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Mission of Grace
“St. Marianne shows us that this world’s ways can lead us to the Most High in both darkness and light.”—Sr. Margaret Carney, from the foreword “I am hungry for the work. I am not afraid of any disease.” Mother Marianne Cope, July 12, 1883 A letter of invitation in 1883 beckoned her to travel from Syracuse, New York to the islands now known as Hawai`i. Surprised by grace, she gave an emphatic yes to God, even after she learned that her work would be among persons stricken with Hansen’s disease, known then as leprosy. After ministering on several of the islands, she finally came to the settlement at Kalaupapa on the island of Moloka`i, where Fr. Damien de Veuster worked with thos...
Keiki O Ka ʻaina
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Toeing the Line
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Ma‘i Lepera
Ma‘i Lepera attempts to recover Hawaiian voices at a significant moment in Hawai‘i’s history. It takes an unprecedented look at the Hansen’s disease outbreak (1865–1900) almost exclusively from the perspective of “patients,” ninety percent of whom were Kanaka Maoli (Native Hawaiian). Using traditional and nontraditional sources, published and unpublished, it tells the story of a disease, a society’s reaction to it, and the consequences of the experience for Hawai‘i and its people. Over a span of thirty-four years more than five thousand people were sent to a leprosy settlement on the remote peninsula in north Moloka‘i traditionally known as Makanalua. Their story has seld...
Mexican Prints at the Vanguard
Featuring more than fifty works by artists such as José Guadalupe Posada, Diego Rivera, José Clemente Orozco, and Leopoldo Méndez, this issue of the Bulletin explores the rich artistic legacy of printmaking in Mexico from the mid-eighteenth to mid-twentieth century. Curator Mark McDonald traces the origins of The Met’s remarkable holdings of nearly two thousand Mexican prints first collected by the French-born artist Jean Charlot, who had been active in Mexico when the art form rose in prominence amid concerns of national identity following the Mexican Revolution (1910-1920). Highlighting a variety of styles and techniques, including silkscreen, letterpress, and woodcut, this vibrantly illustrated publication offers a richer understanding of Mexican prints through an analysis of how they were used as modes of political expression, education, and resistance in Mexico.
Daughter of Moloka'i
NOW A LOS ANGELES TIMES BESTSELLER | NAMED A BEST/MOST ANTICIPATED BOOK BY: USA Today • BookRiot • BookBub • LibraryReads • OC Register • Never Ending Voyage The highly anticipated sequel to Alan Brennert’s acclaimed book club favorite, and national bestseller, Moloka'i "A novel of illumination and affection." —USA Today Alan Brennert’s beloved novel Moloka'i, currently has over 600,000 copies in print. This companion tale tells the story of Ruth, the daughter that Rachel Kalama—quarantined for most of her life at the isolated leprosy settlement of Kalaupapa—was forced to give up at birth. The book follows young Ruth from her arrival at the Kapi'olani Home for Girls in Ho...
An Archive of Skin, An Archive of Kin
Preface : encountering the photographs -- Chronology of significant events -- Introduction : an archive of skin, an archive of kin -- Ocular experiments and unruly technologies of the body -- A criminal archive of skin -- Dressing the body : Laundry and the intimacy of care -- Dreaming in pictures : Queer kinship and subaltern family albums -- Epilogue : healing encounters at the settlement.
