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How to Cut Your Own Hair (Or Anyone Else's!)
Save money and create flattering haircuts for yourself, your family, or your friends with this easy-to-follow guide filled with styling tips and techniques and packaged to stand conveniently on the counter as you snip! Have you ever wanted to cut your own hair or someone else’s, but were afraid to try? Or maybe you've been cutting hair at home for years but could really use the advice of trained professionals to improve your technique? This unique book is filled with step-by-step instructions on how to cut styles for men, women, and children. Every type of hair is covered, too—straight or curly, thin or thick, long and blunt, or short and layered. Specifically designed for the home hairs...
How to Cut Your Own Hair (Or Anyone Else's!)
Provides step-by-step instructions for fifteen basic hair cuts; discusses face shape and hair texture; and offers styling tips.
The Third Collected Cathy
Excerpts from comic strip Cathy.
Love
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Syndicate Sales Kit
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Reflections
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From Spirituals to Symphonies
Exploding the assumption that black women's only important musical contributions have been in folk, jazz, and pop Helen Walker-Hill's unique study provides a carefully researched examination of the history and scope of musical composition by African American women composers from the nineteenth and twentieth centuries. Focusing on the effect of race, gender, and class, From Spirituals to Symphonies notes the important role played by individual personalities and circumstances in shaping this underappreciated category of American art. The study also provides in-depth exploration of the backgrounds, experiences, and musical compositions of eight African American women including Margaret Bonds, Undine Smith Moore, and Julia Perry, who combined the techniques of Western art music with their own cultural traditions and individual gifts. Despite having gained national and international recognition during their lifetimes, the contributions of many of these women are today forgotten.
Am I Too Loud?
Famous British accompanist recalls his association with singers, violinists, and others. Includes many anecdotes, praise where it is due, and some remarks on artistic temperament.
