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Show off your last name and family heritage with this Charlot coat of arms and family crest shield notebook journal. Great birthday, diary, or family reunion gift for people who love ancestry, genealogy, and family trees.
Theatrical producer Andre Charlot brought Parisian revue to Great Britain in 1912 and dominated his field for 25 years. He greatly influenced American musical theater with Charlot's London Revue in New York in 1924. He created the kind of intimate revue the world came to identify as British, and was known for discovering and nurturing some of the greatest personalities in the century's theater, including Beatrice Lillie, Gertrude Lawrence, Jack Buchanan, and Noel Coward. This biography, researched from sources including his personal memoirs, covers Charlot's life and career from his youth in Paris to his time in Edwardian and interwar London, concluding with his final years in Hollywood playing all-purpose Europeans in B-movies and his death in 1956. Two unpublished essays by Andre Charlot are included as appendices: "Beverly Hills, 1937" and "A Quiet Game of Bridge." The work is illustrated with family photographs from all periods of Charlot's life, production photographs from his revues, contemporary charicatures from Tatler Magazine, and production stills of Charlot as an actor from Hollywood films.
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Edward Weston (1886–1958) was one of the most celebrated photographers of the twentieth century. Jean Charlot (1898–1979), a classically trained French artist best known for his murals, woodcuts, and paintings celebrating Mexican culture, played a key role as a participant and chronicler of the Mexican Renaissance. This book, based on letters that Weston and Charlot exchanged from the early 1920s until Weston’s death in 1958, documents a friendship that says as much about art—about photography and fresco, practice, criticism, and history—as it does about the intersection of a number of fascinating characters, the ups and downs of the correspondents’ daily lives, the pursuit of their dreams and aspirations, and the support and encouragement they gave each other. Lew Andrews crafts a multivalent narrative that reconfigures our understanding of Weston, Charlot, and their era, shedding new light on specific events and artwork. While giving us rare insight into the everyday life of these artists, this work also supplies an important chapter in the history of twentieth-century art and photography, seen close up and from the inside.
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