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From police headquarters at Fontanka 16 to the secret offices in major Russian post offices where specialists opened and read correspondence, the Okhranka blanketed the huge Russian empire with a network of secret agents and informers. In many cases they were involved in a desperate effort to track down terrorists before they could assassinate government officials and members of the imperial family. Charles Ruud and Sergei Stepanov have mined police archives, including Moscow's State Archive of the Russian Federation and the archives of the Hoover Institution, to produce this first post-Soviet look at the Okhranka's covert operations, which spread as far as Western Europe. In many ways Fonta...
Robert A.D. Ford had a distinguished diplomatic career that included an unprecedented sixteen years as Canadian ambassador to the Soviet Union during some of the most turbulent and important years of the Cold War (1964-80). Relying heavily on first-person testimony, including several interviews with Ford himself, Charles Ruud takes the reader behind the official announcements, revealing Ford's thoughts and actions as he dealt with what was then seen as the great arch-enemy of Western democratic nations. During his tenure as ambassador Ford was in frequent contact with Moscow's rulers and aware of their struggles, hopes, plans, and fears. Although they appeared powerful, Ford insisted that th...
The Russian Great Reforms of the 1860s were the last major modernizing effort by the Romanov dynasty. From 1855 to 1861, Grand Duchess Elena, born Princess Charlotte of Württemberg (1807-1873), acted as the spokeswoman for the reform-minded circles of Russian society, bringing before her nephew Emperor Alexander II a group of civic-minded experts who formed the core of the committee that prepared the greatest and most complex of the reforms, the abolition of serfdom in Russia. The Grand Duchess’s involvement in these crucial events in Russian history highlights the considerable influence aristocratic women had in Russian society, quite unlike women of the same class and status in Western ...
Only in the 1960s did the Soviet government begin to praise Sytin as an important figure in the publishing industry. He is still virtually unknown in the West. Ruud brings Sytin to the forefront of the enterprising capitalists of his time, a group that significantly influenced the degree to which the modernization of methods and technology transformed Russia before the Revolution.
The life and times of Russia's leading pre-Revolutionary book publisher.
First published in 1982, Fighting Words focuses on the most common form of censorship in Imperial Russia: the governmental system that screened written works before or after publication to determine their acceptability.
This account describes the development of a secret police force that was rooted in tsarist Russia, but provided a model for Soviet police organizations. Ruud (history, U. of Western Ontario) and Stepanov (history, Russian Independent Institute of Social and Nationality Problems, Moscow) provide a comprehensive study of the tsarist secret police, the Okhranka, which was designed to catch terrorists before they assassinated Russia's leaders, during the period leading up to the Revolution of 1917. The book explores the Okhranka and its allied organization, the Gendarmes, through particular cases rather than in strictly institutional terms. Annotation copyrighted by Book News, Inc., Portland, OR
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The Russian Great Reforms of the 1860s were the last major modernizing effort by the Romanov dynasty. From 1855 to 1861, Grand Duchess Elena, born Princess Charlotte of Württemberg (1807-1873), acted as the spokeswoman for the reform-minded circles of Russian society, bringing before her nephew Emperor Alexander II a group of civic-minded experts who formed the core of the committee that prepared the greatest and most complex of the reforms, the abolition of serfdom in Russia. The Grand Duchess’s involvement in these crucial events in Russian history highlights the considerable influence aristocratic women had in Russian society, quite unlike women of the same class and status in Western ...
In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.