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Fontanka 16
This account describes the development of a secret police force that was rooted in tsarist Russia, but provided a model for Soviet police organizations. Ruud (history, U. of Western Ontario) and Stepanov (history, Russian Independent Institute of Social and Nationality Problems, Moscow) provide a comprehensive study of the tsarist secret police, the Okhranka, which was designed to catch terrorists before they assassinated Russia's leaders, during the period leading up to the Revolution of 1917. The book explores the Okhranka and its allied organization, the Gendarmes, through particular cases rather than in strictly institutional terms. Annotation copyrighted by Book News, Inc., Portland, OR
Seven Myths of the Russian Revolution
"This fascinating volume is a major contribution to our understanding of the Russian Revolution, from World War I to consolidation of the Bolshevik regime. The seven myths include the exaggeration of Rasputin's influence; a purported conspiracy behind the February Revolution; the treasonous Bolshevik dependence on German support; the multiple Anastasia pretenders to the royal inheritance; the antisemitic claims about 'Judeo-Bolsheviks'; distortions about America’s intervention in the civil war; and the 'inevitability' of Bolshevism. In each case the authors analyze the facts, uncover the origins of the myth, and trace its later perseverance (even in contemporary Russia). To assist readers, the volume includes three reference guides (people, terms, dates), nine maps, and twenty-nine illustrations. The result is immensely valuable for undergraduate courses in Russian history." —Gregory L. Freeze, Raymond Ginger Professor of History, Brandeis University
The Cultural Gradient
Is there a sharp dividing line that separates Europe into 'East' and 'West'? This volume brings together prominent scholars from the United States, Canada, France, Poland, and Russia to examine the evolution of the concept of Europe in the two centuries between the French Revolution and the collapse of the Soviet Union. Inspired by the ideas of Martin Malia, the contributors take a flexible view of the 'cultural gradient'--the emergence, interaction, and reception of ideas across Europe. The essays address three dimensions of the gradient--the history of ideas, regimes and political practices, and the contemporary political and intellectual scene. In exploring the movement of ideas throughout Europe, The Cultural Gradient brings a new historical perspective to the field of European studies.
Political Censorship of the Visual Arts in Nineteenth-Century Europe
In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.
Avoiding The Terrorist Trap: Why Respect For Human Rights Is The Key To Defeating Terrorism
'This book makes uncomfortable reading both in its detailed analysis of terrorism and its causes, and in the critique of state responses, particularly in modern times. It is unusual to have such a defence of a 'human rights framework' from a counter-terrorism practitioner rather than from within the legal fraternity. It is this that makes the case even more persuasive. All who are involved in counter-terrorism strategy should consider carefully the arguments put forward.'Global Policy JournalFor more than 150 years, nationalist, populist, Marxist and religious terrorists have all been remarkably consistent and explicit about their aims: provoke states into over-reacting to the threat they po...
History
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The Frightful Stage
In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class's time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.
