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The Illustrated Companion to South Indian Classical Music
  • Language: en
  • Pages: 410

The Illustrated Companion to South Indian Classical Music

This Is An Indispensable And Enriching Reference Work For The Connoisseur, Practising Musician, Interested Amateur, Impresario Teacher And Student.

Great Masters of Carnatic Music, 1930-1965
  • Language: en
  • Pages: 316

Great Masters of Carnatic Music, 1930-1965

  • Type: Book
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  • Published: 2004
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  • Publisher: Unknown

A critical study of the distinctive styles and musical achievements of 14 great masters of Carnatic music who appeared during 1930-65.

The Grammar of Carnatic Music
  • Language: en
  • Pages: 359

The Grammar of Carnatic Music

This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky.

Ragas in Carnatic Music
  • Language: en
  • Pages: 408

Ragas in Carnatic Music

None

Applying Karnatic Rhythmical Techniques to Western Music
  • Language: en
  • Pages: 477

Applying Karnatic Rhythmical Techniques to Western Music

  • Type: Book
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  • Published: 2016-03-03
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  • Publisher: Routledge

Most classical musicians, whether in orchestral or ensemble situations, will have to face a piece by composers such as Ligeti, Messiaen, Varèse or Xenakis, while improvisers face music influenced by Dave Holland, Steve Coleman, Aka Moon, Weather Report, Irakere or elements from the Balkans, India, Africa or Cuba. Rafael Reina argues that today’s music demands a new approach to rhythmical training, a training that will provide musicians with the necessary tools to face, with accuracy, more varied and complex rhythmical concepts, while keeping the emotional content. Reina uses the architecture of the South Indian Karnatic rhythmical system to enhance and radically change the teaching of rhy...

The Shaping of an Ideal Carnatic Musician Through Sādhana
  • Language: en
  • Pages: 280

The Shaping of an Ideal Carnatic Musician Through Sādhana

This book is an endeavor to represent the mind of a musician seeking the ideal. In the process there has been a journey into the past and a peep into the future to arrive at a balance for an ideal present. Dr. Pantula Rama has been bestowed with the greatest of boons in form of her family background of music and her Guru Sri Ivaturi Vijayeswara Rao, who created an insight required for this work. Rama, chose to interview 13 maestors of the field who are the bridging brigade for the past and the present. Their valuable views have been presented in this research work.

Appreciating Carnatic Music
  • Language: en
  • Pages: 102

Appreciating Carnatic Music

  • Type: Book
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  • Published: 1997
  • -
  • Publisher: Unknown

None

Carnātic Music and the Tamils
  • Language: en
  • Pages: 376

Carnātic Music and the Tamils

  • Type: Book
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  • Published: 1992
  • -
  • Publisher: Unknown

None

Ragas in Carnatic Music
  • Language: en
  • Pages: 383

Ragas in Carnatic Music

  • Type: Book
  • -
  • Published: 2003
  • -
  • Publisher: Unknown

None

Sound of Indian Music
  • Language: en
  • Pages: 114

Sound of Indian Music

  • Type: Book
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  • Published: 2014-08-05
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  • Publisher: Lulu.com

A text that can serve to provide a brief introduction to Indian music with a specific focus on Carnatic (South Indian) music, that was designed by Ganavya Doraiswamy during her Post-Graduate Fellowship at Berklee College of Music. This text acted as a supplement to an eight-week certification course and was crafted specifically for that purpose. For any further inquiries, please contact gdoraiswamy@berklee.edu.