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Genesis and Revision in Modern British and Irish Writers
This unusually diverse collection of ten essays, devoted to British and Irish writers and poets from 1895 to the present, explores many aspects of the creative process, from inspiration to publication and beyond. The volume shows how writers’ manuscripts and revisions give us a better understanding of their published work by drawing on unpublished archival sources to unveil, across genre and gender, the intricacies of their craft. It examines how the paper medium and writing implements influence the act of composition; reveals the latest developments in such fields as life writing and digital humanities—especially how modern scholars, through the filter of hypertext, revisit modernist texts, or respond to newly-found material; and analyzes the hidden handwork, be it throughout the writer’s exhaustive self-editing process or the writer-editor collaboration. Finally, it captures an award-winning poet and a living novelist reflecting upon their craft and work in progress.
Genetic Criticism in Motion
Genetic criticism investigates creative processes by analysing manuscripts and other archival sources. It sheds light on authors’ working practices and the ways works are developed on the writer’s desk or in the artist’s studio. This book provides a cross-section of current international trends in genetic criticism, half a century after the birth of the discipline in Paris. The last two decades have witnessed an expansion of the field of study with new kinds of research objects and new forms of archival material, along with various kinds of interdisciplinary intersections and new theoretical perspectives. The essays in this volume represent various European literary and scholarly traditions discussing creative processes from Polish poetry to French children’s literature, as well as topical issues such as born-digital literature and the application of forensic methodology to manuscript studies. The book is intended for scholars and students of literary criticism and textual scholarship, together with anyone interested in the working practices of writers, illustrators, and editors.
Virginia Woolf's Reading Notebooks XIV and XLVI.
Virginia Woolf?s reading notes offer a fascinating insight into her mind at work, reading ?with a pen and notebook, seriously?, engaged in a lively dialogue with the literary tradition, receptive to the books she is reading and preparing at the same time the critical work that she intends to produce.0The two notebooks published and presented in this volume, notebooks XIV and XLVI (according to Brenda Silver?s classification) were used for the preparation of ?Phases of Fiction?, one of her most original works, and for several essays and reviews. They include quotations, comments on the spur of the moment, and tentative planning for the writing in progress. This edition situates the notes in the immediate context of Woolf?s writing project and in the general context of her relationship to the authors being read. It provides a full transcription of each note and whenever possible quotes the passage in the source from which it derives, and identifies the place where it has been used. It offers a stimulating demonstration of practical intertextuality in progress.
Cognitive Joyce
This collection is the first book-length study to re-evaluate all of James Joyce's major fictional works through the lens of cognitive studies. Cognitive Joyce presents Joyce's relationship to the scientific knowledge and practices of his time and examines his texts in light of contemporary developments in cognitive and neuro-sciences. The chapters pursue a threefold investigation—into the author's "extended mind" at work, into his characters' complex and at times pathological perceptive and mental processes, and into the elaborate responses the work elicits as we perform the act of reading. This volume not only offers comprehensive overviews of the oeuvre, but also detailed close-readings that unveil the linguistic focus of Joyce's drama of cognition.
Jean Rhys
Jean Rhys' position upon the literary map of the 20th century remains unstable, even after Wide Sargasso Sea (1966). She shunned public exposure and yet, desperately sought acknowledgement by her own peers; she stood away from the modernist circles of Montparnasse, in Paris, and yet, explored a radically avant-garde writing which retrospectively makes her rank among them, while her always problematic authority places her in the marginalized position of the postcolonial author. 'Writing precariously', in the case of Jean Rhys, reaches far beyond a mere posture of submission or a necessity to cope with a lack of money or a 'room of one’s own'. Rather, it becomes an ethical and political stan...
Confining Spaces, Resistant Subjectivities
This book represents a significant contribution to academic knowledge, making a compelling case for a contemporary analytical re-reading of a number of “core” postcolonial women’s narratives, such as Erna Brodber’s Jane and Louisa Will Soon Come Home, Buchi Emecheta’s The Joys of Motherhood, and Mariama Bâ’s So Long a Letter. These narratives highlight diversity, contextuality, opposition, and metachrony, have a “generative literary function”, and anticipate what have now become postcolonial feminist issues and debates. Bringing together feminist writing from a range of postcolonial contexts, the book contributes to a field represented by the critical writings of Francoise L...
Genèses d'une folie créole
On se propose ici d'explorer les rapports pour le moins complexes qui, a un siecle d'intervalle, relient le dernier roman de Jean Rhys, Wide Sargasso Sea, a son hypotexte victorien, Jane Eyre. En revisitant le personnage de la Creole alias Bertha Mason dans Jane Eyre, Jean Rhys livre en effet sa version personnelle, rectificatrice, de la folie. Et surtout, son roman se donne comme le texte matriciel de celui qui l'a engendre, comme l'avant-Jane Eyre et, partant, comme la voix inaugurale de la folie. Il est donc fascinant de redecouvrir l'un des canons de la litterature victorienne a l'aune de Wide Sargasso Sea, en raison meme de ce rapport de filiation inversee. Prendre pour objet la genese ...
The Finnegans Wake Notebooks at Buffalo
The Finnegans Wake Notebook Edition is a fully integrated and cross-referenced edition of all the extant work-books compiled by Joyce after the completion of Ulysses. It will be published as a series of fascicles, one per authorial notebook, three per scribal notebook, fifty-five in all. This will make individual notebooks available to scholars as they appear and allow critical feedback, laying the foundations for an electronic edition that will be prepared simultaneously. The editorial aim is to bring together all of the information relevant to each note in as concise and simple a way as possible. The Finnegans Wake Notebook Edition will provide a reference library of comprehensively quoted source material-in effect an annotated digest of Joyce's working library-which will serve as a new starting point not just for exegesis of Finnegans Wake, but also for biographical, textual, and literary criticism of Joyce. Furthermore, the Edition will allow for a reconstruction of Joyce's intellectual concerns and compositional habits during the drafting of Work in Progress / Finnegans Wake.
Katherine Mansfield and Virginia Woolf
Addresses postfeminist media culture's emphasis on socioeconomic privilege
