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Charles Waddell Chesnutt
The driving force in Chesnutt's life was the wish to help his race. Long before the days of the NAACP, which he later joined, and to the end of his life, he lectured, wrote,and corresponded on the everlasting problem." His letters reveal courage and good sense with which he faced racial discrimination." Originally published in 1952. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
The Literary Career of Charles W. Chesnutt
The career of any black writer in nineteenth-century American was fraught with difficulties, and William Andrews undertakes to explain how and why Charles Waddell Chesnutt (1858-1932) became the first Negro novelist of importance: “Steering a difficult course between becoming co-opted by his white literary supporters and becoming alienated from then and their access to the publishing medium, Chesnutt became the first Afro-American writer to use the white-controlled mass media in the service of serious fiction on behalf of the black community.” Awarded the Spingarn Medal in 1928 by the National Association for the Advancement of Colored People, Chesnutt admitted without apologies that bec...
The Journals of Charles W. Chesnutt
Born on the eve of the Civil War, Charles W. Chesnutt grew up in Fayetteville, North Carolina, a county seat of four or five thousand people, a once-bustling commercial center slipping into postwar decline. Poor, black, and determined to outstrip his modest beginnings and forlorn surroundings, Chesnutt kept a detailed record of his thoughts, observations, and activities from his sixteenth through his twenty-fourth year (1874-1882). These journals, printed here for the first time, are remarkable for their intimate account of a gifted young black man's dawning sense of himself as a writer in the nineteenth century. Though he achieved literary success in his time, Chesnutt has only recently bee...
Whiteness in the Novels of Charles W. Chesnutt
An examination of race and audience in an American innovator's writings
The Conjure Woman
Originally released in 1899, this seminal collection of short stories present the complexities of the Black-American experience in the Postbellum South. Chesnutt's often subversive tales challenge popular representations of racial identity.
Collected Stories of Charles W. Chesnutt
Credited with almost single-handedly pioneering a genuine African-American literary tradition in the short story, Chesnutt has influenced writers such as James Weldon Johnson and Charles Johnson. This collections contains all the stories in Chesnutt's two published volumes, The Conjure Woman and The Wife of His Youth and Other Stories of the Color Line, along with two uncollected works.
The Colonel ́s Dream
Reproduction of the original: The Colonel ́s Dream by Charles W. Chesnutt
An Exemplary Citizen: Letters of Charles W. Chesnutt, 1906-1932
This book collects the letters written between 1906 and 1932 by the African-American novelist and civil rights activist Charles W. Chesnutt (1858-1932). His correspondents included prominent members of the Harlem Renaissance as well as major American political figures Chesnutt sought to influence on behalf of his fellow African Americans.
Charles W. Chesnutt: Essays and Speeches
Charles W. Chesnutt (1858-1932) has been considered by many the major African-American fiction writer before the Harlem Renaissance. This book collects essays he wrote from 1899 through 1931, the majority of which concern white racism, and political and literary addresses he made to both white and black audiences from 1881 through 1931.
Passing in the Works of Charles W. Chesnutt
Passing in the Works of Charles W. Chesnutt is a collection that reevaluates Chesnutt's deft manipulation of the "passing" theme to expand understanding of the author's fiction and nonfiction. Nine contributors apply a variety of theories---including intertextual, signifying/discourse analysis, narratological, formal, psychoanalytical, new historical, reader response, and performative frameworks---to add richness to readings of Chesnutt's works. Together the essays provide convincing evidence that "passing" is an intricate, essential part of Chesnutt's writing, and that it appears in all the genres he wielded: journal entries, speeches, essays, and short and long fiction. The essays engage w...
