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Children and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes. Horror Films for Children examines the h...
From 1854 to 1929, more than 200,000 homeless children left New York City on orphan trains to find new lives across the country. Some found loving homes; others experienced physical and mental abuse. "Bridie's Daughter" brings that world to life in this second novel in Robert Noonan's Orphan Train Trilogy. "Bridie's Daughter" is an eye-opening tale that follows four teen-aged children who are filled with hope, concern and uncertainty, as they ride the rails to an unknown future. Once the train stops, however, it's a roll of the dice where they'll each end up. Bridie McDonald, a wealthy spinster, finds in Catherine the daughter she has always wanted. Catherine learns to love Bridie and her new elegant home, but is concerned about Bridie's relationship with Jack, her mentally challenged handyman. Though most of the citizens of Newberry, Illinois, befriend these children, some are not so welcoming, believing all the orphans from New York City are bastards and should be treated as such.
Focusing on programs from the 1970s to the early 2000s, this volume explores televised youth horror as a distinctive genre that affords children productive experiences of fear. Led by intrepid teenage investigators and storytellers, series such as Scooby-Doo! Mystery Incorporated and Are You Afraid of the Dark? show how young people can effectively confront the terrifying, alienating, and disruptive aspects of human existence. The contributors analyze how televised youth horror is uniquely positioned to encourage young viewers to interrogate—and often reimagine—constructs of normativity. Approaching the home as a particularly dynamic viewing space for young audiences, this book attests to the power of televised horror as a domain that enables children to explore larger questions about justice, human identity, and the preconceptions of the adult world.
It's the psychedelic 70s and social conventions are being challenged. When Catherine Moreland from rural Australia goes on her first trip abroad, a handsome American naval officer sweeps her off her feet and she goes to live in beautiful, romantic Hawaii with her new husband. At first, the magic and loveliness of the islands lead Catherine to be...
From phone calls from the dead to various forms of hauntings, this fascinating collection of true paranormal accounts written by a researcher and scientist documents the experiences people from all walks of life have had with the supernatural.
How does a culture respond when the limits of childhood become uncertain? The emergence of pre-adolescence in the 1980s, which is signified by the new PG-13 rating for film, disrupted the established boundaries between childhood and adulthood. The concept of pre-adolescence affected not only America's pillar ideals of family and childhood innocence but also the very foundation of the horror genre's identity, its association with maturity and exclusivity. Cultural disputes over the limits of childhood and horror were explicitly articulated in the children's horror trend (1980-1997), a cluster of child-oriented horror titles in film and other media, which included Gremlins, The Gate, the Goosebumps series, and others. As the first serious analysis of the children's horror trend, with a focus on the significance of ratings, this book provides a complete chart of its development while presenting it as a document of American culture's adaptation to pre-adolescence. Each important children's horror title corresponds to a key moment of ideological negotiation, cultural power struggles, and industrial compromise.
This is a compilation of the descendants of Jacob Bishop and Katherine Elkins. Jacob was the son of Hans Johannes Bischoff and Margaretha Overmeyer. Many of their descendants settled in and remained in the Floyd and Montgomery County areas of Virginia. Includes photos.
These scholarly essays examine Disney’s cultural impact from various perspectives—including film studies, history, musicology, gender and more. The academic field of Disney Studies has evolved greatly over the years, as the twelve essays collected in this volume demonstrate. With a diversity of perspectives and concerns, the contributors examine the cultural significance and impact of the Disney Company’s various outputs, such as animated shorts and films, theme park attractions, television shows, books, music, and merchandising. By looking at Disney from some of its many angles—including the history and the persona of its founder, a selection of its successful and not-so-successful films, its approaches to animation, its branding and fandom, and its reception and reinterpreted within popular culture—Discussing Disney offers a more holistic understanding of a company that has been, and continues to be, one of the most important forces in contemporary culture.
Watership Down (Martin Rosen, 1978) is as controversial as it is beloved. Whether due to the tear-jerking hit song 'Bright Eyes' or its notorious representation of violence inflicted by and upon animated rabbits, the film retains the ability to move and shock audiences of all ages, remaining an important cultural touchstone decades after its original release. This open access collection unites scholars and practitioners from a diversity of perspectives to consider the ongoing legacy of this landmark of British cinema and animation history. The authors provide nuanced discussions of Watership Down's infamous animated depictions of violence, death and its contentious relationship with child au...
Glynn County's African-American citizenry has left an indelible mark on the history of Georgia as well as the nation. Such notable figures as Dr. Charles Wesley Buggs, renowned microbiologist; Robert Sengstacke Abbott, founder of the Chicago Defender; and Marilyn Moore Brown, an internationally praised opera singer have emerged from this picturesque coastal community. Numerous others have achieved success in education, medicine, sports, and the arts. Their engaging stories of triumph and the legacy they have created are celebrated and preserved in this unique volume.