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Sir Richard Jebb (1841–1905) was the most celebrated classical scholar in late Victorian Britain: his edition of Sophocles, which remains a classic, brought him a knighthood. Professor of Greek at Cambridge from 1889, and MP for the University from 1891 until his death, Jebb became a national spokesman for the humanities. “Sophocles’ Jebb” charts his career through 275 newly discovered letters, presented here with introductions and full annotation. By allowing Jebb and his contemporaries to speak in their own words, it enables a significant reassessment of a key cultural figure of late Victorian Britain and sheds fresh light on public and academic debate of the time. The volume ends with a new, comprehensive list of Jebb’s publications.
Excerpt from Life and Letters of Sir Richard Claverhouse Jebb, O. M., Litt; D It now remains my pleasant duty to thank warmly Mr J. D. Duff of Trinity, who has most kindly and carefully gone through my proofs with me page by page, giving me much friendly and valued criticism, and Mr S. H. Butcher, who after reading the first type-written chapters gave me encouragement to go on with the more difficult part. Thanks are also due to the Rev. Dr Denney and Mr R. P. G. Williamson for their interesting recollections of Sir Richard Jebb as a teacher, and to the many friends who sent me letters. Whether or not these could be fitted into the fabric of the book, it was a great pleasure to me to read th...
Eglantyne Jebb was a teacher, social investigator and founder of the Save the Children Fund. Her 'Declaration of the Rights of the Child', adopted by League of Nations, shows evolution from Charity Organization Society model to philosophy of international mutual responsibility, children's rights and humanitarianism.
Includes Part 1, Number 1 & 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - December)
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Fair Women was the Victorian equivalent of a ‘blockbuster’ exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and was comprised of both historical and contemporary portraits of women as well as decorative objects. Meaghan Clarke argues that the exhibition challenged contemporary assumptions about the representation of women and the superficiality of female collectors. The Fair Women phenomenon complicated gender stereotypes and foregrounded women as cultural arbiters. This book uncovers a wide range of texts and images to reveal that Fair Women brought together fashion, modernity and gender politics in new and surprising ways. It shows that, while invariably absent in institutional histories, women were vital to the development of the modern blockbuster exhibition. This book will be of interest to scholars in art and gender studies, museum studies, feminist art history, women artists and art history.
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Spanning her entire life, the fully annotated selections in this volume include well known recollections of the great Victorian novelist plus a large assortment not found in her biographies. Altogether they provide a fresh, vivid, and sometimes startling portrait of a controversial genius.