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Cerámica Y Cultura
By examining both historic and contemporary examples, the editors move discussion of the enameled earthenware known as mayolica beyond its stylistic merits in order to understand it in historic and cultural context. It places the ceramics in history and daily life, illustrating their place in trade and economics.
Ceramica déco. Il gusto di un epoca-Ceramics. The style of an era. Catalogo della mostra (Forlì, 18 febbraio-1 ottobre 2017). Ediz. a colori
Through ceramic works, as well as examples of furniture, glass, metal, jewelry, fashion, painting and sculpture from Europe and America, from the years following World War 1 to 1929, this volume looks at the sumptuous world of Art Deco. Italian designers Domenico Rambelli, Francesco Nonni, Pietro Melandri, Riccardo Gatti and Giovanni Guerrini are among its protagonists; also represented are German ceramics of the Weimar Republic and works from France and Belgium. Expanding the context of ceramic production, Deco Ceramicsincludes xilographies by Nonni and furniture by Berdondini and Golfieri. Outstanding works by Gio Ponti and Giovanni Gariboldi for Richard Ginori, and their work for the Lenci and Rometti companies, are also included.
Ceramic tiles
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Mediterranean Pottery in Wessex Households
A detailed analysis of the archaeological and historical evidence for the trade and consumption of Mediterranean pottery in the households of southern England between 1200 and 1700. Following a discussion of methodologies, Gutierrez considers Mediterranean centres of production for imported pottery, notably in Spain, Portugal and Italy, followed by a discussion of the archaeological evidence for contact between Wessex and the Mediterranean. A wide range of sites are examined, including fortified and religious buildings, urban and rural settlements and palaces. The study finally examines the types of Mediterranean assemblages found and their social and religious context.
Vessels and Variety
Addressing topics of production and distribution, iconography, regional studies, and museum collections, this volume sheds new and important light on perspectives in the fields of ancient pottery studies. The articles, substantial and well-illustrated, cover a wide span of time from the Geometric period and into the Roman period, including new results and material from excavations as well as new methodological approaches. The range of vessels and their varieties discussed include Campana A pottery from the southern Levant and the Black Sea areas; Oinotrian-Euboian pottery in a sanctuary context in Timpone della Motta near Sybaris in the Middle to Late Geometric periods; Early Proto Corinthia...
Materials Analysis of Byzantine Pottery
This publication brings to a wider audience important new findings in the fields of medieval pottery and archaeometry. The new data that materials analysis provides about Byzantine ceramics and their production at times supports, modifies, and even contradicts conclusions derived from traditional archaeological methods.
Cerámica popular mexicana
The growing interest that is developing in Mexican crafts makes it increasingly important to prepare a critical analysis of this subject. However, before speaking of pottery, we shall try to give our readers a rough sketch of the crafts in our country. -- Preface.
Pottery and Social Dynamics in the Mediterranean and Beyond in Medieval and Post-medieval Times
The papers collected here were originally given at a symposium during the European Archaeology Conference at Lake Garda, Italy in 2009. They have been revised and updated for this volume. Medieval and Post-Medieval ceramic studies have now for some decades been in the forefront of the archaeology of those periods, showing not only fascinating interactions with historical sources, in which both disciplines contribute novel information for each other, but also constantly exhibiting original methods and theories for the wider benefit of ceramology and archaeology in general.
Picasso: the Challenge of Ceramics
Pablo Picasso riservò grande interesse nei confronti della ceramica, che considerava un mezzo di espressione artistica alla stregua della scultura, della pittura, della grafica. A Vallauris, presso l'atelier ceramico di Madoura, egli si dedicò alla lavorazione dell'argilla per venticinque anni, dal 1946 al 1971, producendo migliaia di pezzi. Il volume indaga questo eccezionale capitolo dell'arte del grande maestro spagnolo attraverso cinquanta ceramiche provenienti dal Musée national Picasso-Paris - un nucleo di inestimabile valore, che rappresenta quasi la metà della grande collezione di ceramica del museo - poste in un dialogo con opere conservate al Museo Internazionale delle Ceramich...
