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This is the first scholarly study of the life of the black Peruvian saint, Martín de Porres (1579-1639).
This is an authoritative companion that is global in scope, recognizing the presence of African Diaspora artists across the world. It is a bold and broad reframing of this neglected branch of art history, challenging dominant presumptions about the field. Diaspora pertains to the global scattering or dispersal of, in this instance, African peoples, as well as their patterns of movement from the mid twentieth century onwards. Chapters in this book emphasize the importance of cross-fertilization, interconnectedness, and intersectionality in the framing of African Diaspora art history. The book stresses the complexities of artists born within, or living and working within, the African continent...
SON OF AN UNKNOWN FATHER is a story about Martin de Porres.It opens a window on the culture of the New World in the sixteenth century and explores the spiritual growth of a black man who experienced and transcended racism from childhood to adulthood, often by bringing his pain to Jesus on the cross. It brings the reader from Martin’s life as a young child, experiencing the rejection of his white father who was not in a lawful relationship with his mother, through the years spent with his father when he re-entered his life, to fifteen- year- old Martin entering the Dominican Convent in Lima as a donado, or servant, and the years spent there, healing the sick and ministering to the poor, until his death. The final section, ‘Life After Death,’ traces the obstacles overcome by the church in the New World in bringing a reputedly holy Dominican to beatification on October 9, 1837, and canonization on May 6, 1962. The final chapter of the book explores how St. Martin de Porres, who lived in the sixteenth century, is indeed a saint for our time.
An award-winning historian’s examination of impossible events at the dawn of modernity and of their enduring significance Accounts of seemingly impossible phenomena abounded in the early modern era—tales of levitation, bilocation, and witchcraft—even as skepticism, atheism, and empirical science were starting to supplant religious belief in the paranormal. In this book, Carlos Eire explores how a culture increasingly devoted to scientific thinking grappled with events deemed impossible by its leading intellectuals. Eire observes how levitating saints and flying witches were as essential a component of early modern life as the religious turmoil of the age, and as much a part of history ...
According to media reports, Latin America is one of the most violent regions in the world—a distinction it held throughout the twentieth century. The authors of Violence and Crime in Latin America contend that perceptions and representations of violence and crime directly impact such behaviors, creating profound consequences for the political and social fabric of Latin American nations. Written by distinguished scholars of Latin American history, sociology, anthropology, and political science, the essays in this volume range from Mexico and Argentina to Colombia and Brazil in the twentieth and twenty-first centuries, addressing such issues as extralegal violence in Mexico, the myth of indi...
The first comprehensive historical study of the images and shrines of New Spain, rich in stories and patterns of change over time.
An illustration of how indigenous and non-indigenous actors deployed concepts of time in their conflicts over race and modernity in postcolonial Guatemala.
Written by an international group of scholars, this edited collection provides an overview of the Spanish picaresque from its origins in tales of lowborn adventurers to its importance for the modern novel, along with consideration of the debates that the picaresque has inspired. The term picaresque describes a specific set of early modern Spanish narratives relating the life story of a lowborn adventurer in a realist, ironic, and often humorous manner. The protagonist, the picaro or pícara (rascal), seeks upward mobility in a resolutely hierarchical society determined to prevent his - or her - ascent, and both are rich targets of satire. Spanish pícaros inspired Anglo-French rogues includi...
Runner-up for the 2017-18 AHGBI-Spanish Embassy Publication Prize This book examines how anxieties about colonial power and national identity are reflected in Spanish literature, journalism, and photography of Moroccan Muslim and Jewish cultures during the Spanish colonisation of Northern Morocco from 1909 to 1927. This understudied period, known as the Rif War, is highly significant because of its role in shaping the identities that came into conflict in the Spanish Civil War (1936-39). Furthermore, the book makes a key contribution to Spanish colonial studies by offering a comparative analysis of Spanish representations of the Iberian Peninsula's cultural and historical relationship with Moroccan Muslims and Jews in this context, showing how conflicting visions of Spanish identity are portrayed through and in relation to them. ELISABETH BOLORINOS ALLARD is a Fellow by Examination in Modern Languages at Magdalen College, Oxford.
Based on extensive archival research in Peru, Spain, and Italy, Making Medicines in Early Colonial Lima, Peru examines how apothecaries in Lima were trained, ran their businesses, traded medicinal products, prepared medicines, and found their place in society. In the book, Newson argues that apothecaries had the potential to be innovators in science, especially in the New World where they encountered new environments and diverse healing traditions. However, it shows that despite experimental tendencies among some apothecaries, they generally adhered to traditional humoral practices and imported materia medica from Spain rather than adopt native plants or exploit the region’s rich mineral resources. This adherence was not due to state regulation, but reflected the entrenchment of humoral beliefs in popular thought and their promotion by the Church and Inquisition.