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World's Tallest Disaster
Cate Marvin uses language the way a gymnast uses her body; she is a formalist who has thoroughly learned the pleasures and gains of abandon. But it is her excursions into wild image and passionate song that win the reader's heart. The heart is central in World's Tallest Disaster, which is essentially a book of love poems--love lost and found, love requited, love abandoned and betrayed. What Cate Marvin has done in her remarkably assured and powerful first collection is to remind us in fresh terms of the news that stays news: that our desire is "Not a sea of longing,// but the brack of wanting what's physical/ to help us forget we are physical." "Violently passionate and firmly symmetrical, l...
Event Horizon
With poems that contemplate the everyday―errands, gardening, dog walks―or confront the white-body supremacy of local sunbathers, Cate Marvin reckons with the hurt of our patriarchal world, facing her own past, toxic relationships and pondering what we can gain by leaving some loved-ones behind. Her brilliant fourth poetry collection exists just outside of calamity. Set between the violent realm of patriarchy and the bright otherworld of female agency and survival, these are poems of pointed humor and quick intellect, radical exposure and (re)vision. At Marvin’s table, the knife of domesticity becomes a threat, sharpened and shined. Misogyny pulls the sheets from the bed; motherhood wails from the backseat of the car; our hero is ghosted (abandoned, haunted) by past friends and beloveds. Event Horizon asks, at what point do we disappear into our experiences? How do we come out on the other side?
Fragment of the Head of a Queen
The second collection from the winner of Kate Tufts Award and 2000 Kathryn A. Morton Prize in Poetry.
Legitimate Dangers
Definitive, broadly representative anthology of poets born after 1960
Oracle
A witty and elegiac new collection from the author of "exhilarating, fierce [and] powerful” verse (Robert Pinsky, Washington Post). The speakers of Oracle occupy the outer-borough cityscape of New York's Staten Island, where they move through worlds glittering with refuse and peopled by ghosts—of a dead lover, of a friend lost to suicide, of a dog with glistening eyes. Marvin's haunting, passionate poems explore themes of loss, of the vulnerability of womanhood in a world hostile to it, and of the fraught, strangely compelling landscape of adolescence.
Today in the Taxi
From the passenger seat of Sean Singer’s taxicab, we witness New York’s streets livid and languid with story and contemplation that give us awareness and aliveness with each trip across the asphalt and pavement. Laced within each fare is an illumination of humanity’s intimate music, of the poet’s inner journey—a signaling at each crossroad of our frailty and effervescence. This is a guidebook toward a soundscape of higher meaning, with the gridded Manhattan streets as a scoring field. Jump in the back and dig the silence between the notes that count the most in each unique moment this poet brings to the page. “Sean Singer’s radiant and challenging body of work involves, much li...
Thrust
In the tradition of Dorothy Allison, these poems find power in their renderings of an abused Southern girlhood. Winner of the 2016 Lexi Rudnitsky Editor’s Choice Award, this potent collection revisits a backwoods Virginia marred by sexual violence. In explosive poems, which explore the confluence of trauma and desire, Heather Derr-Smith reclaims a troubled past, empowering the present through an unlikely chorus of grace and fury.
The Galleons
“A very American book, and an important one for our time.” —CATE MARVIN
Sister
Nickole Brown writes in a voice that is simultaneously vernacular and lyrical. It is a voice thick with the humidity and whirring cicadas of Kentucky, but the poems are dangerous, smelling of the crisp cucumber scent of a copperhead about to strike. Epistolary in nature, and with a novel's arc, Sister is a story that begins with a teen giving birth to a baby girl--the narrator--during a tornado, and in some ways, that tornado never ends. In the hands of a lesser poet, this debut collection would be a standard-issue confession, a melodramatic exercise in anger and self-pity. But melodrama requires simple villains and victims, and there is neither in this richly complex portrait. Ultimately, S...
(guns & Butter)
Poetry. Women's Studies. Concrete Poetry. "Combine Apollinaire with Pam Grier and you might come close to Montana Ray's ferocious debut, (GUNS & BUTTER). Each concrete poem is shaped like a gun and its poetic interiors are bracingly brutal and gorgeous. Capsuled in parentheticals, each magnetic phrase is locked and loaded as Ray burns holes into subjects ranging from interracial love, single motherhood, to America's unrelenting addiction to gun violence. Her voice is mesmerizing, tender, vicious, chimeric, as she veers between role-playing a warrior glock-wielding Annie Oakley to 'warm, new mother.' I love (GUNS & BUTTER) and cannot sing it enough praises. It's the kind of rare first collect...
