "War No. 81-Q," which he wrote at age 15 was published in his high school magazine), and the first appearance of the Cordwainer Smith pen name. It was written in 1945, and had been rejected by a number of magazines before its acceptance and publication in Fantasy Book in 1950. It was in that obscure magazine that it was noticed by SF writer Frederik Pohl who, impressed with the story's powerful imagery and style, subsequently re-published it in 1952 in the more widely read anthology Beyond the End of Time.