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Contemporary Fiction and the Fairy Tale
Students and teachers of fiction, folklore, and fairy-tale studies will appreciate this insightful volume.
Talking Folklore
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Folklore, Literature, and Cultural Theory
First published in 1996. The need to write, particularly in pre-technological recording days, in order to preserve and to analyze, lies at the heart of folklore and yet to write means to change the medium in which much folk communication and art actually took and takes place. In Part I of the collection, the contributors address literary constructions of traditional and emergent cultures, those of Leslie Marmon Silko, Sandra Cisneros, Pat Mora, Carmen Tafolla, Julio Cortázar, Milan Kundera, Franz Kafka, Philip Roth, Thomas Hardy, and Dacia Maraini. The contributors to Part II of the collection offer readings of a variety of traditional, vernacular, and local performances.
The Ballad-Singer in Georgian and Victorian London
An in-depth study of the nineteenth-century London ballad-singer, a central figure in British cultural, social and political life.
Maledicta
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Spirituals
Spirituals originated among enslaved Africans in America during the colonial era. They resonate throughout African American history from that time to the civil rights movement, from the cotton fields to the concert stage, and influenced everything from gospel music to blues and rap. They have offered solace in times of suffering, served as clandestine signals on the Underground Railroad, and been a source of celebration and religious inspiration. Spirituals are born from the womb of African American experience, yet they transcend national, disciplinary, and linguistic boundaries as they connect music, theology, literature and poetry, history, society, and education. In doing so, they reach e...
A Tale of a Tub
Samuel Johnson, who did not like Swift, said that A Tale of a Tub «exhibits a vehemence and rapidity of mind, a copiousness of images, and vivacity of diction such as he afterwards never possessed or never exerted.» And in his old age «looking over the Tale, » Swift called out to Mrs. Whiteway, «Good God! What a genius I had when I wrote that book!» Harold Bloom says that A Tale of a Tub «is one of the handful of totally original works in the language.» This new edition presents the work as «an amazing comic book» which puts it in a class with Rabelais' Pantagruel. Both of these works became banned books, greatly increasing the sales. In this edition for the first time the Narrator of the text is discovered to be an authentic comic-pathetic character, with cropped ears, ill-cured syphilis, and suicidal impulses, waiting to be admitted to Bedlam, the new insane asylum, as a terminal patient. This edition is also the first to recognize that the text of A Tale of a Tub is a mosaic, composed of quotations from other texts, which incidentally accounts for the necessity of many end notes.
