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Re(dis)covering Our Foremothers
The modern literary searchlight has flushed out Canada's long neglected nineteenth century female writers. New critical approaches are advocated and others are encouraged to take on the difficulties - and rewards - of research into the lives of our foremothers. Published in English.
Everyman's Rules for Scientific Living
It is 1934, the Great War is long over and the next is yet to come. Amid billowing clouds of dust and information, the government ‘Better Farming Train’ slides through the wheat fields and small towns of Australia, bringing expert advice to those living on the land. The train is on a crusade to persuade the country that science is the key to successful farming, and that productivity is patriotic. In the swaying cars an unlikely love affair occurs between Robert Pettergree, a man with an unusual taste for soil, and Jean Finnegan, a talented young seamstress with a hunger for knowledge. In an atmosphere of heady scientific idealism, they marry and settle in the impoverished Mallee with the...
The novel english as paradigm of canadian literary identity
La presente tesis se centra en el género novelístico en lengua inglesa como paradigma de la Identidad literaria canadiense con el fin de analizar su construcción restrictiva por medio de la Recuperación de contribuciones de mujeres y autores étnicos que han sido bien relegadas o bien infravaloradas como agentes literarios relevantes. Esta investigación abarca un periodo que comprende desde la publicación de la primera novela canadiense en inglés, The History of Emily Montague de Frances Brooke en 1769, hasta 1904 año en el que la obra de Sara Jeannette Duncan titulada The Imperialist vió la luz; es decir, desde los comienzos del género en inglés hasta la primera novela modernista...
Home Ground and Foreign Territory
The first multi-disciplinary collection of essays to focus exclusively on early Canadian literature with the aim of reassessing the field and proposing new approaches.
The Picturesque and the Sublime
Winner of the Gabrielle Roy Prize in English and the Raymond Klibansky Prize, The Picturesque and the Sublime is a cultural history of two hundred years of nature writing in Canada, from eighteenth-century prospect poems to contemporary encounters with landscape. Arguing against the received wisdom (made popular by Northrop Frye and Margaret Atwood) that Canadian writers view nature as hostile, Susan Glickman places Canadian literature in the English and European traditions of the sublime and the picturesque. Glickman argues that early immigrants to Canada brought with them the expectation that nature would be grand, mysterious, awesome – even terrifying – and welcomed scenes that confor...
The Woman's Page
In the late nineteenth and early twentieth centuries, journalism, politics, and social advocacy were largely male preserves. Six women, however, did manage to come to prominence through their writing and public performance: Agnes Maule Machar, Sara Jeannette Duncan, E. Pauline Johnson, Kathleen Blake Coleman, Flora MacDonald Denison, and Nellie L. McClung. The Woman's Page is a detailed study of these six women and their respective works. Focusing on the diverse sources of their rhetorical power, Janice Fiamengo assesses how popular poetry, journalism, essays, and public speeches enabled these women to play major roles in the central debates of their day. A few of their names, particularly those of McClung and Johnson, are still well known today, although studies of their writings and speeches are limited. Others are almost entirely unknown, an unfortunate fact given the wit, intelligence, and passion of their writing and self-presentation. Seeking to return their words to public attention, The Woman's Page demonstrates how these women influenced readers and listeners regarding their society's most controversial issues.
Outrageous Seas
There was a time in history when the sea was as important as the land for defining a country's social and cultural identity. Outrageous Seas is about that time, and about the harrowing, almost mythic, experience of shipwreck, near-shipwreck, and survival in waters off Newfoundland. Travellers from many walks of life - explorers and missionaries, traders, fishers and mariners, Native Peoples, aristocrats and immigrants - have left rare and fascinating first-hand accounts of such disasters. Their narratives span four centuries and touch many historical sub-themes such as the appeal of religion in times of crisis, gender roles, and the ocean-as-workplace. Apart from its obvious scholarly appeal, this collection evokes psychic responses to calamity and brushes with death, perhaps the most universal experience of all.
The Centennial Cure
"This book examines the intersection of state policy, cultural development, and commemoration during Canada's 1967 centennial celebrations. It explores four initiatives that were undertaken in Nova Scotia to mark this anniversary, and demonstrates one province's response to Lamontagne's appeal to stem Canada's cultural poverty. These initiaties also reflected those larger social, cultural, economic, and political transformations that took place in postwar Nova Scotia. Further they help us understand the province's experience within the broader context of the development of modern Canadian cultural and social history."--
Maps of Difference
As well as providing vivid and sympathetic accounts of geography, peoples, and cultures, three women writers use their books to chart their own historical and social positions. In Maps of Difference Wendy Roy explores the ways in which Anna Jameson, Mina Hubbard, and Margaret Laurence were attuned to the cultural imperialism underlying their travel writing. Roy considers the connections Jameson makes between feminism and anti-racism in Winter Studies and Summer Rambles in Canada (1838), Hubbard's insights in A Woman's Way Through Unknown Labrador (1908) into her relationship with First Nations men who had both more and less power than she, and Laurence's awareness of colonial and patriarchical oppression in her African memoir, The Prophet's Camel Bell (1963). Roy also examines archival and First Nations accounts of these women's travels, and the sketches, photos, and maps that accompany their writing, to examine contradictions in and question the implied objectivity of travel narratives. She concludes by looking at the myth of "getting there first" and the ways in which new technologies of representation, including cameras, allow travellers and writers to claim new travel "firsts."
Intoxicating Lies
Meg never hit a “rock bottom.” Most people think that in order to acknowledge and address a drinking problem, you must first hit rock bottom, but this heartfelt story reveals the truth that gray area drinking comes in many shades. Alcohol consumption exists on a spectrum with a vast range of dependency in the middle. Gray area drinking unconsciously haunts most people until it becomes a problem. Our society is inundated with messages that support unhealthy drinking habits, just one of the many insidious lies of alcohol. In Intoxicating Lies, you will find the relatable story of one mom’s journey to freedom—not only from gray area drinking but also from the shame and guilt that crushed her sense of worth and inner knowing. This book uncovers surprising insights into the alcohol industry and our society’s obsession with the mommy wine culture. With practical advice and friendly wisdom from a mom who has seen it all, this book should be every woman’s guide to living in authentic freedom from alcohol’s intoxicating lies.
