Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Sixties, Center Stage
Challenges the notion that the theater of the 1960s falls neatly into two categories, mainstream or experimental
Playhouse Creatures
None
Center Stage
And we follow their life together: moving from coast to coast, trying to raise a family and maintain two careers, and gradually becoming more involved in politics--Helen especially with the plight of California's migrant workers. Scobie describes Douglas's long, close friendship with Eleanor Roosevelt, traces her political rise as one of the most outspoken liberals in Washington, examines in detail her three terms in Congress, and sheds considerable light on the most notorious event in Douglas's political career: her defeat in the 1950 senatorial race at the hands of Richard Nixon, long considered the quintessential red-smear campaign. Indeed, this is the first book to examine the 1950 campaign from Douglas's side, and its conclusions are revelatory.
Centre Stage
In this volume, scholars and theatre practioners from Austria, Britain and Germany explore the current state of Austrian drama in studies of the themes, forms and concerns of some of the most important contemporary playwrights. Many of the contributions address works which have not previously been the subject of scholarly analysis. The writers discussed include: Wolfgang Bauer, Thomas Bernhard, Elias Canetti, Peter Handke, Fritz Hochwälder, Elfriede Jelinek, Jakov Lind, Felix Mitterer, Hermann Nitsch, Gerhard Roth, Werner Schwab, Marlene Steeruwitz, Peter Turrini, and the film-maker, Wim Wenders. This collection, which includes photographs and an essay on the problems of translating, will be of particular interest to teachers, students and translators of German-language drama, as well as to a wider theatre-going public.
Radical Black Theatre in the New Deal
Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated “Negro Units” set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of “white” classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community—a broad network of actors, dramatists, audiences, critics, and community activists—who made and remade black theatre manuscripts for the Negro Units and other theatre companies from Ne...
Center Stage
Grand palaces of culture, opera theaters marked the center of European cities like the cathedrals of the Middle Ages. As opera cast its spell, almost every European city and society aspired to have its own opera house, and dozens of new theaters were constructed in the course of the "long" nineteenth century. At the time of the French Revolution in 1789, only a few, mostly royal, opera theaters, existed in Europe. However, by the turn of the nineteenth and twentieth centuries nearly every large town possessed a theater in which operas were performed, especially in Central Europe, the region upon which this book concentrates. This volume, a revised and extended version of two well-reviewed bo...
Black Women Centre Stage
This book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types o...
Centre-stage and Behind the Scenes
Yuri Averbakh (1922) is a distinguished Russian chess grandmaster who has enjoyed a long and varied career. He has been a top player, a journalist, an editor, an arbiter, a trainer and a long-time member of the board of the Soviet chess federation. Averbakh won the USSR championship in 1954 ahead of players like Kortchnoi, Petrosian and Geller and was a leading Soviet grandmaster for two decades. In this personal memoir he looks back on his days as an active player on the centre stage of chess, but also on his experiences as a quintessential insider when chess was considered a vital ingredient of life in the Soviet Union. Averbakh observes the world of chess from the moment he walked into the Moscow Chess Club as a 13-year old boy and describes his personal successes, his secret training matches with world champion Botvinnik, the mechanisms and behind-the-scenes dealings in the Soviet Union, including his involvement in the famous matches between Karpov and Kasparov. A unique, revealing and well-told story, essential reading for everybody interested in the history of chess and the Soviet Union.
