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'The Complex City: Social and Built Approaches and Methods' explores different ways of understanding the city. The social city approach proceeds from the ground-up, it focuses on human interactions shaped by economic and environmental processes. The built city method looks through a top-down lens, examining policy and planning for buildings and infrastructure, including utilities and energy networks. This volume is different from other city anthologies in that it explores them through their differences, by presenting each chapter in one of the two categories. While there is invariably an overlap between the two areas, they are distinct positions. In doing so the book identifies how, despite ...
Markets -- Cost -- Price -- Structure -- Failure -- Power -- Labor -- Property -- Investment -- Systems.
Known locally as Limestone Hill and later called the "Steel Plant District," Lackawanna, New York, was formed from the westernmost part of the town of West Seneca in 1909. The new city derived its name from the Lackawanna Steel Company that had moved from Scranton, Pennsylvania, at the beginning of the 20th century. An industrial future would burn brightly for several decades, and charitable institutions begun by the Roman Catholic Church prospered under the guidance of a humble man known as "the Padre of the Poor," Rev. Nelson H. Baker. His work outlasted the great steel-making plant, but both charity and industry would make the "Steel City" known worldwide. The term "melting pot" characterized Lackawanna, for its steel industry lured a tremendous workforce composed of various nationalities, ethnic groups, races, and creeds, all striving for the American Dream.
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Utopia, Equity and Ideology in Urban Texts: Fair and Unfair Cities explores the complex interrelations of three key critical topics across a diverse range of urban writing. Interrogating the links and tensions between aesthetic and political priorities in the representation and imagining of urban life, the volume engages with work from a wide variety of linguistic and cultural origins and across a range of textual practices having the urban phenomenon as a common framing concern. Individual contributions discussing genre and literary fiction, poetic writing, documentary and essayistic texts, planning manifestos and municipal communications materials serve to demonstrate that the nuanced treatments of urban experience and potential which may be gleaned from across this textual spectrum act as a pragmatic corrective to purely conceptual approaches. As such, the volume consolidates the emerging dialogue between the fields of utopian studies and literary urban studies, understanding these as complementary approaches to the reading of the city and its textual prolongations.
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The East End is an iconic area of London, from the transient street art of Banksy and Pablo Delgado to the exhibitions of Doreen Fletcher and Gilbert and George. Located east of the Tower of London and north of the River Thames, it has experienced a number of developmental stages in its four-hundred-year history. Originating as a series of scattered villages, the area has been home to Europe's worst slums and served as an affluent nodal point of the British Empire. Through its evolution, the East End has been the birthplace of radical political and social movements and the social center for a variety of diasporic communities. This reference work, with its alphabetically organized cross-referenced entries and its original and historical photography, serves as a comprehensive guide to the social and cultural history of this global hub.
Towards Tate Modern examines how Tate Modern set about establishing its own vision of art and, in doing so, offered new thinking on what a public institution could do and how one might be funded. The book examines this process, critically evaluating both the reasons behind its success and the consequences of that success.
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