You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky.
This Is An Indispensable And Enriching Reference Work For The Connoisseur, Practising Musician, Interested Amateur, Impresario Teacher And Student.
A critical study of the distinctive styles and musical achievements of 14 great masters of Carnatic music who appeared during 1930-65.
This book is an endeavor to represent the mind of a musician seeking the ideal. In the process there has been a journey into the past and a peep into the future to arrive at a balance for an ideal present. Dr. Pantula Rama has been bestowed with the greatest of boons in form of her family background of music and her Guru Sri Ivaturi Vijayeswara Rao, who created an insight required for this work. Rama, chose to interview 13 maestors of the field who are the bridging brigade for the past and the present. Their valuable views have been presented in this research work.
Born in England on June 22, 1966, Sriram had his early schooling in Madras and then in Calcutta. His bachelors in engineering from the Delhi College of Engineering in 1987, was followed by a masters in business administration specializing in marketing and advertising from FMS, Delhi University. Sriram then moved on to a varied career in marketing and advertising before joining his family business in Chennai. Carnatic music has been a passion for Sriram since the age of six, when his grandmother began to teach him the basics, in the family puja room. This combined with a great interest in history, has led him to study the art form in depth with special reference to its great personalities. Since this book first appeared in print in 2004, Sriram has emerged as an engaging historian and chronicler of Chennai, and Carnatic Music. He conducts heritage walks, addresses audiences and is a columnist for city newspapers. Carnatic Summer was his first book and since then he has written eight more, on the arts, corporate history and personalities.