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This book is an original exploration of Deleuze's dynamic philosophies of space, time and language, bringing Deleuze and futurism together for the first time. Helen Palmer investigates both the potential for creative novelty and the pitfalls of formalism within both futurist and Deleuzian linguistic practices. Through creative and rigorous analyses of Russian and Italian futurist manifestos, the 'futurist' aspects of Deleuze's language and thought are drawn out. The genre of the futurist manifesto is a literary and linguistic model which can be applied to Deleuze's work, not only at times when he writes explicitly in the style of a manifesto but also in his earlier writings such as Differenc...
In A Modernity Set to a Pre-Modern Tune, Haosheng Yang provides an in-depth study of the classical-style poems of the most iconoclastic May Fourth Chinese writers (Lu Xun, Yu Dafu, Zhou Zuoren, Guo Moruo, and Nie Gannu) and highlights the five literary masters’ engagement with traditional lyricism as their critical response to the sociopolitical turbulence of twentieth-century China. This study challenges the bias against classical forms as allegedly outdated modes incapable of representing modern reality in current Chinese literary history. Yang’s fascinating book positions modern Chinese literature’s formalistic nonlinearity, representational experiences, and aspiration for a new voice through an old form as factors that are all crucial to exploring more fully the blurred boundary between the traditional and the modern.
Comic novelist and critic Paul McDonald explores the philosophy of humour in a book that will appeal to philosophers and creative writers alike. One aim of this book is to assess theories of humour and laughter. It concentrates mainly on philosophical approaches to humour- including those of Plato, Aristotle, Cicero, Descartes, Hobbes, Bergson, Kant, Schopenhauer, Kierkegaard, Freud and Bakhtin, but also explores such fields as cultural studies, literary theory, religion, psychoanalysis, and psychology; this broad focus makes for a richer account of humour, its relationship with philosophical thought, and its bearing on the human condition. Readers are invited to engage in creative writing e...
Designed to provide English readers of German literature the opportunity to familiarize themselves with both the established canon and newly emerging literatures that reflect the concerns of women and ethnic minorities, the Encyclopedia of German Literature includes more than 500 entries on writers, individual work, and topics essential to an understanding of this rich literary tradition. Drawing on the expertise of an international group of experts, the essays in the encyclopedia reflect developments of the latest scholarship in German literature, culture, and history and society. In addition to the essays, author entries include biographies and works lists; and works entries provide information about first editions, selected critical editions, and English-language translations. All entries conclude with a list of further readings.
The phrase "spatial turns" signals the growing importance of space as an analytical as well as representational category for culture. The volume addresses such emerging modes of inquiry by bringing together, for the first time, essays that engage with spatial turns, spatiality, and the theoretical implications of both in the context of German culture, history, and theory. Migrating from fields like geography, urban studies, and architecture, the new centrality of space has transformed social-science fields as diverse as sociology, philosophy, and psychology. In cultural studies, productive analyses of space increasingly cut across the studies of literature, film, popular culture, and the vis...
At the core of postmodern thought, especially in literary theory, is the belief that such ideals as truth, reason, and objectivity are social constructs that have no universal or trans-historical validity. In exploring this constructivist view, Satya P. Mohanty examines its underlying epistemological claims and their social and political implications. His book points the way toward a critical alternative to the epistemological and cultural relativisms. Mohanty grounds his critique in readings of some of the major figures of postmodernism, including Paul de Man, Louis Althusser, Fredric Jameson, and Jacques Derrida and analyzes the views of Mikhail Bakhtin, C. S. Peirce, Hilary Putnam, and Richard Rorty, particularly their notions of language and referentiality. Mohanty defends a post-positivist realist conception of objectivity as a legitimate ideal of all inquiry. He outlines a realist theory of social identity and multicultural politics which sees radical moral universalism and cultural diversity as complementary—not competing—ideals.
This collection features a cogent introduction and includes representative poems by some 60 modern poets, including Ingeborg Bachmann, Gottfried Benn, Berthold Brecht, Paul Celan, Gnnter Eich, Gnnter Grass, Georg Heym, Hugo von Hofmannsthal, Franz Kafka, Gnnter Kunert, Gertrud Kolmar, Friederike Mayr÷cker, Rainer Maria Rilke, Nelly Sachs, and many others.
The contributions, composed in this volume, are inspired not only by the necessity but also by the potentialities of a process which continues and deepens cross-cultural understanding, especially between Islamic and Western philosophy. Following the tradition of an East-Western symphony of thoughts, the authors focus on common horizons and while applying comparative and historical approaches, varieties of unity appear on the ways towards a New Enlightenment. The creative force, orchestrating the harmony in the web of Life, communicates in the mean time with the capacities of human beings, advancing in deciphering its micro-macrocosmic dimensions. Here, the encounter of the Logos of Life Philosophy (A-T. Tymieniecka) and Islamic Philosophy open the space for constructive disputation. In the wake of the crisis of postmodern unknowability, paths towards a new critique of reason go hand in hand with fundamental issues, being reflected newly.
The Cultures of Italian Migration allows the adjective "Italian" to qualify people's movements along diverse trajectories and temporal dimensions. Discussions on migrations to and from Italy meet in that discursive space where critical concepts like"home," "identity," "subjectivity," and "otherness" eschew stereotyping. This volume demonstrates that interpretations of old migrations are necessary in order to talk about contemporary Italy. New migrations trace new non linear paths in the definitionof a multicultural Italy whose roots are unmistakably present throughout the centuries. Some of these essays concentrate on topics that are historically long-term, such as emigration from Italy to the Americas and southern Pacific Ocean. Others focus on the more contemporary phenomena of immigration to Italy from other parts of the world, including Africa. This collection ultimately offers an invitation to seek out new and different modes of analyzing the migratory act.
Bringing together a broad range of case studies written by a team of international scholars, this Concise Companion establishes how manuscripts and printed books met the needs of two different approaches to literacy in the early modern period. Features essays illustrating the particular ways a manuscript and a printed book reflect the different emphases of an elite, private and an egalitarian, public culture, both of which account for the literary achievements of the Renaissance Includes wide-ranging essays, from printing the Gospels in Arabic to a contemporary reconceptualization of Shakespeare's Titus Andronicus Increases accessibility through a rubric organized around archival and manuscr...